Carl Ballhaus Movies
- 1932
The irrepressible Harry Piel is both star and director of Jonny Stiehlt Europa (Johnny Steals Europa). Europa is the name of a prize mare, owned by hero Jonny (Piel). Slated to run in the Grand Prix in Nice, Europa is suddenly claimed by Jonny's creditors. Our hero is forced to steal back the nag before the Big Race, which is ultimately won by Guess Who? Darry Holm co-stars as an American heiress with whom Jonny falls head over heels in love. While it's true that Harry Piel tended to limit himself to territory previously mapped out by Douglas Fairbanks Sr., all of his films were hugely successful, so who could argue with his strict adherence to formula? ~ Hal Erickson, Rovi
- Starring:
- Harry Piel, Alfred Abel, (more)
- 1932
Mensch Ohne Namen (Men Without Names) is a modernized adaptation of Honore de Balzac's Colonel Chabert. Long believed dead, WWI captain Heinrich Martin (Werner Kraus) returns to Berlin after a 16-year absence. Suffering from amnesia, Martin suddenly remembers that he has a wife and that he used to run a successful auto-manufacturing business. Not surprisingly, his wife has remarried, and his business is now the property of her second husband. Vainly, Martin battles the bureaucracy to regain ownership of his business but is forced to give up the fight. He starts life anew in a poor, provincial community, finding happiness with a pretty typist. Thanks to his new wife's business savvy, Martin is able to regain his status in the manufacturing world and becomes a millionaire all over again. ~ Hal Erickson, Rovi
- Starring:
- Werner Krauss, Hertha Thiele, (more)
Marlene Dietrich became an immediate international star on the strength of her performance as the temptress Lola Frohlich in Josef von Sternberg's classic tale of love and obsession. Professor Immanuel Rath (Emil Jannings) is a strict and humorless schoolmaster who is shocked when he discovers the boys in his class have been spending their time at a sleazy cabaret called The Blue Angel, where an entertainer named Lola (Dietrich) keeps the men in thrall and sells suggestive postcards of herself. Rath goes to the club in hopes of catching his students and giving them a severe dressing-down, but he instead finds himself entranced by the carefree atmosphere of the club, and is struck by Lola's earthy, sensual beauty. Rath finds himself strongly attracted to Lola, and she later entertains him in her dressing room. When word of Rath's infatuation with Lola spreads to his students, he is taunted mercilessly, and eventually Rath is dismissed from the school. While Lola agrees to marry Rath, she shows little affection for him and delights in humiliating him, making him her servant and forcing him to play a clown in her stage show. The Blue Angel was shot in both German and English language versions; the German is preferable, as most of the cast were obviously more expert in that tongue. Dietrich introduced her theme song, "Falling In Love Again", in this picture. ~ Mark Deming, Rovi
- Starring:
- Emil Jannings, Marlene Dietrich, (more)
- 1930
Westfront 1918 (aka Comrades of 1918) was the first talkie effort from German filmmaker G. W. Pabst, which he made for Nero Films, a production company headed up by Seymour Nebenzahl. Like the contemporary Hollywood production All Quiet on the Western Front, Pabst's film is a bitter, melancholy antiwar statement. The story concentrates on four German soldiers, sent to the front in the waning days of World War 1. The futility of killing an enemy who is already dead spiritually, and of being killed for a cause that has for all intents and purposes been resolved, is brought home to the viewer with both barrels. The astonishingly fluid camerawork of Fritz Arno puts the spectator in the thick of the battle, and the effect is both terrifying and heartbreaking To watch only a few moments of Westfront 1918, one might think that Pabst had been making sound pictures all his life, rather than a mere couple of months. ~ Hal Erickson, Rovi
- Starring:
- Fritz Kampers, Gustav Diessl, (more)
