Mary Eaton Movies

The star of both the 1920 and 1922 editions of the Ziegfeld Follies, blonde Mary Eaton was Florenz Ziegfeld's backup in case his biggest star, Marilyn Miller, proved too recalcitrant. Eaton later replaced Miller as Eddie Cantor's leading lady in the phenomenally successful Kid Boots (1923) and again in 1927 in Sunny. A natural for talking picture stardom, Eaton was teamed with aging Broadway juvenile Oscar Shaw in the Marx Brothers' The Cocoanuts (1929). Due to the enduring popularity of the Marxes, she remains one of the more visible of the early talkie stars. Sadly, Eaton, like old rival Marilyn Miller, failed to make much of an impact in motion pictures. Her only starring vehicle, Glorifying the American Girl (1929), about the travails of a Ziegfeld beauty, was certainly typecasting of the highest order. Although Eaton possessed a pleasing if limited soprano, the unrelentingly downbeat and morose musical proved a notorious dud. Described by a modern historian as "the Follies in purgatory," Glorifying the American Girl was the first East Coast talkie to be filmed partially outdoors and to guarantee healthy box-office returns, Paramount peppered the show with such guest stars as Eddie Cantor, Rudy Vallee, and Helen Morgan. Yet despite all this Broadway luster, the film was considered a jinx, and Mary Eaton's screen career stopped dead in its tracks. Married and divorced from screen director Millard Webb and entertainer Eddie Laughton, her death in 1948 was attributed to a heart attack. ~ Hans J. Wollstein, Rovi
1942  
 
Comic actors Bud Flanagan and Chesney Allen, members in good standing of Britain's "The Crazy Gang", head the cast of the wartime mirthspinner We'll Smile Again. The film is set at a movie studio, where production of an Arabian Nights epic is constantly interrupted by the fumbling and bumbling of Bob Parker (Flanagan) and Gordon Maxwell (Allen). The two screw-ups redeem themselves by capturing a Nazi spy ring, headed by film star Gina Cavendish (Phyllis Stanley) and Teutonic director Steiner (Meinhardt Maur). Bumptuous radio comedian Horace Kenny contributes to the zaniness as a self-important studio makeup man. The producers engagingly make fun of the film's ultra-low budget with the opening disclaimer "The Anglo-American Film Corporation announces proudly that no expense has been spared to save money on this production." ~ Hal Erickson, Rovi

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Starring:
Bud FlanaganChesney Allen, (more)
 
1930  
 
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Broadway impresario Florenz Ziegfeld brought his legendary "Follies" to the silver screen in Glorifying the American Girl. The barely visible plotline concerns a virginal young miss (Mary Eaton) who aspires to greatness as a Follies girl. With stars in her eyes, she heads to New York, leaving her hometown boyfriend to fend for himself. Upon arriving in the Big Apple, our heroine links up with a two-bit dancer who offers to make her a star -- if only she'll let him make her, period. The greater part of the film is given over to a re-creation of a "typical" Follies production, replete with musical solos by Rudy Vallee and Helen Morgan and a sidesplitting comedy sketch with Eddie Cantor and Louis Sorin as a pair of kvetching Jewish tailors ("Vat's der idea uff calling me a damn fool in front uff der customers?" "So, it's a secret?"). From time to time, the camera cuts away to the many celebrities enjoying the show, including journalist Ring Lardner, nightclub doyenne Texas Guinan, New York mayor Jimmy Walker, Paramount Pictures head man Adolph Zukor, and Flo Ziegfeld himself, accompanied by his then-wife, Billie Burke. And yes, that's Johnny Weissmuller on-stage as a provocatively undraped "Nature Boy." As a bonus, the musical score was the handiwork of Irving Berlin. Originally filmed in Technicolor, Glorifying the American Girl is presently available only in black-and-white. ~ Hal Erickson, Rovi

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Starring:
Mary EatonEdward Crandall, (more)
 
1929  
 
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While The Four Marx Brothers (Groucho, Harpo, Chico and Zeppo) were appearing nightly on Broadway in Animal Crackers in the spring of 1929, they spent their days shooting their first film, The Cocoanuts, at Paramount's Astoria Studios in Long Island. Based on their 1925 stage hit, The Cocoanuts is set in Miami, where hotel manager Mr. Hammer (Groucho Marx) struggles to keep his establishment from going under. Hammer's only paying guest is Mrs. Potter (Margaret Dumont), whose daughter Polly (Mary Eaton) is in love with aspiring architect Bob (Oscar Shaw). Mrs. Potter would prefer that Polly marry the respectable Harvey Yates (Cyril Ring); what she doesn't know is that Yates is a jewel thief, in cahoots with the slinky Penelope (Kay Francis). The script was written by George S. Kaufman, and the music by Irving Berlin. ~ Hal Erickson, Rovi

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Starring:
Groucho MarxHarpo Marx, (more)
 
1924  
 
Ultra suave Adolph Menjou plays an urbane, filthy rich bachelor who finds himself falling for a socialite just as carefree as he. At first he is delighted by her gadabout ways, but after a while her cocquettish ways towards others begin to grate upon him. Deciding he needs a break from shallowness he lets a room in a boarding house for theater people. There he meets a struggling ex-convict. Her prison record causes her to lose her job. Smitten by her beauty and earthiness, the playboy takes her in and tries to help her integrate into his glittering world by telling people that she is his ward. things are finally looking up when a crooked detective appears and tries to blackmail her. Fortunately, her millionaire hero isn't about to let her life be destroyed again. ~ Sandra Brennan, Rovi

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Starring:
Adolphe MenjouNorma Shearer, (more)
 
1923  
 
It was impossible for director Sam Wood to include all of Arthur Train's sprawling novel in this picture. Instead he seems to have turned it into a rather simplistic morality play about a flapper's redemption -- the sort of subject which was common in the 1920s. Old Peter B. Kayne (George Fawcett) has finally handed over the last of his fortune to his 55-year-old son, Rufus (Hale Hamilton). Although Rufus has entered society and is the respectable president of a trust company, he has a foolish side. While his three daughters -- Diana (Bebe Daniels), Claudia (Katheryn Lean, and Sheila (Dorothy Mackaill) -- carry on their frivolous lives, Rufus becomes involved with a young chorus girl, Mercedes (Mary Eaton). He gets involved in a theatrical venture which fails miserably, ruining the family's fortune. But Diana has finally seen the error of her ways and rescues her younger sister, Sheila, from making the same mistakes. She also marries Lloyd Maitland, a young lawyer (James Rennie). Rufus has a nervous breakdown and all of the Kayne's possessions are put up for auction. While coming down the stairs, he falls, taking down a tapestry with him. It reveals the saying, "Except the Lord build the house, they labor in vain that build it" (it was common in the 1920s for books and motion pictures to make Biblical references to prove their points). ~ Janiss Garza, Rovi

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Starring:
Bebe DanielsDorothy Mackaill, (more)