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Emily Watson Movies

With soulful, saucer-like eyes and a coy smile that hints at playfulness, Oscar-nominated actress Emily Watson burst onto the scene with her shattering performance in Lars von Trier's Breaking the Waves, a role that almost went to period-piece queen Helena Bonham Carter. Born the daughter of an architect and an English professor in Islington, a borough of London, England, in January 1967, a sheltered upbringing initially led Watson to seek studies in English Literature. After studying in Bristol for three years, Watson made her first bid for drama school only to face disheartening rejection. After three years of working as a waitress and a secretary, she was eventually accepted into the London Drama Studio. It was during this early phase in her career that Watson would meet future husband Jack Waters.

Launching her career upon joining the Royal Shakespeare Company in 1992, Watson soon set her sights on film. Fate intervened when actress Helena Bonham Carter pulled out of director Lars von Trier's Breaking the Waves at the last minute due to the film's explicit sexuality. Despite her lack of big-screen experience, Watson landed the female lead in the film after only one brief screen test. Playing a spiritually driven woman whose oil-rig worker husband (Stellan Saarsgaard) becomes paralized, she exhibited a brash, religiously transcendent sexuality, stunning art-house audiences and recieving an Oscar nomination in the process. Though the subsequent marriage dramedy Metroland proved to be a nostalgia trip by comparison, Watson's honest performance again earned accolades. Watson's reputation continued to grow with her intimate, conflicted portrayal of the Multiple Sclerosis-stricken concert cellist Jacqueline Du Pre in Hilary and Jackie (1998), for which she was again Oscar-nominated, as well as when she played the love interest of an eccentric chess champion in The Luzhin Defence (2000).

After joining the talented ensemble of Robert Altman's acclaimed comedy-mystery Gosford Park, Watson made serious inroads into Hollywood, first in 2002 as the love interest of a temperamental (to say the least) small-business owner played by Adam Sandler in Paul Thomas Anderson's Punch-Drunk Love. That same fall also saw her playing the love interest of a murderous psychopath in Brett Ratner's Hannibal prequel Red Dragon, and re-teaming with Metroland co-star Christian Bale in the little-seen sci-fi action vehicle Equilibrium. After doing voice work for Tim Burton's animated gothic Corpse Bride -- alongside the very woman she replaced in Breaking the Waves, Helena Bonham-Carter -- she returned to the British art-house scene with strong performances in such films as Separate Lives and director Richard E. Grant's autobiographical Wah-Wah.

She appeared in the biopic Miss Potter, and the family fantasy film The Water Horse. In 2008 she was part of Charlie Kaufman's directorial debut Synecdoche, New York. Three years later she played the mother of a boy devoted to his beloved equine mate in Steven Spielberg's adaptation of War Horse, and in 2012 she appeared in Joe Wright's adaptation of Anna Karenina. ~ Jason Buchanan, Rovi
1997  
R  
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Jim Sheridan (In the Name of the Father) directed this drama about a Belfast boxer, filmed with Dublin locations substituting for Belfast. Released after his 14-year prison sentence for IRA activities, 32-year-old Danny Flynn (Daniel Day-Lewis) returns to his old neighborhood and sees former-flame Maggie (Emily Watson), who has an unhappy marriage and now raises her son alone while her husband is in prison. To get back in the boxing ring, Danny gets the community-center gym back in operation and starts training, encountering opposition from militant IRA members, including Harry (Gerald McSorley). Danny and Maggie grow closer, but after a bomb sets off events leading to the destruction of the gym, Danny leaves for a disastrous boxing match in London. More grim situations arise when he returns to Belfast. ~ Bhob Stewart, Rovi

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Starring:
Daniel Day-LewisEmily Watson, (more)
 
1997  
R  
Add Metroland to Queue 
An unexpected visit causes a man to wonder what path he should have taken in life in this drama. In 1977, Chris (Christian Bale) and Marion (Emily Watson) are a staid married couple living in a working-class community near the outskirts of London, where the Metro tube line dead-ends. While Marion is reasonably happy, Chris is bored and restless, and he often daydreams about how his life could have been different. Chris and Marion first met in Paris in 1968, when revolution was in the air and they were both footloose bohemians exploring the world. Chris was briefly in love with Annick (Elsa Zylberstein), a wild, beautiful, and high-spirited young woman, but he married Marion instead, and he frequently wonders if he made the right choice. One day, Chris receives a telephone call from his old buddy Toni (Lee Ross), who was his best friend back in his days in Paris. While Chris has joined the working class, Toni is still following his muse around the world, drifting through Europe, America, Africa, or anywhere else the breeze takes him. Toni is visiting England and invites Chris to leave Marion behind and join him in his travels. Already in an unsure state of mind, Chris finds himself calling practically every aspect of his life into question -- he even wonders if Marion might be attracted to Toni, whom she's never cared for. Metroland was adapted by Adrian Hodges from the novel by Julian Barnes. ~ Mark Deming, Rovi

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Starring:
Christian BaleLee Ross, (more)
 
1996  
R  
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With Breaking The Waves, director Lars von Trier fashions an often disturbing tale of the singular power of love. Bess (the Oscar-nominated Emily Watson) is a naïve, borderline simple young woman who lives in a Scottish coastal town ruled by the religious doctrine of its council of elders. Recovering from a mental breakdown caused by the death of her brother, Bess marries a rough yet compassionate and attentive oil rig worker named Jan (Stellan Skarsgård). For a brief time, the couple enjoys peaceful wedded bliss, with the worldly Jan introducing Bess to the mysteries of sex. Jan must soon return to his job on the rig, however, where he is paralyzed from the neck down in a freak accident. Bess' emotional trauma over Jan's injury turns into obsession as she prays to God for his recovery and offers to do anything to have her husband back whole. Jan, constantly medicated and profoundly depressed, asks Bess to have sex with other men and tell him about it, thinking this will allow her to return to a normal life. Bess, on the other hand, sees it as an expression of her devotion to Jan that even God won't be able to ignore. Bess's resultant downward spiral leads to a finale of both tragedy and spirituality. Breaking the Waves is widely regarded as one of the most distinctive European movies of the 1990s, marking von Trier's movement toward his influential Dogma 95 school of filmmaking, which emphasizes realistic situations of contemporary life, filmed without background music and with a hand-held, restlessly moving camera. ~ Don Kaye, Rovi

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Starring:
Emily WatsonStellan Skarsgård, (more)