Jacob Tiedtke Movies

Leon Feuchtwangler's novel Jud Süss was originally about a powerful ghetto businessman who believes himself to be a Jew. Süss' ruthless business practices result in the betrayal of an innocent girl, for which he is arrested and sentenced to be hanged under the anti-Jewish laws of the 18th century. While he waits to be executed, Süss discovers he is not Jewish. Rather than turn his back on the people of the ghetto with whom he'd grown up, Süss courageously refuses to declare his "Aryan" status, even though it means he will die on the gallows. The Feuchtwangler book was designed in roundabout fashion to strike a blow against anti-Semitism. But when Jud Süss was filmed in Germany at the behest of Nazi propaganda minister Joseph Goebbels in 1940, its original message was twisted and perverted into an argument in favor of "ethnic cleansing." As played by Werner Krauss, Süss is not only genuinely Jewish, but also an amalgam of every vicious caricature ever concocted by the anti-Semitic propagandists of the past two centuries. With hooked nose and greasy beard, Krauss portrays Süss as a whining, wheedling, hand-wringing subhuman rapist; small wonder that Krauss was proclaimed an Actor of the State by the Nazis. The final scene of Jud Süss shows a screaming, protesting Süss being hanged in the public square; the scene is directed to cast Süss' tormenters in an utterly sympathetic light, and perhaps even to invoke cheers from an impressionable audience. Though disgusting beyond belief, Jud Süss should be seen at least once, if only to show what a dangerous weapon film can be in the hands of hate merchants. ~ Hal Erickson, All Movie Guide

While watching the frothy Germany comedy Meine Freundin Barbara (My Girl Friend, Barbara), one would never suspect that the Nazis had already been in power for five years. The delightful comedienne Grethe Weiser stars as Barbara, a theater usherette who eavesdrops on a spooning couple in the balcony. Knowing that the woman in question is married, Barbara reports the tete-a-tete to the woman's husband, advising him to come up with a plan to win his wife back. Part of the plan requires Barbara to pose as the husband's girl friend, so guess what happens next. Highlights include a pleasant lakeside romantic rendezvous and a chipper musical number. ~ Hal Erickson, All Movie Guide

Anny Ondra is the whole show in the musical comedy Der Junge Graf (The Young Count). Ondra plays Billy, the daughter of circus owner Preissnitz (Hans Junkerman). To keep production costs low, our heroine performs as a blonde female aerialist, then dons a black wig and poses as a male acrobat. Her dual identity results in a series of complications reminiscent of (but not copying) Viktor und Viktoria. When Der Junge Graf was distributed in the U.S., it was sold on the basis of Anny Ondra's marriage to heavyweight boxing champ Max Schmeling. ~ Hal Erickson, All Movie Guide

Hasenklein was based on a stage play by Hans Mahner-Mons. Arriving in the big city to visit his daughter, provincial dressmaker Jacob Tiedke finds himself attending a political meeting. Through a series of hilarious misunderstandings, our hero is elected a member of Parliament then is promoted to the Presidency. Tiedke wants nothing to do with all this, but the more he tries to disqualify himself, the more his followers are convinced that he's a legislative genius. After using his political clout to smooth the romantic path for his daughter and her sweetheart, Tiedke blissfully returns to the small-town dress shop whence he came. ~ Hal Erickson, All Movie Guide

This German flag-waver recounts the life and career of famed 19th-century Prussian military leader General Yorck. Werner Krauss, who 13 years earlier had starred in Cabinet of Dr. Caligari, plays the title role. The film's dramatic high-water mark is the moment in 1812 that Yorck refuses to obey his wrong-minded King, whereupon he is branded a rebel. Within a few years, the German film industry would be nationalized by the Nazi party, whereupon any film in which a courageous general dared to stand up to his country's leader would be rejected out of hand. Ironically, by that time the fervently patriotic Werner Krauss would be designated an "Actor of the State." ~ Hal Erickson, All Movie Guide

Ein Toller Einfall (A 'Phantastic' Idea) features comic actor Max Adelbert as a "poor rich man," who in spite of his magnificent mansion and priceless possessions hasn't a penny in the bank. Heading to England to negotiate the sale of his mansion, he leaves the place in the care of his nephew Willy Fritsch. In Adelbert's absence, Fritsh transforms the mansion into a hotel, packing in the customers with an elaborate floor show. Naturally, this helps to put Adelbert back on his feet, leading inexorably to a happy ending. Dorothea Wieck and Ellen Schwanecke, previously teamed in the controversial Maedchen in Uniform, portray entirely different characters in Ein Toller Einfall. ~ Hal Erickson, All Movie Guide

More formerly known as Das Floetenkonzert von Sanssouci, this German historical drama is set during the reign of Prussia's Frederick the Great (here played by Otto Gebuehr, who made a career out of the role). Forced against his will to go back to war by his enemies, the King stirs up the patriotism of his countrymen by staging the titular flute concert. At one point, Frederick rails against the iniquities of "peace treaties," an obvious -- and anachronistic -- swipe at the 1919 Treaty of Versailles. This propagandistic sidebar is quite surprising in a pre-Third Reich German film but should not be constituted as being pro-Nazi (indeed, director Gustav Uelcky was forced to flee Europe when Hitler came to power). Still, it cannot be denied that Floetenkonzert is a glorification of war and warfare, no matter how prettily it was put together. ~ Hal Erickson, All Movie Guide