William "Wild Bill" Elliott Movies
Western star "Wild Bill" Elliott was plain Gordon Elliott when he launched his stage career at the Pasadena Playhouse in 1928. Under his given name, he began appearing in dress-extra film roles around the same time. While he had learned to ride horses as a youth and had won several rodeo trophies, movie producers were more interested in utilizing Elliot's athletic skills in dancing sequences, in which the still-unbilled actor showed up in tux and tails. Beginning in 1934, Elliot's film roles increased in size; he also started getting work in westerns, albeit in secondary villain roles.In 1938, Elliot was selected to play the lead in the Columbia serial The Great Adventures of Wild Bill Hickok, in which he made so positive an impression that he would be billed as "Wild Bill" Elliott for the remainder of his cowboy career, even when his character name wasn't Bill. Elliott's western series for Columbia, which ran from 1938 through 1942, was among the studio's most profitable enterprises. Fans were primed to expect an all-out orgy of fisticuffs and gunplay whenever Elliott would face down the bad guy by muttering, "I'm a peaceable man, but..." Elliott moved to Republic in 1943, where he continued turning out first-rate westerns, including several in which he portrayed famed fictional do-gooder Red Ryder.
In 1945, Elliott began producing his own films, developing a tougher, more jaded characterization than before. A longtime admirer of silent star William S. Hart, Elliott successfully emulated his idol in a string of "good badman" roles. The actor's final western series was a group of 11 above-average actioners for Monogram in the early 1950s, in which Elliott did his best to destroy the standard cowboy cliches and unrealistic Boy Scout behavior symptomatic of the Roy Rogers/Gene Autry school. During his last days at Monogram (which by the mid-1950s had metamorphosed into United Artists), Elliott appeared in modern dress, often cast as hard-bitten private eyes. In 1957, Bill Elliott retired to his huge ranch near Las Vegas, Nevada, where he spent his time collecting western souvenirs and indulging his ongoing hobby of geology. ~ Hal Erickson, All Movie Guide
- 1957
Former "Henry Aldrich" James Lydon is cast against type as a mean-spirited reform school alumnus in Chain of Evidence. Despite the boy's volatile temper, police lieutenant Bill Elliot is convinced that Lydon is a good kid underneath. Elliot's faith in his fellow man is sorely tested when Lydon is accused of murdering businessman Hugh Sanders at the urging of Sanders' craven wife Tina Carver. With the help of Lydon's girlfriend Claudia Barrett, Elliot follows the chain of evidence in hopes of proving the boy's innocence. This Allied Artists programmer was originally released on a double bill with Dragoon Wells Massacre. ~ Hal Erickson, All Movie Guide
- Starring:
- Don Haggerty
- 1957
"Wild Bill" Elliot once again plays diligent police lieutenant Boyle in Footsteps in the Night. This time, Doyle investigates the murder of a friend, who was killed shortly after a high-stakes card game. The principal suspect is Henry Johnson (Douglas Dick), who was heavily in debt to the dead man. But Doyle finally deduces not only the identity of the actual killer (it's a real surprise!) but the misguided motivations that led to the crime. Much of the film was lensed just outside the studios of Allied Artists, fomerly Monogram and currently the home of Los Angeles' PBS outlet. ~ Hal Erickson, All Movie Guide
- Starring:
- Don Haggerty, Eleanore Tanin, (more)
- 1956
Calling Homicide was another of Bill Elliot's "working-man detective" efforts of the 1950s. This time, Elliot plays LA sheriff's department operative Lieutant Doyle. While searching for a cop killer, Doyle discerns a connection between the first murder and the strangling of a pretty model. The villain's modus operandi involves dynamite and nitroglycerine, leading to quite a few hairy suspense sequences. One of the victims is played by Jeanne Cooper, future TV soap opera doyenne and the mother of actor Corbin Bernsen. Calling Homicide benefits from the brisk direction of Edward Bernds. ~ Hal Erickson, All Movie Guide
- Starring:
- Don Haggerty, Kathleen Case, (more)
- 1955
Having forsaken westerns for detective melodramas in Dial Red O, William "Wild Bill" Ellliot continues in this vein in Sudden Danger. Elliot is cast as detective lieutenant Doyle, who at present is investigating the alleged suicide of a clothing manufacturer. Doyle suspects that the victim was murdered, and that the perpetrator was the dead man's blind son, Curtis (Tom Drake). Hoping to clear himself, Curtis begins searching for clues on his own, and by fadeout time he and Doyle have cornered the actual killer. Though obviously made in a hurry, Sudden Danger is elevated by better-than-usual scripting and a well-chosen supporting cast. ~ Hal Erickson, All Movie Guide
- Starring:
- Tom Drake, Beverly Garland, (more)
Samuel Fuller directed and cowrote this typically hard-boiled drama set in Japan following World War II. Eddie Kenner (Robert Stack) is given a special assignment by the Army to get the inside story on Sandy Dawson (Robert Ryan), a former GI who has formed a gang of fellow servicemen and Japanese locals who use their muscle to take over Tokyo's pachinko racket and commit a series of train robberies, targeting deliveries of military ammunition. Eddie is supposed to gather evidence on the murder of a soldier believed to have fallen in with the gang, and Eddie tries to blend in with the group to find out how they work. Hoping to learn more, Eddie also begins romancing Mariko (Shirley Yamaguchi), a Japanese woman who was married to the slain gangster, and he learns that the ruthless Dawson kills men who are injured during robberies rather than leave them behind to possibly testify against him. After a burglary goes wrong, Dawson becomes convinced that there's an informer in the group; wrongly believing it's Griff (Cameron Mitchell), Dawson kills his loyal soldier and makes Eddie his second in command. Veteran Japanese actor Sessue Hayakawa appears as Inspector Kito, a Japanese police detective working with Eddie to crack the case. ~ Mark Deming, All Movie Guide
- Starring:
- Robert Ryan, Robert Stack, (more)
- 1955
In this thriller, a mentally unstable ex-GI escapes from the mental ward and goes searching for his ex-wife who only recently divorced him. The man is not dangerous; he just wants to talk to her. Meanwhile the woman is murdered by her lover, a married man, because she is pregnant with his child. The fugitive soldier is framed for the murder. He escapes, finds the real killer and gets his revenge. Fortunately, a clever police lieutenant also figures out the murderer's identity and gets there in time to save the soldier from killing him. ~ Sandra Brennan, All Movie Guide
- Starring:
- Keith Larsen, Helene Stanley, (more)
- 1954
The Fortyniners stars Wild Bill Elliot as California-based federal agent Sam Nelson. While others pan for gold, Sam searches high and low for the murderers of a fellow "fed". The trail leads to smooth-talking gambler Alf Billings (played by Henry Morgan, who went on to TV fame as Harry Morgan), but Nelson doesn't immediately make an arrest, choosing instead to play his cards close to the vest and to allow Billings to tip his hand. After six reels of cat-and-mouse, the film explodes in a veritable orgy of gunplay. Virginia Grey costars in a poignant cameo as the wife of one of the fugitive killers. ~ Hal Erickson, All Movie Guide
- Starring:
- William "Wild Bill" Elliott, Virginia Grey, (more)
- 1954
Neither a B nor an A picture, Bitter Creek is a solid western programmer, offering an excellent, unglamorized performance by Wild Bill Elliot. Though officially prohibited to do so by the Production Code, the film is motivated by revenge. Elliot arrives in Bitter Creek seeking retribution for the murders of his brothers. He suspects that powerful rancher Carleton Young is responsible, but has no proof. In the course of events, Elliot behaves with the same cold-blooded ruthlessness as the villains, with no concessions made to the kids in the audience: this, of course, results in a far more powerful film than usual. Beverly Garland is well cast as the vacillating heroine who believes in Young's innocence until it's almost too late. ~ Hal Erickson, All Movie Guide
- Starring:
- William "Wild Bill" Elliott, Carleton Young, (more)
- 1953
Bill Elliot emulates his idol William S. Hart in the superior western Topeka. Elliot plays the archetypal Good Bad Man, hired to kick the crooked element out of a small town. A hard-drinking, hard-living man, Elliot entertains thoughts of taking over the town himself for the benefit of his own gang. After several reels of soul-searching, Elliot decides to honor his promise to clean up the town for its decent citizens. Evidently director Thomas Carr rented a camera crane for this Allied Artists production, since the camera performs remarkable calisthenics, the kind not normally seen in a medium-budget western. ~ Hal Erickson, All Movie Guide
- 1953
Rebel City is a "B" western with "A" aspirations. Wild Bill Elliot plays gambler Frank Graham, who heads to Kansas in search of his father's murderer. This being 1864, the local military presence is more preoccupied with keeping Southern sympathizers out of the state to worry about Graham's problems. Thus, our hero undertakes the task of exposing the killer himself. As always, the least likely suspect is the guilty party (though sharp-eyed viewers were wise to the villain from the first reel). Marjorie Lord co-stars as Jane Dudley, the comely operator of the local freight line who helps Graham in his task. Producer Thomas M. Fennelly and director Thomas Carr later collaborated on the Richard Diamond TV series. ~ Hal Erickson, All Movie Guide
- Starring:
- William "Wild Bill" Elliott, Marjorie Lord, (more)
- 1953
After a number of overproduced, overlong western "specials," Wild Bill Elliot went back to basics with a series of Monogram/Allied Artists "B"s. In the 62-minute The Homesteaders, Mace Corbin (Elliot) is hired to pick up a consignment of dynamite on behalf of a group of Oregon homesteaders. But evil land-baron Kroger (James Seay), coveting the explosives for himself, lays a trap for Corbin. En route, Our Hero must contend not only with Indians and the elements, but also with his disreputable partner Clyde Moss (Robert Lowery), who is in league with Kroger. A strange, "cleansing" ending caps this interesting pocket western. ~ Hal Erickson, All Movie Guide
- Starring:
- William "Wild Bill" Elliott, Emmett Lynn, (more)
- 1953
Vigilante Terror was one of the last of the "Wild Bill" Elliot westerns for Columbia. This time, Elliot comes to rescue an imperiled storekeeper. A band of masked vigilantes is laying waste to the countryside, and the storekeeper is blamed. Wild Bill saves the day by going undercover -- or under hood, as it were. Lewis Collins directed ably, as he did on most of the valedictory entries in the Wild Bill Elliot series. ~ Hal Erickson, All Movie Guide
- 1952
The Waco depicted in this film is a wide-open Texas frontier town, in desperate need of a strong authority figure to clean out the criminal element. The man needed is the man found: Matt Boone, played by Wild Bill Elliot. Though himself a fugitive from justice (he killed a man in self-defense), Boone takes his responsibilities as sheriff very seriously. Flying in the face of standard "good badman" movie cliches, Boone is often as brutal and ruthless as the desperadoes he comes up against. Waco was one more feather in the cap of cowboy star Bill Elliot, who appeared in some of the toughest -- and best -- medium-budget westerns of the 1950s. ~ Hal Erickson, All Movie Guide
- Starring:
- William "Wild Bill" Elliott, I. Stanford Jolley, (more)
- 1952
Cowboy hero Wild Bill Elliot (whose trademark was wearing his six-shooters backwards in his holsters) stars in this oater. After his brother is murdered by crooked cattlemen, Elliot is determined to bring honest business to the plains of North Dakota, and he pioneers the use of barbed wire to fence in his property. The supporting cast includes Phyllis Coates, Jack Ingram, Denver Pyle, and Fuzzy Knight. This 1952 feature is not to be confused with 1996 crime comedy of the same name, which gave new life to the expression "You betcha!" ~ Mark Deming, All Movie Guide
- 1952
In this "Wild Bill Elliot" western, Elliot and two other lawmen (Myron Healey and Robert Bray) are assigned to take three outlaws to prison. Along the way, they agree to escort Phyllis Coates and her grandmother Florence Lake through Indian territory. Everyone's safety is threatened when one of the deputies (Healey) casts his lot with the criminals. Maverick was the first of three serendipitous collaborations between star Elliot and director Thomas Carr. Incidentally, Carr had just finished directing leading lady Phyllis Coates in several episodes of the Superman TV series. ~ Hal Erickson, All Movie Guide
- Starring:
- William "Wild Bill" Elliott, Myron Healey, (more)
- 1952
Kansas Territory is one of Bill Elliot's latter-day Allied Artists westerns--meaning that even the non-western fan is in for a treat (albeit a violent one). Elliot's brother is killed, which naturally prompts him to seek revenge. On his bloody quest for the guilty party, Elliot learns many facts of his brother's life that he'd rather not know. By the time he confronts the killer, Elliot has a pretty clear picture of how rotten his brother truly was, and how his death was not altogether unjustified. Elliot must also come face to face with the fact that he has become just as brutal as the man he's after. ~ Hal Erickson, All Movie Guide
- Starring:
- William "Wild Bill" Elliott, House Peters, Jr., (more)
- 1951
After several elaborate Republic western vehicles, William Elliot returns to the clean-cut minimalism of his "Wild Bill Elliot" days in Longhorn. The story involves the efforts by cattle rancher Jim Kirk (Elliot) to cross-breed his Longhorn cattle with Hereford stock, thereby increasing their value. To this end, Kirk heads to Oregon to pick up a prime group of Herefords. Unfortunately, his head cowboy Andy (Myron Healey) is in cahoots with a gang of rustlers who intend to steal Kirk's improved stock. Featured in the cast are all-purpose heroine Phyllis Coates and such sagebrush veterans as I. Stanford Jolley, William Fawcett, Zon Murray, and future TV "Lone Ranger" John Hart. ~ Hal Erickson, All Movie Guide
- Starring:
- William "Wild Bill" Elliott, Phyllis Coates, (more)
- 1950
William Elliot is the multitextured hero of the deluxe Republic western Savage Horde. Elliot plays a gunslinger named Ringo, who, though no paragon of virtue, is not a murderer. After killing a man in self-defense, Ringo takes it on the lam from the law. Hiding out in a remote frontier town, Ringo becomes involved in a range war between land baron Proctor (Grant Withers) and a group of honest ranchers. At the risk of his own capture, Ringo decides to stick around and join the ranchers in their battle against Proctor. Leading lady Adrian Booth plays Livvy Weston, who'd like to fall in love with Ringo but can't reconcile herself with his bad reputation. Featured in the cast are such western "regulars" as Noah Beery, Bob Steele, Roy Barcroft, Earle Hodgins and Hal Taliaferro (aka Wally Wales). ~ Hal Erickson, All Movie Guide
- Starring:
- Adrian Booth, Grant Withers, (more)
- 1950
Showdown is the story of a trail boss named Shad Jones (Bill Elliott) whose younger brother is murdered. Knowing that a member of a wagon train is responsible for the killing, Shad joins the train in attempt to discover who the guilty man is. ~ Stephen Thomas Erlewine, All Movie Guide
- Starring:
- William "Wild Bill" Elliott, Marie Windsor, (more)
- 1949
Republic's program westerns of the 1940s fell into two categories: the Saturday-matinee fare of Roy Rogers, Allan "Rocky" Lane et. al., and the more adult-oriented William Elliot vehicles. In The Last Bandit, Elliot and Forest Tucker play a couple of James-like bandit brothers, Frank and James Plummer. Deciding to go straight, Frank adopts a new name and takes a job as an express guard. James assumes that Frank is merely playing possum, intending to return to banditry when the time is ripe. But Frank is serious about reforming, setting the stage for an extreme and violent form of sibling rivalry at the climax. Andy Devine eschews his usual comedy relief as the railroad detective who decides to risk hiring Frank, while Adrian Booth offers another of her intelligent leading-lady characterizations. The Last Bandit was lensed in Republic's Trucolor process, which made up in vibrancy what it lacked in stability. ~ Hal Erickson, All Movie Guide
- Starring:
- Adrian Booth, Forrest Tucker, (more)
- 1949
Western star William Elliot always insisted that his idol was silent-film cowboy William S. Hart. Elliot's Hellfire, then, can be seen as his tribute to the 1916 Bill Hart classic Hell's Hinges. Elliot plays a hard-bitten frontier gambler whose life is saved by a preacher. When the preacher dies as a result, Elliot vows to mend his ways. He becomes a minister himself, planning to finish constructing a church that his predecessor had started. To finance this project, he hopes to collect the reward on female outlaw Marie Windsor. She resists all attempts to bring her to justice, but after a climactic shoot-out with the rest of the criminal element in town, the wounded Windsor repents her sins and agrees to turn herself in. Hellfire was written by Dorrell and Stuart E. McGowan, who later collaborated on the long-running TV anthology Death Valley Days. ~ Hal Erickson, All Movie Guide
- Starring:
- William "Wild Bill" Elliott, Marie Windsor, (more)
- 1948
Also known as California Outpost, Old Los Angeles stars Bill Elliot in one of his expanded-budget Republic "specials." The film is set during the early statehood days of California, with Elliot keeping the peace and warding off plunderers and marauders. As always, Elliot is a "peaceable man"--until he beats the tar out of those who rile him. The problem with Elliot's more expensive Republic vehicles is that action invariably took a back seat to plot, romance, costumes and decor. Within a year of Old Los Angeles, Elliot started a more austere, less prettified and far superior western series. ~ Hal Erickson, All Movie Guide
- Starring:
- John Carroll, Catherine McLeod, (more)
- 1948
When Republic moved its popular star William Elliot from "B" series westerns to "A" frontier specials, a lot of the fun and excitement was lost in the process. Additionally, Republic seemed reluctant to admit the new Elliot films were westerns, as witness the title Gallant Legion, which could have been mistaken for a Sahara Desert epic. Actually Gallant Legion is one of the better Elliot big-budgeters, with Bill as one of the charter members of the Texas Rangers. The Rangers' task is to prevent greedy landgrabbers from dividing Texas into sections and setting up their own fiefdoms. Elliot's leading lady in Gallant Legion is Adrian Booth, who as "Lorna Gray" had been a Republic serial villainess a few seasons earlier. ~ Hal Erickson, All Movie Guide
- Starring:
- Adrian Booth, James Brown, (more)
- 1947
Fans of William "Wild Bill" Elliot vastly prefer his B westerns to his big-budget Republic "specials", though the latter films have their adherents. In The Fabulous Texan, Elliot emulates his idol William S. Hart in the role of ex-Confederate officer Jim McWade. Returning to Texas to find his home turf under the jurisdiction of corrupt, despotic carpetbaggers, McWade shoots it out with the authorities after his father is slain. Forced to flee to the mountains with his war buddy John Wesley Barker (John Carroll), McWade vows revenge on those bluecoated thugs who've ravaged his beloved Texas. Eventually, McWade realizes that he'd be better off cooperating with the Federal government to rid his state of its plunderers, but Barker comes to enjoy the life of an outlaw, and refuses to surrender his independence. Thus it comes to pass that McWade is obliged to hunt down his old friend, thereby restoring Law and Order to Texas. Catherine McLeod costars as Alice Sharp, the woman who will become McWade's wife-- and, in old age, the torchbearer of his memory. ~ Hal Erickson, All Movie Guide
- Starring:
- Roy Barcroft, Robert H. Barrat, (more)
- 1947
Promoted from Republic B westerns to "A" productions, William "Wild Bill" Elliot found himself in the sort of roles previously essayed by John Wayne, Richard Dix and Errol Flynn. In the Republic "special" Wyoming, Elliot plays Charles Alderson, a wealthy Wyoming Territory ranch owner who takes an adversarial position against the congressional Homestead Act of the late 19th century. Alderson's grown daughter Karen (Vera Ralston, whose foreign accent is "explained" by the fact that she's been educated in Europe!) tries to dissuade her father from his ruinous path, but it is only through the villainy of crooked landgrabber Duke Lassiter (Albert Dekker) that Alderson realizes he's been all wrong about the incoming homesteaders. Only in a Republic picture would a film's supporting cast include both Maria Ouspenskaya and Gabby Hayes! This Wyoming, incidentally, is not a remake of the 1940 Columbia film of the same name. ~ Hal Erickson, All Movie Guide
- Starring:
- Roy Barcroft, John Carroll, (more)
