Dominique Fabre Movies

This epic story about a Louisiana plantation owner trying to hold on to her estate before, during, and after the American Civil War, a place ironically called "Bagatelle," rides on the illustrious fame of Tara and its more famous mistress in another Southern state. Virginia Tregan (Margot Kidder) comes back to Louisiana after finishing her schooling in France and is soon left without financial support when her father dies. Motivated by dire economic straits, she marries the owner of Bagatelle, but her real love turns out to be the steward (Ian Charleson). Husbands come and go while the steward remains in the background, and clichéd characters abound: a chamber-maid whose husband is tragically murdered for supporting the Abolitionists, an evil aristocrat who rapes and kills Tregan's daughter, and the matriarch herself. The original six hours of TV miniseries time was cut to a three-hour cinema format, but the downsizing in this Danielle Steele-type story also extends to the acting, cinematography, dialogue, and dramatic interest -- making it a bagatelle rather than a real gem. ~ Eleanor Mannikka, Rovi

Jean-Paul Belmondo plays Michel Gauché, a stunt double and trickster who is crazy in love with his former fiancee, work-mate, and fellow stunt performer Jane (Raquel Welch). She, however, is so angry with him for landing her in the hospital due to a badly performed stunt that she breaks off the engagement. Belmondo also plays Bruno Ferrari, the movie star he is doubling for, an effeminate homosexual who lusts after his stuntman. Because Jane is angry with Michel, she falls into the arms of a film producer, and arranges for Michel to re-do the same stunt over and over again endlessly. She also tries to woo Bruno the movie star and discovers that he is not interested in women. Michel tries hard to win her back, sometimes pretending to be the movie star, which confuses her to no end. Just as she is about to marry a dull aristocrat, Belmondo appears in an old gorilla outfit and abducts her from the aisles of the church. Belmondo was famous for doing all his own stunts, and he continued that tradition in this film. ~ Clarke Fountain, Rovi

Hélène (Lea Massari) has a lovely family, and lovely children. She is not discontented with things just as they are: her young lover is attentive, her husband is pleasant -- all is just as it should be. In this French suspense film, Hélène's cozy life begins to unravel when she finds her lover is dead. ~ Clarke Fountain, Rovi

Helmut Berger is Alain, a real sicko, who may be so because his mother was a prostitute. He can only make love with a "decent" woman when she is drugged senseless, though he can manage one-time encounters with prostitutes and also gladly suffers the abuse of his boyfriends. He seems to have deliberately driven his first wife to suicide, and now he has married Nathalie (Virna Lisi). A police inspector (Charles Aznavour) has gotten wind of these doings, and attempts to intervene before a second tragedy can occur, but his superiors will not allow him to. This is a French language film, with no dubbing or subtitles. ~ Clarke Fountain, Rovi

This is a typical costume drama and adventure story with plenty of fencing, and swash and buckle but not much ingenuity. Based on a story by Anthony Marshall, a swordsman by the name of Thomas Stanwood (Stewart Granger) finds himself fending off a multitude of attackers before he is captured and realizes he was defending himself against the very duke, Don Carlos (Riccardo Garrone), that he is supposed to be helping. The Duke overlooks the mistake and puts Thomas to guard his intended spouse, Orietta Arconti (Sylvia Koscina). She is a cold, arrogant woman who immediately antagonizes Thomas -- until he begins to realize a few things. Orietta's father was killed by the Duke when he took over their city, so how could she really be on the side of Don Carlos? As certain as night follows day, Thomas and Orietta are going to make an unbeatable pair when it comes to righting the wrongs of the past. ~ Eleanor Mannikka, Rovi