André Dussollier Movies

Alain Resnais, one of the towering figures of the French New Wave, demonstrates he still has plenty to say in this drama based on a novel by Christian Gailly. Marguerite (Sabine Azéma) is a successful dentist with a busy practice and an offbeat hobby, flying small airplanes. One day, while running errands, Marguerite loses her wallet, and it's found by Georges (André Dussollier), a seemingly happy man with a wife, Suzanne (Anne Consigny), and two children (Vladimir Consigny and Sara Forestier). As Georges looks through the wallet and examines the photos of Marguerite, he finds he's fascinated with her and her life, and soon his curiosity about her becomes an obsession. Georges' attempts to integrate himself into Marguerite's life begin to alarm her, and she hires a private security team (Mathieu Amalric and Michel Vuillermoz) to keep him away, but Georges is determined that his new love for her will not be denied. Les Herbes Folles (aka Wild Grass) received its world premiere at the 2009 Cannes Film Festival. ~ Mark Deming, Rovi

An adaptation of Agatha Christie's 1929 short story "The House of Lurking Death," this French-language whodunit represents director Pascal Thomas's third Christie adaptation, following the 2005 By the Pricking of My Thumbs and the 2007 Towards Zero; like Thumbs, it hones in on Prudence (Catherine Frot) and Belisaire Beresford (Andre Dussollier), a married pair of amateur sleuths. This particular outing is set at Christmastime, and finds the Rhone Alps-dwelling Beresfords visited by a beloved aunt, Auntie Babette (Annie Cordy), who promptly informs them that she spotted a murder through a rainy window while seated on a train. Eager for a new crime to solve, Prudence jumps into the case when Belisaire leaves town on a weekend jaunt, and makes her way to a creepy chateau in the middle of the forest, populated by the most unpleasant of families. Inhabitants include an eccentric patriarch widower named Roderick Charpentier (Claude Rich), his morose daughter Emma (Chiara Mastroianni), his conniving and paranoid sons (Christian Vadim, Alexandre Lafaurie and Melvil Poupaud), and a local country doctor (Hippolyte Girardot). Prudence takes a position as a cook at the residence, and when the body crops up, it soon falls on her shoulders to ferret out the murderer. Soon, her husband joins her at the house, tipped off by a local detective regarding his wife's whereabouts. ~ Nathan Southern, Rovi

As adapted from the roman by Antonia Arslan and co-directed by legendary Italian brothers Paolo and Vittorio Taviani, The Lark Farm marks one of the few international features to tackle the Armenian genocide head-on. The story (with its thematic parallels, in the early scenes, to De Sica's 1970 Garden of the Finzi-Continis) concerns the Avakian clan. An Armenian family living an affluent lifestyle and periodically shuttling back and forth between their two comfortable homes, the Avakians feel convinced that the rising tide of Turkish hostility on the horizon means little to them and will scarcely affect their day to day. Indeed, The Avakians ignore the warning signs, and set about preparing for a family reunion with the impending visit of two well-to-do sons - landowner Aram, who resides in Turkey, and Assadour, a physician living in Venice. Lo and behold, these illusions come crashing down when a Turkish military regiment crops up at the house, annihilates every male member of the family and forces the ladies to trek off into the Syrian desert, where they will be left to rot. Meanwhile, a handsome Turkish officer (Alessandro Preziosi) falls for Aram's daughter and makes an aggressive attempt to deliver her and her family from certain death, even as the circumstances surrounding him attest to the astounding difficulty of this goal. ~ Nathan Southern, Rovi

An innocent man is on the run after he's accused of murder and his spouse seemingly returns from the grave in this thriller from France. Alex Beck (François Cluzet) is a doctor who has slowly been putting his life back together after his wife Margot was murdered by a serial killer. Eight years on, Alex is doing well enough until he finds himself implicated in the murder of two people, with plenty of evidence pointing to him as the killer even though he knows nothing of the crimes. The same day, Alex receives an e-mail that appears to be from Margot (Marie-Josée Croze), which includes a link to a video clip that seems to be recent and features his late wife looking alive and well. Margot's message warns Alex that they are both being watched, and he struggles to stay one step ahead of the law as a gang of strong-arm men intimidate Alex's friends into telling whatever they might know about him. Alex's sister Anne (Marina Hands) persuades her well-to-do lover Helene (Kristin Scott Thomas) to hire a well respected attorney, Elisabeth Feldman (Nathalie Baye), to handle Alex's case. While Elisabeth tries to keep Alex out of jail, she learns that her client has a warrant out for his arrest, and Alex goes on the lam while he and his lawyer struggle to find out the truth about the murder as well as Margot's reappearance. Tell No One (aka Ne Le Dis a Personne) was based on the international best-selling novel by Harlan Coben. ~ Mark Deming, Rovi

Audrey Tautou, who rose to international stardom with the title role in Jean-Pierre Jeunet's worldwide smash Amélie, reunites with the director for this drama, set during the darkest days of World War I and its immediate aftermath. Mathilde (Tautou) is a pretty but frail young women who was left with a bad leg after a childhood bout with polio. Mathilde lives in a small French village with her Aunt Bénédicte (Chantal Neuwirth) and Uncle Sylvain (Dominique Pinon), and is engaged to marry Manech (Gaspard Ulliel), the son of a lighthouse keeper who is fighting with the army near the German front. Manech is one of five soldiers who have been accused of injuring themselves in order to be sent home; in order to discourage similar behavior among their comrades, Manech and the other soldiers are sentenced to death, and the condemned men are marched into the no man's land between the French and German lines, where they are certain to be killed. Mathilde receives word of Manech's death, but in her heart she believes that if the man she loved had been killed, she would know it and feel it. Convinced he's still alive somewhere, Mathilde hires a private detective (Ticky Holgado) shortly after the end of the war, and together they set out to find the missing Manech. Jodie Foster appears in a supporting role as a Polish expatriate living in France. ~ Mark Deming, Rovi

Euro screen legends Gérard Depardieu and Daniel Auteuil star, respectively, as French cops Denis Klein and Leo Vrinks, in Olivier Marchal's tough-as-steel policier 36 Quai des Orfevres. The story unravels at the titular Parisian police headquarters, where Klein (who heads up the department's anti-crime unit) and Vrinks (who manages the "search and action squad") go head-to-head -- competing with one another not only to succeed their boss, but to be the first to solve an ongoing series of security-van robberies. Ultimately, the men resort to sabotaging one another, and thus set the stage for an ongoing series of twists, turns, reversals, and betrayals. Valeria Golino and Catherine Marchal co-star; Olivier Marchal co-authored the script with Dominique Loiseau, Julien Rappeneau, and Franck Mancuso. ~ Nathan Southern, Rovi

Gerard Depardieu and Jean Reno headline this comedic chase film about a pair of escaped convicts with two very different goals. Ruby (Reno) is a criminal with real gusto; in addition to stealing a crime boss' wife, he also made off with most of the gangster's cash. He almost got away with it, too. Now serving hard time for his bold crime, Ruby runs into Quentin (Depardieu), a desperate inmate with a brilliant escape plan. Before long, Ruby and Quentin are back on the outside. But they're hardly free; the cops are searching high and low for the fleeing convicts, and Ruby has a high price on his head. All Quentin wants is to maintain a low profile and open a coffee-house, but Ruby won't be happy until he's taken revenge on the criminal who had him incarcerated. Perhaps with a little look, both men will get what they're after. ~ Jason Buchanan, Rovi

When a man kills his wife -- who happened to be the most hated woman in the village -- no one is sure if he should be punished or congratulated in this darkly farcical comedy. Jojo (Jacques Villeret) runs a small farm in rural France, and asks for little from life; all he wants to do is finish his chores, tend his goats, and work on his stamp collection. But Jojo's wife Lulu (Josiane Balasko) will not hear of it; often drunk and chronically ill-tempered, Lulu goes out of her way to make Jojo miserable, and she's earned the frightened enmity of nearly everyone in town. After Lulu destroys both his stamp collection and his milk pails in a fit of pique, Jojo visits a lawyer, Jacquard (Andre Dussollier), and posing as a wife-killer, asks how he would defend him in court. With Jacquard's strategy fresh in mind, Jojo contemplates doing away with Lulu when he finds out that she's already made plans to finish him off with poisoned wine. A sudden fight with a bread knife finds Lulu dead and Jojo on trial for murder. Jacquard finds himself putting his earlier theories to work when he's hired to defend Jojo, but to his surprise, many of Jojo and Lulu's neighbors arrive to lend a degree of support. While practically no one will say that Jojo is innocent of the crime, everyone agrees that the community is better off without Lulu -- and are willing to say so in court. Un Crime Au Paradis is a remake of the 1951 hit La Poison; the box-office success of Un Crime Au Paradis in France led to a theatrical re-release of the earlier film. ~ Mark Deming, Rovi

One woman decides to change the world by changing the lives of the people she knows in this charming and romantic comic fantasy from director Jean-Pierre Jeunet. Amelie (Audrey Tautou) is a young woman who had a decidedly unusual childhood; misdiagnosed with an unusual heart condition, Amelie didn't attend school with other children, but spent most of her time in her room, where she developed a keen imagination and an active fantasy life. Her mother Amandine (Lorella Cravotta) died in a freak accident when Amelie was eight, and her father Raphael (Rufus) had limited contact with her, since his presence seemed to throw her heart into high gear. Despite all this, Amelie has grown into a healthy and beautiful young woman who works in a cafe and has a whimsical, romantic nature. When Princess Diana dies in a car wreck in the summer of 1997, Amelie is reminded that life can be fleeting and she decides it's time for her to intervene in the lives of those around her, hoping to bring a bit of happiness to her neighbors and the regulars at the cafe. Amelie starts by bringing together two lonely people -- Georgette (Isabelle Nanty), a tobacconist with a severe case of hypochondria, and Joseph (Dominique Pinon), an especially ill-tempered customer. When Amelie finds a box of old toys in her apartment, she returns them to their former owner, Mr. Bretodeau (Maurice Benichou), sending him on a reverie of childhood. Amelie befriends Dufayel (Serge Merlin), an elderly artist living nearby whose bones are so brittle, thanks to a rare disease, that everything in his flat must be padded for his protection. And Amelie decides someone has to step into the life of Nino (Mathieu Kassovitz), a lonely adult video store clerk and part-time carnival spook-show ghost who collects pictures left behind at photo booths around Paris. Le Fabuleux Destin D'Amelie Poulain received unusually enthusiastic advance reviews prior to its French premiere in the spring of 2001, and was well received at a special free screening at that year's Cannes Film Festival. ~ Mark Deming, All Movie Guide

Vidocq (1775-1857) was a noted French detective who was one of the great trailblazers of modern criminal investigation; he's been credited with establishing the first private investigation firm, and pioneered a number of scientific techniques that are still being used today. Vidocq was also a master of disguise and a former thief with no small sense of adventure, and his exploits have been fodder for a number of novels, plays, and motion pictures in France; Vidocq is a high-tech retooling of his legend that employs cutting-edge digital technology to bring a new visual dazzle to his story. Vidocq (Gerard Depardieu) dies an unexpected death while battling his arch-nemesis the Alchemist, and Boisset (Guillaume Canet), an opportunistic journalist, sets out to write his life story, convincing Nimier (Moussa Maaskri), Vidocq's partner, that he had made arrangements with the great man himself to collaborate on such a book before his death. Boisset begins interviewing Vidocq's cohorts, but it seems someone is following the reporter, as his interview subjects have a habit of dying sudden and violent deaths shortly after sharing their stories. As it turns out, the deaths are tied into a case Vidocq investigated, in which a number of people were killed by lightning -- lightning that was conjured up by none other than the Alchemist. Shot on high-definition digital video equipment to allow special effects artists greater latitude to manipulate the images, Vidocq also features Ines Sastre, Andre Dussollier, and Edith Scob. ~ Mark Deming, Rovi

As the title would suggest, this film, directed by Frederic Schoendoerffer, is a noirish crime drama about two forensic cops on the trail of serial murderer. Georges Fabian (Charles Berling) and Jean-Louis Gomez (Andre Dussollier) are put on the case when Marie -- the teenaged daughter of a couple who own a roadside cafe -- vanishes the day after the family dog disappears. Georges' schoolteacher wife is expecting their first child, while Jean-Louis' spouse walked out on him days after their daughter left home. The two discover a magazine daubed with Marie's blood in the eatery's lobby, and with the help of a police dog, they discover a canine corpse across the street. Later, when the bodies of a young white woman and a black man are unearthed sans heads and hands, Georges and Jean-Louis think that they have at last found Marie. In fact, they've hit upon a ritual murder similar to a series of killings that baffled the Belgian police in 1993. The two then begin to doggedly gather clues and witnesses. ~ Jonathan Crow, Rovi