Edward Earle Movies

Though both star Donald O'Connor and director Arthur Lubin had said goodbye to the "Francis the Talking Mule" series, Universal-International wasn't about to give up on so valuable a property. Thus, Francis in the Haunted House starred Mickey Rooney, with Charles Barton calling the shots. Likewise missing from the earlier series entries was the voice of Francis, Chill Wills; he is replaced by the ubiquitous Paul Frees, who also narrated the film's promotional trailer. The plot and comic content of Francis in the Haunted House is summed up by the title, as Francis and his new buddy David Prescott (Mickey Rooney) try to corral a gang of art thieves. Along the way, they get mixed up with a phony heiress (Virginia Welles), a series of murders (one of the victims is Richard Deacon!) and, of course, a spooky old house. Most of the "scare" gags in Francis in the Haunted House had been done earlier, and better, by Universal's own Abbott and Costello. ~ Hal Erickson, Rovi

Based on the Holy Scriptures, with additional dialogue by several other hands, The Ten Commandments was the last film directed by Cecil B. DeMille. The story relates the life of Moses, from the time he was discovered in the bullrushes as an infant by the pharoah's daughter, to his long, hard struggle to free the Hebrews from their slavery at the hands of the Egyptians. Moses (Charlton Heston) starts out "in solid" as Pharoah's adopted son (and a whiz at designing pyramids, dispensing such construction-site advice as "Blood makes poor mortar"), but when he discovers his true Hebrew heritage, he attempts to make life easier for his people. Banished by his jealous half-brother Rameses (Yul Brynner), Moses returns fully bearded to Pharoah's court, warning that he's had a message from God and that the Egyptians had better free the Hebrews post-haste if they know what's good for them. Only after the Deadly Plagues have decimated Egypt does Rameses give in. As the Hebrews reach the Red Sea, they discover that Rameses has gone back on his word and plans to have them all killed. But Moses rescues his people with a little Divine legerdemain by parting the Seas. Later, Moses is again confronted by God on Mt. Sinai, who delivers unto him the Ten Commandments. Meanwhile, the Hebrews, led by the duplicitous Dathan (Edward G. Robinson), are forgetting their religion and behaving like libertines. "Where's your Moses now?" brays Dathan in the manner of a Lower East Side gangster. He soon finds out. DeMille's The Ten Commandments may not be the most subtle and sophisticated entertainment ever concocted, but it tells its story with a clarity and vitality that few Biblical scholars have ever been able to duplicate. It is very likely the most eventful 219 minutes ever recorded to film--and who's to say that Nefertiri (Anne Baxter) didn't make speeches like, "Oh, Moses, Moses, you splendid, stubborn, adorable fool"? ~ Hal Erickson, Rovi

A Man Called Peter is the story of Scottish-born Presbyterian minister and world-renowned author Peter Marshall, here played by Richard Todd. In his youth, Marshall moves to Washington DC, where he becomes pastor of the Church of the Presidents. His wisdom and conviction enables Marshall to communicate with men of all faiths. In private life, the pastor is given moral support by his loyal wife Catherine Marshall (Jean Peters). At the time of his comparatively early death, Marshall has become chaplain of the US Senate. Interestingly enough, while Marshall and his family are identified by name, the peripheral political characters are given fictional monickers--and sometimes, as in the case of the President played by William Forrest, no names at all. Director Henry Koster expertly avoids filming Marshall's sermons in a static, declamatory fashion. As Catherine Marshall, Jean Peters does wonders with a comparatively limited role; her best scene is her last, when she overcomes her lifelong fear of the ocean for the sake of her son (Billy Chapin). A Man Called Peter was certainly not conceived out of any box-office considerations, but it still paid its way. ~ Hal Erickson, Rovi

Randolph Scott makes his 3-D debut in the stereoscopic western Stranger Wore a Gun. This time, Scott plays Jeff Travis, a former spy for Quantrill's Raiders. When he heads to Arizona to start life anew, Travis finds that his reputation has preceded him: crooked Jules Mourret (George Macready) hires him to monitor a series of gold shipments, in preparation for a major robbery. Eventually, Travis falls in love with Shelby Conroy (Joan Weldon), daughter of freight-line operator Jason Conroy (Pierre Watkin), and decides to turn honest. That won't be easy: in addition to the surly Mourret, Travis must deal with such formidable movie heavies as Alfonso Bedoya, Lee Marvin and Ernest Borgnine. Also on hand is Claire Trevor, in a soft-pedalled variation of her role in John Ford's Stagecoach. Stranger Wore a Gun was directed by Andre DeToth, whose previous foray into 3D had been the box-office smash House of Wax. ~ Hal Erickson, Rovi

Excluding a brace of 1980s TV-movie appearances, It Happens Every Thursday was the final feature film appearance of Loretta Young. As radiantly beautiful at 40 as she'd been as a teen-aged ingenue, Young plays Jane McAvoy, the pregnant wife of big-city newspaper reporter Bob McAvoy (John Forsythe). Tired of the urban rat race, Bob moves to a small California town and assumes ownership of a just-getting-by weekly paper. It's a hand-to-mouth existence for the first few editions, and the situation isn't remedied by the cloistered, resentful behavior of the local citizenry. The outcome of the plot hinges on a publicity stunt engineered by Bob: an attempt to artificially create rain for the drought-ridden community. The well-chosen supporting cast of It Happens Every Thursday includes Edgar Buchanan, Jimmy Conlin, Willard Waterman, and in her last film, Gladys George. ~ Hal Erickson, Rovi

The Lawless Breed is based on the exploits of Texas bad man John Wesley Hardin, played here quite convincingly by Rock Hudson. The film takes the Cecil B. DeMille approach of condemning evil by showing as much evil as the censor will allow. After nearly an hour of unrepentant perfidy, Hardin settles down to marry good woman Julie Adams. In middle age, he determines to steer his son clear of outlawry, resulting in a sentimental but non-maudlin finale. Directed by Raoul Walsh, who had given Rock Hudson his first screen role in Fighter Squadron, Lawless Breed was reportedly instrumental in landing Hudson as starring role in George Stevens' Giant (1956). ~ Hal Erickson, Rovi

Not a remake of the 1936 film of the same name, The Texas Rangers is an enjoyable second-echelon western from the Columbia Pictures mill. George Montgomery stars as Johnny Carver, a former outlaw serving a life sentence in prison. Carver is given a second chance by the Texas government. Here's the deal: if Carver will deliver his old gang to justice, he'll be set free for good. But Carver is more interested in exacting vengeance against The Sundance Kid (Ian McDonald), the gunslinger responsible for his arrest. When this personal vendetta results in the death of his own brother, Carver vows to "play straight" and complete his original mission. Future TV-favorite Gale Storm co-stars as a feisty female newspaper editor. In addition to the Sundance Kid, other real-life outlaws depicted in The Texas Rangers include Butch Cassidy (John Doucette), Sam Bass (William Bishop) and John Wesley Hardin (John Dehner). ~ Hal Erickson, Rovi

When You're Smiling is distinguished by the presence of several top recording artists of 1950. The wafer-thin plotline concerns the misadventures of Texan Gerald Durham (Jerome Courtland), who arrives in the Big City to learn the ropes of the music business. Durham not only ends up with a recording contract, but also wins heroine Peggy Martin (Lola Albright) in the bargain. So much for the story. The principal selling card of When You're Smiling consists of the guest-star turns by Frankie Laine, Bob Crosby, The Modernaires, The Mills Brothers, Kay Starr and Billy Daniels. ~ Hal Erickson, Rovi

This film, which is one of a series based on the characters from the Blondie comic strip, finds Dagwood entering the Army Reserve. Blondie visits, only to discover that he has caused all sorts of problems which lead to numerous conflicts. The ORC Training Center, Fort MacArthur, California was used for the setting of this film. ~ Sandra Brennan, Rovi

George Sidney directs this pleasant romantic comedy concerning mayoral love. During a convention of mayors in San Francisco, Clarissa Standish (Loretta Young), the mayor of a small town in Maine, meets Steve Fisk (Clark Gable), the down-to-earth leader of a tiny northern California community. During the rowdy proceedings of the convention, the two find themselves pushed together frequently, with the typical result -- they fall in love. After the convention, the two head back to Steve's town, where crooked local politician Les Taggart (Raymond Burr) is squaring off against Fisk in a mayoral election. With the help of Clarissa, Steve gears up for his reelection bid. ~ Paul Brenner, Rovi

For some reason, whenever Universal used the word "Gal" in a film's title, Yvonne de Carlo usually headed the cast. In Gal Who Took the West, de Carlo plays Lillian Marlowe, an New York songstress who heads Thataway. She becomes the romantic bone of contention between the feuding O'Hara cousins, Grant (John Russell) and Lee (Scott Brady). The hostilities boil over into an all-out range war, and federal troops are summoned. Can Lillian succeed where other, better-armed negotiators have failed. The lighthearted nature of Gal Who Took the West is underlined by staging the film in flashback, as related by a pair of toothless old codgers (Clem Bevans and Houseley Stevenson). ~ Hal Erickson, Rovi

Yvonne DeCarlo dons 19th century "adventuress" garb once more in River Lady. This time she's a 19th century gambling queen, in charge of a profitable Mississippi riverboat casino. DeCarlo falls in love with logger Rod Cameron; when he won't succumb to her charms, she tries to buy his affections by setting up a logging empire. DeCarlo's partner Dan Duryea is also fascinated with her, but he's his usual slimy self and hasn't got a chance of either winning the girl or surviving to the fade-out. ~ Hal Erickson, Rovi