Saturnin Fabre Movies

Lantern-jawed French comedian Fernandel plays a dual role in Most Wanted Man. He stars as an ordinary Joe (or ordinary Pierre, perhaps) who is the exact double of a notorious gangster. In the tradition of Edward G. Robinson's The Whole Town's Talking, Fernandel must take the place of the criminal, and vice versa. The toughest hurdle in the charade is fooling the gangster's mistress "Mademoiselle", played by Zsa Zsa Gabor (who unlike Fernandel has trouble playing one role). Eventually Zsa Zsa takes a liking to the "nice" Fernandel and helps him collar the rest of the crooks. Most Wanted Man was first released in the U.S. as Most Wanted Man in the World; it was initially screened in France in 1953 as L'Ennemi Public No. 1. ~ Hal Erickson, Rovi

Holiday for Henrietta (originally released in 1952 as La Fete a Henriette) is a Pirandellian comedy about the art of moviemaking. Louis Seigner and Henri Cremieux play a team of screenwriters whose latest project is stuck in a mire of indecision. Should fictional heroine Henriette (Dany Robin) be permitted a happy ending as the romantic Seigner insists, or suffer an unhappy one as "film noir" specialist Cremieux demands? While the screenwriters hash out their contrasting points of view, we see a film-within-a-film, dramatizing the formulating screenplay and its abrupt changes of mood and direction. Finally reaching a compromise, the writers are interrupted by one of the actors in their imaginary movie, who informs them that their "original" plot has already been filmed! When Hollywood got hold of Holiday for Henrietta, it pumped up this modest project into a bloated star vehicle for Audrey Hepburn and William Holden, titled Paris When It Sizzles (63). ~ Hal Erickson, Rovi

Scandals of Clochemerie proved that Hollywood filmmakers had no monopoly so far as poking fun at the movie industry is concerned. This French effort is a glorious lampoon of the "typical" Gallic film, complete with broadly caricatured characters and deliberately exaggerated cliches. Adapted by Gabriel Chevalier from his own novel, the film revolves around the construction of a comfort station in the village of Clochemerie. This momentous undertaking has serious ramifications on the community, not least of which is the exposure of several family skeletons. The film ran into censorship trouble in the States, not just because of its erotic content and occasional religious satire, but also because, at base, the film is about an open-air toilet facility. Originally released in France in 1947 as Clochemerie, the film proved an enormous success during its initial run; as such, it was the last truly profitable venture from veteran filmmaker Pierre Chenal, once the darling of the Parisian critics. ~ Hal Erickson, Rovi

Originally titled La Nuit Fantastique, this French romantic farce was filmed in 1942, during the Nazi occupation. Little did the Germans suspect that star Fernand Gravey was spending his "leisure" time serving with the French Secret Army on behalf of the Resistance. In the film, Gravey plays a medical student, while the luscious Michelene Presle is the girl of his dreams. In fact, it is during one of his dreams that he rescues the girl from a Byzantine plot to rob her of her fortune. It's hardly surprising that French audiences would respond to escapist fare like this while the Germans patrolled their streets outside the theater. Fantastic Night finally received U.S. bookings in 1949, by which time Michelene Presle was preparing to make her first Hollywood film. ~ Hal Erickson, Rovi

No less a literary luminary than Jean Anouilh was responsible for the dialogue exchanges in Les Otages (The Hostages). Set during WWI, the film takes place in a tiny French village, occupied by the Germans. When an enemy officer is killed, five villagers are taken hostage, sentenced to execution if the guilty party does not come forward. Through an incredible coincidence, one of the hostages is town mayor Charpin, who not only knows the killer's identity, but is also an accessory after the fact. A rather abrupt deux ex machina provides the film with a happy ending, especially for young lovers Jean Paqui and Annie Vernay, whose forbidden rendezvous precipitated the killing in the first place. ~ Hal Erickson, Rovi