Jenny Egan Movies
George C. Scott stars as Justin Playfair, a retired, widowed judge who labors under the delusion that he's Sherlock Holmes. Feigning concern, Playfair's greedy brother Blevins (Lester Rawlins) hires psychologist Dr. Mildred Watson (Joanne Woodward) to certify that Justin is insane--and in so doing gain control of the judge's millions. Instead, Dr. Watson is drawn into Playfair's dream world, accompanying the judge on his quest to find the elusive (and imaginary) Professor Moriarty. Reality rears its head when a group of vicious blackmailers, to whom Blevins is deeply in debt, attempt to assassinate brother Justin. In a sequence originally cut from the release version but restored for television, Playfair and Watson are rescued by a group of middle-aged eccentrics, who like the judge would give anything to live the lives of their literary favorites (the most poignant of these is librarian Jack Gilford, who "wishes to God" that he were the Scarlet Pimpernel). ~ Hal Erickson, Rovi
- Starring:
- George C. Scott, Joanne Woodward, (more)
Samantha (Virginia Vestoff) decides to remain with her second husband Gerard (James Storm) -- but not before informing her first husband Quentin (David Selby) that Tad is not his son. The vengeful Gabriel (Christopher Pennock) exults over the fact that his brother Quentin is miserable. And Hortense (Jenny Egan), the Collins' governess, falls victim to the headless body of Judah Zachary (Norman Parker). This episode first aired on October 21, 1970. ~ Hal Erickson, Rovi
After ordering Samantha (Virginia Vestoff) to remain in Collinwood with son Tad, Quentin (David Selby) reveals the story of Judah Zachary to Barnabas (Jonathan Frid). Knowing what terrors await in the future, Julia (Grayson Hall) tries to persuade Daphne (Kate Jackson) not to accept the job of new governess at Collinwood. And everybody's nemesis, the beautiful sorceress Angelique (Lara Parker), makes a return appearance. This episode initially aired on October 22, 1970. ~ Hal Erickson, Rovi
Eleanor H. Porter's story of Pollyanna, "The Glad Girl," was first filmed in 1920 by Mary Pickford. While entertaining, the Pickford version tended to reduce the supporting characters to stereotypes. Disney's 1960 remake of Pollyanna wisely offers three-dimensional characterizations, enhancing the charm and believability of the story. In her first Disney film (indeed, her first American film), Hayley Mills stars as Pollyanna, an orphan girl sent to live with her wealthy aunt Polly (Jane Wyman). A humorless sort, Aunt Polly is taken aback by Pollyanna's insistence upon seeing the happy side of everything. With her best friend and fellow orphan, Jimmy Bean (Kevin "Moochie" Corcoran), Pollyanna spreads her sunshine all over town, transforming such local curmudgeons as hypochondriac Mrs. Snow (Agnes Moorehead), hellfire-and-brimstone Reverend Ford (Karl Malden), and reclusive Mr. Pendergast (Adolphe Menjou) into positive, life-affirming sorts. This she does not by being simpering or syrupy, but by applying common sense and refusing to indulge anyone's self-pity. Only Aunt Polly refuses to warm up. As the owner of the town orphanage, Aunt Polly will not hear of having a new, more modern facility built, and when handsome Dr. Chilton (Richard Egan) stages a charity bazaar in defiance of Aunt Polly, Pollyanna is forbidden to attend. She escapes to the bazaar by climbing down the tree next to her upstairs window; but when trying to return home, Pollyanna falls and injures her legs. Facing possible permanent paralysis, the "Glad Girl" is for the first time disconsolate and pessimistic. Her spirits are uplifted by the townsfolk whom she's helped, and finally by Aunt Polly, who's realized the folly of her stubbornness. Ebulliently optimistic once more, Pollyanna leaves town for an operation, as the townsfolk cheer her up and cheer her on. Possibly because it was perceived as having only little-girl appeal (a false perception indeed), Pollyanna was not the big hit that it should have been in 1960. Its latter-day reputation as one of Disney's finest features rests primarily on its many successful television showings. The film was remade for television with an all-black cast as Polly in 1989. ~ Hal Erickson, Rovi
- Starring:
- Jane Wyman, Hayley Mills, (more)





