Jesus Bonilla Movies

When the wife of a prominent millionaire is threatened with abduction, it's up to the most bumbling cop on the block to use the lessons he has learned by watching his favorite detective movies and thwart the dastardly kidnapping scheme in this hilarious police detective comedy starring Javier Gurruchagaen. Robert Ruperez is a small-time cop who is better known to his friends as "R2." When R2 vows to protect the millionaire's wife and finds himself in too deep, he must resort to a skilled series of tricks and disguises to crack the case and ensure that justice is served. ~ Jason Buchanan, Rovi

The third installment of director Jose Luis Garcia Sanchez's state-of-Spain trilogy, which began in 1995 with Whispers of Spain (and Portugal). Roguish Juan (Juan Luis Galiardo) lives by himself, eking out a dubious living from gambling money and blackmailing various women who were once his lovers, one of whom is Alicia (Teresa Gimpera). When Caty (Laura Ramos), a would-be athlete, materializes on Juan's doorstep one day claiming to be his daughter by a tryst in Havana 20 years earlier, Juan finds the order of his daily existence thrown into peril. Caty is in search of Spanish residence, and is helped in her quest by Pepe (Juan Echanove), a cop who has recently been left by Juan's other daughter Carmela (Neus Asensi) -- for Tony (Pedro Miguel Martinez), a bisexual hairdresser. The plot twists again when Juan is contacted by Alicia's husband, a sleazy crook by the name of Pozueta (Jesus Bonilla), who wants Juan to go to jail in his place. Pozueta is smitten with Caty and offers to marry her but must get a divorce in order to do so, thus arranges a deal with Juan to record Alicia in bed with her new lover. ~ Rebecca Flint Marx, Rovi

Spanish director Pedro Almodovar returns to his recurring framework of offbeat sexuality and death with this colorful comedy. Kika (Veronica Forque) is a Madrid makeup artist who falls in love with Ramon (Alex Casanovas), a dead man whose face Kika is hired to prepare for a funeral. Kika's attraction resurrects Ramon, and the two begin cohabiting. Kika becomes embroiled in a pair of criminal schemes, one involving her maid Juana (Rossy De Palma) and Juana's amorous, retarded brother Pablo (Santiago Lajusticia), the other involving Ramon's father, Nicholas (Peter Coyote). After Kika is raped by Pablo, she learns the incident was videotaped by Ramon, the footage ending up on a tabloid television program hosted by Andrea Scarface (Victoria Abril). Kika and Ramon split, but the latter discovers his father's complicity in the demise of his mother, leading to a violent confrontation. Because of Almodovar's humorous treatment of the film's rape, Kika was his third feature in a row that resulted in critical accusations of misogyny and exploitation. His subsequent material became more dramatic and less tinged with black humor. ~ Karl Williams, Rovi

The fifth feature of noted Spanish filmmaker Alex de la Iglesia, La Comunidad is a frenetic black comedy set in a decrepit old house in the center of Madrid. One of the house's new residents is Julia Garcia (Carmen Maura, whose performance won her a best actress award at the 2000 San Sebastian Film Festival), a real estate agent who has taken an apartment to revive her sagging marriage. One day, while engaging in some bedroom bliss, Julia and her unemployed husband Ricardo (Jesus Bonilla) are attacked by cockroaches that rain down on them through a crack in the ceiling. During a subsequent investigation of the upstairs apartment, firemen discover a man's rotting corpse. Julia later conducts her own investigation of the apartment and discovers almost 15 million dollars hidden away under the floor boards -- the result of a soccer-pool win by the apartment's dead owner. She decides to take the winnings and run, but while removing the cash, meets her neighbor Ramona (Terele Pavez), who quickly becomes suspicious of Julia's activities. It turns out that everyone in the building knew about the money and agreed to share it amongst themselves, a plan severely compromised by Julia's desire to keep the money for herself. After inviting Julia to a welcome party held by the residents' association, her neighbors go to extreme lengths to get the money, and plenty of cartoon-colored murder and mayhem ensues. ~ Rebecca Flint Marx, Rovi

Post-Franco filmmaker Fernando Trueba's first Spanish-based feature since 1993's Oscar-winning Belle Epoque, La Nina de Tus Ojos begins in 1938, when Spain is torn by Civil War. As a sign of cordiality between General Franco and Adolph Hitler, a Spanish film crew is invited to Nazi Germany's UFA Studios in Berlin to make two versions of a popular Andalusian musical. The cast includes sexy, golden-hearted Macarena (Penélope Cruz), director Blas Fontiveros (Antonio Resines), leading man Julian Torralba (Jorge Sanz), art director Castillo (Santiago Segura) and alcoholic Rosa Rosales (Rosa Maria Sarda). On arrival, they gape at the resplendent shooting facilities, thankful to escape the misery of their war-torn country. However, it is not long before they realize what they have got themselves into, particularly when Nazi propaganda minister Josef Goebbels (Johannes Silberschneider) falls for the Latina charms of Macarena. German actress of Fassbinder fame Hanna Schygulla makes a cameo appearance as the wizened wife of the lustful propaganda minister. La Nina de Tus Ojos competed in the 49th Berlin International Film Festival in 1999. ~ Gönül Dönmez-Colin, Rovi