Steve James Movies

Paul Newman stars as an essentially decent cop patrolling that decimated, drug-and-gang-ridden borough known on the city maps as the Bronx, but known to its denizens as "Fort Apache". While Newman tries to hold on to his basic humanity and to treat even the sorriest of the people on his beat with dignity, he can't do much to convince his superiors that blind brutality is not the answer to social blight. When he witnesses fellow-cop Danny Aiello cold-bloodedly murdering a crime suspect, Newman is advised to sweep the whole incident under the rug. He refuses to do so, and as a result becomes "persona non grata" to his former friends on the force. Ed Asner co-stars as the beleaguered captain who has given up trying to treat his job as anything but a necessary evil, while Rachel Ticotin is Newman's love interest. ~ Hal Erickson, Rovi

One of Brian De Palma's most divisive films, Dressed to Kill is a spine-chilling Alfred Hitchcock update for the late 1970s. Sexually frustrated wife and mother Kate Miller (Angie Dickinson) visits her New York psychiatrist, Dr. Elliott (Michael Caine), to complain about her unfulfilling erotic life. When she then goes to meet her husband at a museum, she meets an anonymous man whom she follows out to a cab. After an afternoon of satisfying sex, Kate discovers that the man has a venereal disease, but that information becomes a moot point when a razor-wielding blonde woman slashes Kate to ribbons in the elevator of the man's building. Blonde prostitute Liz (Nancy Allen), who caught a glimpse of the murderer, becomes both the prime suspect and the killer's next target. With the police less than willing to believe her story, Liz joins forces with Kate's son Peter (Keith Gordon) to get the psychopath themselves. ~ Lucia Bozzola, Rovi

A Vietnam veteran declares a one-man war on crime in this vigilante revenge thriller. Michael Jefferson (Steve James) saved the life of his best friend John Eastland (Robert Ginty) while the two were serving in Vietnam, so when Jefferson is left permanently paralyzed after a vicious attack by muggers, Eastland is determined to get revenge. Declaring war not only on the thugs who injured Jefferson but the entire lawless underclass, Eastland becomes known as "The Exterminator" for his swift and deadly retaliation against muggers and other street criminals. While Eastland's actions may be making for safer streets, they're also illegal, and just as the mob have put a price on Eastland's head, Detective James Dalton (Christopher George) has set his sights on putting "The Exterminator" out of business. Jazz great Stan Getz makes a cameo appearance as himself. ~ Mark Deming, Rovi

Walter Hill's hip, super-stylized action film unfurls in a dystopian near-future, when various gangs control New York City. Each gang sports a unique moniker ('The Warriors,' 'The Baseball Furies,' 'The Rogues'), with a costume underscoring its "theme"; each, in turn, is also responsible for one geographic area. Hill sets up the landscape as a massive, violent playground - replete with bridges, vacant subway tunnels, parks, abandoned buildings and the like, all ripe for exploration and adventure. As the tale opens, the titular Coney Island has traveled to the Bronx to attend a city-wide meeting of all gangs; at that event, however, the psychotic leader of a rival gang, The Rogues (David Patrick Kelly of Dreamscape) assassinates the head of the city's foremost gang, but The Warriors are pegged as culpable. This sends the gang fleeing through the labyrinthine city. With every thug in Manhattan in vicious, homicidal pursuit, they must also overcome all obstacles in their way. Throughout, Hill keeps the onscreen violence absurd, exaggerated and unrealistic, downplaying death to an extreme degree; despite this fact, the film sparked a massive amount of controversy and an ugly backlash for allegedly inciting violence and destruction in several theaters where it initially played. James Remar, Michael Beck and Deborah Van Valkenburgh lead the ensemble cast. ~ Nathan Southern, Rovi

Director Bruce Beresford followed up his Academy Award-winning Driving Miss Daisy with another meditation on race, Mister Johnson. Set in West Africa in 1923, Johnson (Maynard Eziashi), the clerk of British administrator Harry Rudbeck (Pierce Brosnan), attempts everything within his power to ingratiate himself into white society. Johnson hatches a plan to juggle the books so that Rudbeck will have the capital necessary to achieve his ultimate dream of a "great northern road," but when his scheme is uncovered, he is fired. After finding another job with a shopkeeper named Gollop (Edward Woodward), he is again fired for his "creative" financing skills; however, Rudbeck hires him back to oversee the road construction project. When funds are cut off, Johnson convinces workers to do their jobs for free to ensure the project's completion. Once again, he is caught embezzling, and once again, he is let go; in a fit of desperation, he robs and kills Gollup. After confessing to the crime, he begs Rudbeck to kill him, sparing him the humiliation of public execution. ~ Jason Ankeny, Rovi

This is the true story of Rocky Dennis (Eric Stoltz), a personable young man suffering from "lionitis," a fatal disease which causes hideous facial disfigurement. The son of freewheeling biker Rusty Dennis (Cher), Rocky is accepted without question by his mom's boyfriends and cycle buddies, but treated with pity, condescension, and disgust by much of the outside world. The local high school principal tries to get Rocky classified as brain-damaged so he won't have to enroll the boy in his school, but Rusty fights for her son's rights with the ferocity of a mother lioness. Rocky makes friends easily both at school and at summer camp. He also falls in love with Diana (Laura Dern), a blind girl who cannot see his deformed countenance and is entranced by the boy's kindness and compassion. Now that he's got his own life in order, Rocky sets about to wean his chronically depressed mother from her drug habit. Mask is the sort of story that might have ending up wallowing in its own pathos had the acting, direction and scriptwriting (by Anna Hamilton Phelan) been anything less than very good. The film proved a much-needed financial success for director Peter Bogdanovich, though unfortunately it didn't come soon enough to stave off his declaring personal bankruptcy. ~ Hal Erickson, Rovi

When they discover that their deceased boss had stashed away two million illegally embezzled dollars in a Caribbean safe deposit box, two co-workers decide to claim the cash. To do so, however, they must convince everyone the boss is actually alive -- a situation which seems oddly familiar to them both. This sequel to the popular 1989 comedy Weekend at Bernie's promises more of the same: slapstick with an amazingly lifelike corpse at the center. Whatever freshness the premise may have once had has vanished, however, and the occasionally clever set pieces become lost under the weight of a number of cluttered subplots. ~ Judd Blaise, Rovi

Gene Wilder stars as Michael Jordon, an architect on the run from false murder charges, who hooks up with Kate Hellman (Gilda Radner), the sister of a recent suicide victim. ~ Jason Ankeny, Rovi

Get ready for another dose of love and loss in this sequel to the four-handkerchief classic Love Story (1970). Oliver Barrett (Ryan O'Neal) is emotionally devastated after the death of his wife Jenny, and while he tries to lose himself in his work as a lawyer, the long hours don't ease his pain, especially when he finds that his leftist views conflict with those of the senior partners at the firm. Eventually, Oliver's inconsolable grief begins to alienate those around him, until he finds new love with Marcie Bonwit (Candice Bergen), the wealthy and beautiful heir to the Bonwit-Teller fortune. Despite his affection for Marcie, Oliver finds it difficult to leave the memory of Jenny behind, which causes major problems in his relationship with Marcie. Ray Milland reprises his role from the first film as Oliver's father; the supporting cast includes Charles M. Haid, Swoosie Kurtz, and Jose Torres. ~ Mark Deming, Rovi

Sidney Lumet's The Wiz is the film version of the popular Broadway musical that retells the events of L. Frank Baum's classic novel The Wonderful Wizard of Oz through the eyes of a young African-American kindergarten teacher who's "never been below 125th Street." Leaving a large family dinner to chase her dog into a snowstorm, Dorothy (Diana Ross) is swept up by a cyclone and transplanted to the land of Oz -- which looks suspiciously like a skewed version of the run-down Manhattan of the late '70s. Landing on top of the Wicked Witch of the East, the puzzled Dorothy is greeted by munchkins who peel themselves from a graffiti mural and sing to her about the Wiz (Richard Pryor), a powerful wizard living in Emerald City who can help her get home. On her journey down the yellow brick road, she encounters a garbage-stuffed scarecrow (Michael Jackson) in a junkyard, a broken-down tin man (Nipsey Russell) caught in the decay of an old amusement park, and a cowardly lion (Ted Ross) posing as a stone statue outside a museum. The quartet tangles with a subway station that comes to life, a poppy den, and a gaggle of motorcycle henchman on their way to the Wiz -- who orders them to kill the Wicked Witch of the West (a sweatshop tyrant) before he will grant them their wishes. The Wiz has about double the large-scale production numbers of The Wizard of Oz (1939), with songs written and composed by Charlie Smalls. ~ Derek Armstrong, Rovi