Barbara Iley Movies

A couple (Tyler Perry and Janet Jackson) that goes on a therapeutic annual winter vacation designed to help couples work through their marital problems in a group setting finds the usual routine thrown into chaos when one of the wives arrives with a sexy young temptress in tow. Now, as the Colorado snow falls gently outside of their window, one couple will experience a bout with infidelity that will cause the entire group to question the validity of their own respective marriages. Diary of a Mad Black Woman mastermind Tyler Perry writes, produces, directs, and stars in this comedy drama that explores the complexities of modern marriage. ~ Jason Buchanan, All Movie Guide

Diary of a Mad Black Woman mastermind Tyler Perry turns the familiar Cinderella tale on its head with this story concerning a successful female attorney who falls in love with a financially strapped mechanic. Monty (Idris Elba) is struggling mechanic and single father of three from a poor neighborhood. Upon learning that custody of his beloved daughters has been awarded to his morally bankrupt, drug-dealing ex-wife Jennifer (Tasha Smith), desperate Monty enlists the aid of beautiful Ivy league-educated lawyer Julia (Gabrielle Union) -- whom he recently met during his brief stint as a chauffeur -- in ensuring that his daughters remain with him in a stable and loving environment. Despite the vast social and economical differences that divide them, Monty and Julia soon begin to find themselves unexpectedly falling in love with one another as they work together to save Monty's daughters from a life of crime and corruption. Now, in order to reconcile their blossoming romance and overcome the forces that threaten to destroy the only thing that Monty holds dear, the concerned father and powerful lawyer will have to bridge the gap that divides them by coming together to prove that true love really does have the power to prevail. ~ Jason Buchanan, All Movie Guide

A self-assured Midwestern girl finds her confidence gradually crumbling as a barrage of terrifying visions prompt her to investigate a brutal murder in a supernatural thriller directed by Asif Kapadia and starring Sarah Michelle Gellar. Joanna Mills (Gellar) is a successful sales representative for a local trucking company, and though her professional life is at an all-time high, her personal life couldn't be any more troubling at the moment. Estranged from her father (Sam Shepard) and menacingly stalked by an obsessive ex-boyfriend (Adam Scott), Joanna feels all alone in the world as her downward spiral rapidly begins to accelerate. When Joanna has a psychic experience in which she literally sees and feels the brutal murder of a female stranger, she soon begins to suspect that she has been targeted as the killer's next victim. Joanna isn't the type to go down without a fight, however, and as her increasingly vivid visions guide her ever closer to the victim's hometown, the secrets that will be revealed leave her wondering if the murder she is investigating may be her own. ~ Jason Buchanan, All Movie Guide

One of the short stories in a best-selling collection by author Stephen King becomes this mystery adapted for director Scott Hicks by screenwriter William Goldman, who previously transformed a King story into a box-office hit (Misery, 1990). In the summer of 1960, young Bobby Garfield (Anton Yelchin) is sharing adventures with his best friends Carol (Mika Boorem) and Sully (Will Rothhaar) when an enigmatic lodger named Ted Brautigan (Anthony Hopkins) rents a room in his family's boarding house. Bobby's self-absorbed, widowed mother Liz (Hope Davis) couldn't care less about her son, so Bobby, who is being tormented by local bullies, quickly befriends the otherworldly Ted, becoming his confidante, and reading the paper to him to save the aging man's failing eyesight. Soon, Bobby learns that Ted possesses supernatural gifts, has a haunted past, and is being pursued by sinister men whose intentions are unclear. Hearts in Atlantis co-stars David Morse, who appeared in the previous King adaptation The Green Mile (1999), as the adult Bobby. ~ Karl Williams, All Movie Guide

Screenwriters Ted Tally and Alvin Sargent adapted the novel by Glenn Savan into this intelligent comedy-drama about a May-December romance where the woman is the senior partner. James Spader is Max Baron, a 27-year-old St. Louis advertising executive who has completely shut himself off from the world in the two years since the auto accident death of his wife. When he meets free-spirited, 43-year-old burger joint waitress Nora Baker (Susan Sarandon), his attraction to the earthy, outspoken woman is immediate and overpowering. The difference in age isn't their only obstacle happiness: Nora's into Marilyn Monroe, drinking beer, and lives in Dogtown, the city's low-rent district, while Max is cultured, sophisticated, and wealthy. Despite their differences, Max and Nora are alike in their suffering and in their deep need for connection, but their charged relationship is put to the emotional test when it becomes clear that Max is hiding his affair with Nora from his upper middle-class, Jewish social circle. White Palace co-stars Renée Taylor, Eileen Brennan, Kathy Bates, Jason Alexander, and Corey Parker. ~ Karl Williams, All Movie Guide

In a gender-reversed version of his previous hit Pretty in Pink, John Hughes retreads all-too- familiar ground in Some Kind of Wonderful, the story of a sensitive, young would-be artist, Keith (Eric Stoltz), who vies for the affection of his high school's popularity queen, Amanda (Lea Thompson), seemingly out of some deep-rooted insecurity regarding his social ineptitude. He enlists the help of his butch best friend and fellow misfit, Watts (Mary Stuart Masterson), unaware that she secretly pines for him. While she goads him to give up his pointless pursuit of Amanda, he encounters one other small obstacle -- Amanda's rich bully of a boyfriend, Hardy (Craig Sheffer), who threatens Keith with a face rearrangement. Undeterred, Keith decides he will, by any means necessary, escort his dream girl to the prom -- but not before he buys her expensive jewelry with the money from his college fund in order to impress her. (Hughes expects the audience to side with Keith when his father protests.) Some Kind of Wonderful is pure fantasy, but the plot is too tired and flawed for it to be completely satisfactory escapism. Still, the performances are all-around good and the ending is slightly more likeable than its predecessor's. Hughes decided to use the original Pretty in Pink ending, which had been dropped from the original after poor audience response at the advance screenings. ~ Jeremy Beday, All Movie Guide

The Atlanta Child Murders is a five-hour, two-part dramatization of one of the most tragic and controversial homicide cases of the past twenty years. From 1979 through 1982, some 28 African-American children and young adults disappeared from Atlanta--some without a trace, but others to later turn up as murder victims. Part One (which debuted February 10, 1985) details the beginning of the manhunt conducted by the Atlanta Chief of Police (James Earl Jones). Screenwriter Abby Mann uses the actual events as a springboard for his thesis that the case and its outcome revealed many uncomfortable truths about the still-fragile state of race relations in the New South. Both parts of The Atlanta Child Murders were later combined into one 245-minute "feature film."

The second part of the five-hour TV docudrama The Atlanta Child Murders originally aired February 12, 1985. After 28 African-American children and young adults have either disappeared or been murdered, the Atlanta police finally have a suspect in custody: Small-time show business entrepreneur Wayne Williams (Calvin Levels). Scriptwriter Abby Mann utilizes actual court transcripts of Williams' trial, which results in a conviction on one count of murder. This decision in essence leaves the cases of the other 27 victims unresolved--and in so doing, Mann opens the door to speculations that Williams, a black man, was a "convenient" suspect, who might possibly have been railroaded in the authorities' haste to find a solution to the sordid case. Whatever Mr. Mann may have felt concerning Williams' guilt or innocence, the fact remains that the murders and disappearances stopped cold once Williams was in custody (as of this writing, Williams persists in his efforts to reopen the case, claiming that he was framed by the white power structure). Morgan Freeman served as narrator for both installments of The Atlanta Child Murders. ~ Hal Erickson, All Movie Guide