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Luce Fabiole Movies

1975  
PG  
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Woody Allen's Love and Death is purportedly a satire of all things Russian, from Leo Tolstoy and Fyodor Dostoyevsky novels to Sergei Eisenstein films, but it plays more like a spin on Bob Hope's Monsieur Beaucaire. Allen plays Boris, a 19th century Russian who falls in love with his distant (and married) cousin Sonja (Diane Keaton). Pressed into service with the Russian army during the war against Napoleon, Boris accidentally becomes a hero, then goes on to win a duel against a cuckolded husband (Harold Gould). He returns to Sonja, hoping to settle down on the Steppes somewhere, but Sonja has become fired up with patriotic fervor, insisting that Boris join a plot to kill Napoleon. Intellectual in-jokes abound in Love and Death, and other gags are basic Allen one-liners; for instance, after being congratulated for his lovemaking skills, Boris replies nonchalantly, "I practice a lot when I'm alone." The pseudo-Russian ambience of Love and Death is comically enhanced by the Sergey Prokofiev compositions on the musical track. ~ Hal Erickson, Rovi

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Starring:
Woody AllenDiane Keaton, (more)
 
1972  
R  
In this French romance, Louise (Jeanne Moreau) lives alone and seems to like it that way. She has been through a divorce and the recent death of her mother. Recently, she has moved to Annecy, a moderate-sized city, to take work as a schoolteacher. She encounters a much younger man, Luigi (Julian Negulesco), an Italian who is down on his luck. Though he moved to France to find work, he was robbed of his money and papers and is stranded. When he helps her bury her dogs, which her neighbor has poisoned for barking, their relationship grows to a new level. ~ Clarke Fountain, Rovi

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1968  
 
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This Francois Truffaut thriller is based ona novel by William Irish (aka Cornell Woolrich), whose books had been adapted by Alfred Hitchcock on many previous occasions. Jeanne Moreau stars as a woman whose fiancé is nastily murdered by five men. Utilizing a series of disguises, the cool-customer Moreau tracks down all five culprits, sexually enslaves them, and then engineers their deaths. The ominous musical score was written by Bernard Herrmann, another frequent Hitchcock collaborator. The Bride Wore Black was initially released in France as La Mariee etait en Noir. ~ Hal Erickson, Rovi

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Starring:
Jeanne MoreauClaude Rich, (more)
 
1968  
 
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Having been forced into minor parts for several years by a debilitating illness, veteran film actor Michel Simon made a triumphant return to leading roles in the charming, poignant The Two of Us (Le Vieil Homme et L'Enfant). Simon plays a likeable old soak with one significant character flaw: he is a flagrant anti-Semite. During the Nazi occupation of Paris, 8-year-old Jewish lad Alain Cohen is sent to the country, there to live with the parents of his family's Catholic friends. One of those parents is, inevitably, Simon. Taking a liking to Alain, and unaware that the boy is Jewish, Simon attempts to introduce the lad to the doctrine of anti-Semitism. The boy plays along with the old man, teasing him about his prejudices. Despite their obvious philosophical differences, Simon and Alain form a strong and affectionate bond. Director Claude Berri, whose films have often touched upon the Jewish experience in France, once more draws from his own experiences to weave a sensitive, seriocomic scenario. ~ Hal Erickson, Rovi

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Starring:
Michel SimonAlain Cohen, (more)