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Charles Durning Movies

Before he became an actor, Charles Durning, the son of an Army man, continued in his father's footsteps with valor and distinction, earning a silver star and purple heart in World War II. Durning held down several "joe jobs" -- iron worker, elevator operator, cabbie, waiter, and dance instructor -- until turning to acting in the late 1950s. Fresh from the national tour of The Andersonville Trial, Durning began his long association with Joseph Papp in 1962, distinguishing himself in Shakespearean roles. He made his earliest film appearance in Ernest Pintoff's Harvey Middleman, Fireman (1965). Durning's film roles increased in size and importance after his interpretation of a crooked cop in the Oscar-winning The Sting (1973). He went on to appear in several Burt Reynolds films, most memorably as the singing governor in The Best Little Whorehouse in Texas (1982). That performance landed him an Oscar nomination, as did his spin on "Concentration Camp" Erhardt in the 1983 remake of To Be or Not to Be.
In 1975, Durning was nominated for a Golden Globe Award for his portrayal of ulcerated police lieutenant Moretti in the theatrical feature Dog Day Afternoon (1975); he finally won that award 15 years later for his work as "Honey Fitz" Fitzgerald in the TV miniseries The Kennedys of Massachusetts. Other notable film roles to his credit include Peter Stockmann in the Steve McQueen-produced An Enemy of the People (1978), Dustin Hoffman's "suitor" in the cross-dressing classic Tootsie (1982) (he later co-starred with Hoffman in the 1984 stage revival of Death of a Salesman), and the foredoomed Waring Hudsucker in the Coen Brothers' Hudsucker Proxy (1994).
On television, Durning played Lt. Gil McGowan on the daytime soap Another World, officer Frank Murphy in The Cop and the Kid (1975), Big Ed Healey in Captains and the Kings (1976), Studs' dad in Studs Lonigan (1979), private-eye Oscar Poole in Eye to Eye (1985), the title character in PBS' I Would Be Called John: Pope John XXIII (1987), crooked industrialist Dan Packard (the old Wallace Beery role) in Dinner at Eight (1989), and Dr. Harrlan Eldridge in the Burt Reynolds TV vehicle Evening Shade (1990-1994), an assignment which afforded the far-from-sylph-like Durning his first nude scene.
While his television and film career have continued to be prolific, Durning has also continued to earn acclaim for his stage work. In 1990, he won a Tony Award for his performance as Big Daddy in the Broadway revival of Cat on a Hot Tin Roof.

He continued to work steadily well into his seventies in a variety of projects including Jodie Foster's dysfunctional family comedy/drama Home for the Holidays, the absurd comedy Spy Hard, and Jerry and Tom. At the beginning of the 20th century he reteamed with the Coen Brothers for O Brother, Where Art Thou?, and was part of the impressive ensemble in David Mamet's State and Main. He was also part of the original cast of the firefighter drama series Rescue Me. Durning died at age 89 in late December 2012, two months before his 90th birthday. ~ Hal Erickson, Rovi
1965  
 
In this comedy, an even-tempered fireman with a happily tepid life, finds his peaceful world disrupted when he becomes infatuated with the woman he saved from a burning building. ~ Sandra Brennan, Rovi

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Starring:
Eugene TroobnickHermione Gingold, (more)
 
1969  
R  
Cesare (Alex Cord) is the foreign car dealer who caters to the jet set. A previous favor by a mobster who saved his life has him indebted to the mafia to repay the kindness. With a stiletto, he kills three enemies of the organization, but is hung out to dry when the gang refuse to acknowledge his actions or even admit they know him. As the police close in on the auto dealer, he is caught between the law and the mob with no protection from either side. Britt Eklund and Barbara McNair are the main female leads. Roy Scheider has a small part in this violent and erotic crime drama. ~ Dan Pavlides, Rovi

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Starring:
Alex CordBritt Ekland, (more)
 
1970  
PG  
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In this collaboration between actor Gregory Peck and director John Frankenheimer, Peck plays Southern sheriff Henry Tawes, who intends to bring moonshiner Carl McCain (Ralph Meeker) to justice. Instead, Tawes falls in love with McCain's nubile daughter, Alma (Tuesday Weld), and arranges for the feds to keep their hands off McCain's still. The sheriff thus risks completely destroying his work life and home life. Not surprisingly, Johnny Cash's "I Walk the Line" is heard on the soundtrack at various crucial junctures. ~ Hal Erickson, Rovi

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Starring:
Gregory PeckTuesday Weld, (more)
 
1970  
 
William Popper (Michael Sarrazin) is the son of a stockbroker and is thoroughly disenchanted with "the system." So much so that even though he can prove that he ran over a woman in his car entirely by accident, he accepts a sentence for manslaughter. His participation in some prison violence motivates him to attempt to escape, though he has only a week to go on his sentence. Having escaped, he and his old girlfriend (Barbara Hershey) make a run for Canada. The story is adapted from the novel The Pursuit of Happiness by Thomas Rogers. As William's starchy grandmother, Ruth White, notable for her work in To Kill a Mockingbird and Midnight Cowboy makes her last film appearance. ~ Clarke Fountain, Rovi

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1972  
R  
Years before Coma, Jurassic Park, and Twister made him a household name, Michael Crichton co-wrote this amiable drug-oriented comedy, based on a novel Crichton co-authored with his brother Douglas under the pen name Michael Douglas. Peter (Robert F. Lyons) is a shaggy but straightlaced Harvard law student who feels the need for some rebellion in his life (and could use some extra money), so he takes up the offer of mid-level drug dealer John (John Lithgow) to ferry a load of marijuana from California back to Boston. En route, Peter meets Susan (Barbara Hershey), a comely hippie with whom he falls in love. Peter helps Susan avoid a drug bust and she decides to head back to Boston with him, but she finances the trip by arranging to bring back a stash of her own. At the airport, Susan runs afoul of Murphy (Charles Durning), a crooked narcotics cop who steals half the pot and attempts to blackmail her. Dealing featured the screen debut of John Lithgow; Demond Wilson (who later starred in Sanford and Son) and musician Buzzy Linhart also
appear. ~ Mark Deming, Rovi

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1972  
 
One of Terrence Malick's early screenwriting efforts, this loosely-structured road movie finds a questionably sane long-distance trucker named Cooper (Alan Arkin) winding his way through the heart of America. An employee of a questionable hauling outfit who has been assigned to drive a newly hijacked rig to an as-of-yet undisclosed-location, Cooper quickly ditches his partner and points his eighteen-wheeler westward. Picking-up a hitchhiker (Paul Benedict) for some company in the cab, the unstable trucker's journey westward grows increasingly surreal as he runs into numerous eccentric characters, portrayed in cameo roles by such noted names as Ida Lupino, George Raft, Charles Durning, Loretta Swit, Richard Kiel and future director John Milius. ~ Jason Buchanan, Rovi

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Starring:
Alan ArkinPaul Benedict, (more)
 
1972  
R  
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In this grim, violent crime drama, a hit man murders a politician and then boards a ship to New York. During the voyage, the assassin abducts the captain's daughter, holds her captive in his cabin and rapes her while her father agonizes over what he should do. ~ Sandra Brennan, Rovi

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1973  
PG  
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Four years after setting box offices ablaze in Butch Cassidy and the Sundance Kid, Paul Newman, Robert Redford, and director George Roy Hill re-teamed with similar success for The Sting. Redford plays Depression-era confidence trickster Johnny Hooker, whose friend and mentor Luther Coleman (Robert Earl Jones) is murdered by racketeer/gambler Doyle Lonnegan (Robert Shaw). Hoping to avenge Luther's death, Johnny begins planning a "sting" -- an elaborate scam -- to destroy Lonnegan. He enlists the aid of "the greatest con artist of them all," Henry Gondorff (Paul Newman), who pulls himself out of a drunken stupor and rises to the occasion. Hooker and Gondorff gather together an impressive array of con men, all of whom despise Lonnegan and wish to settle accounts on behalf of Luther. The twists and surprises that follow are too complex to relate in detail -- suffice to say that you can't cheat an honest man, and that you shouldn't accept everything at face value. The Sting became one of the biggest hits of the early '70s; grossing 68.5 million dollars during its first run, the film also picked up seven Academy Awards, including Best Picture, Best Director, Best Screenplay, and Best Adapted Score for Marvin Hamlisch's unforgettable setting of Scott Joplin's ragtime music. ~ Hal Erickson, Rovi

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Starring:
Paul NewmanRobert Redford, (more)
 
1973  
 
Originally made for television, the story concerns an unemployed journalist (Charles Durning) who mediates a deal between jewel thieves and an insurance company. ~ John Bush, Rovi

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1973  
R  
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A reporter gets more than she bargained for when she tries to prove that a murder has occurred in Brian De Palma's disturbing thriller. Danielle (Margot Kidder) meets Phillip (Lisle Wilson) on a "Peeping Tom"-themed game show and, dodging her ex-husband Emil (William Finley), takes him back to her apartment. But Danielle has a separated Siamese twin sister, Dominique, who is not pleased about the overnight guest. Journalist neighbor Grace (Jennifer Salt) sees Phillip slaughtered by one of them through her window; the body vanishes before she can convince a skeptical detective (Dolph Sweet) to take a look. Determined to prove that she's right (and get a career-advancing story), Grace investigates, assisted by a private eye (Charles Durning), and becomes more involved in the relationships among Danielle, Dominique, and Emil than she ever expected. ~ Lucia Bozzola, Rovi

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Starring:
Margot KidderJennifer Salt, (more)
 
1973  
 
Gloria is traumatized when she is attacked and nearly raped while walking home from work. At first, the family insists that Gloria press charges against her assailant. But Archie and Mike soon change their minds when a no-nonsense police detective named Vogel (Charles Durning) tells Gloria what she will be up against in court. This time around, it is Edith who proves to be the most level-headed member of the household -- but will she be able to persuade Gloria to put her reputation on the line by testifying against the would-be rapist? There are no easy, pat solutions in this episode, which was written by Austin and Irma Kalish and Don Nicholl. "Gloria the Victim" originally aired on March 17, 1973. ~ Hal Erickson, Rovi

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Starring:
Carroll O'ConnorJean Stapleton, (more)
 
1974  
PG  
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This third film version of the 1928 Ben Hecht/Charlie MacArthur Broadway hit The Front Page was the first one permitted to utilize all the salty profanities in the original play. Director Billy Wilder cast his two favorite leading men, Jack Lemmon and Walter Matthau, as ace reporter Hildy Johnson and ruthless newspaper editor Walter Burns, respectively. The plot of the Hecht/MacArthur play remains intact: Burns pulls every underhanded game in the book to prevent Johnson from leaving his Chicago paper to get married, and in so doing the two journalists uncover a cesspool of political corruption, centered around the planned execution of anarchist Earl Williams (Austin Pendleton). Carol Burnett has an extended cameo as Williams' tart girlfriend, Mollie Malloy. The Front Page was remade for a fourth time in 1988 as Switching Channels. ~ Hal Erickson, Rovi

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Starring:
Jack LemmonWalter Matthau, (more)
 
1975  
 
Charles Durning guest stars as Hatch, a veteran safecracker whom undercover cop Tony Baretta (Robert Blake) sent to prison. When a series of jewelry store robberies hits his district, Baretta realizes that there is only one man who can help him bring the perps to justice. Need it be added that the man in question is none other than the hapless Hatch? Former B-Western leading lady Peggy Stewart appears in a cameo role as a teacher. ~ Hal Erickson, Rovi

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Starring:
Robert BlakeEdward Grover, (more)
 
1975  
 
Queen of the Stardust Ballroom stars Maureen Stapleton as Bea Asher, a woman faced with many new challenges since becoming a widow. She has been afraid for herself and her future since her husband's death, and friends concerned for her well-being take her to the Stardust Ballroom in the hopes that, for one night, she might dance her troubles away. While there, she meets Alvin Green (Charles Durning). They spend the evening dancing and talking and, thanks to his charm and goodness, Bea begins to come out of her sheltered existence. This story was directed for television by Sam O'Steen, who was Mike Nichols' only editor for almost 30 years. ~ Perry Seibert, Rovi

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Starring:
Maureen StapletonCharles Durning, (more)
 
1975  
PG  
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"The German Air Force is not at all what it used to be," says Anne Bancroft's Countess, about 16 minutes into The Hindenburg, pausing and then adding, "But then, nothing is these days." That seems to sum up the ponderous, irony-laden script and plot of Robert Wise's movie, which is posited -- in true post-Watergate fashion -- upon notions of conspiracy and cover-up behind the destruction of the German airship. The movie opens with a handy Universal newsreel that gives a vestpocket history of lighter-than-air flight, and that carries us to 1937 Germany. Colonel Franz Ritter (George C. Scott), a former hero pilot now working for military intelligence, finds himself assigned to the flight of the Hindenburg as chief of security; reports and rumors about the destruction of the zeppelin have circulated both in Germany and America, and the Nazi government takes these very seriously. What Ritter walks in on is a "Grand Hotel" of the air, several dozen passengers and crew whose ranks contain enough red herrings to keep Ritter (and us) jumping through hoops for most of the first half of the film, when we're not watching glorious shots of the zeppelin in flight. The answer to the script's presentation of the plot against the airship,and theidentityof the bomber and his motivations, are actually presented in the first 15 minutes, but there are so many false leads, subplots, and blind alleys put before us that the solution will probably pass by unnoticed. In the meantime, Ritter dances around with his ex-paramour (Bancroft), scheming businessmen (Gig Young), and passengers with skeletons in their closets (Alan Oppenheimer), an entertainer (Robert Clary) with a knack for offending loyal Nazis, several officers and crew with known "political" differences with the Nazi Party, a Gestapo man (Roy Thinnes) who's got an agenda of his own, and two genuine mystery men (Burgess Meredith, Rene Auberjonois) who don't seem to have any reason for traveling on this particular voyage. It's all a little tiring, or would be, if the setting and special effects weren't that interesting, and the cast wasn't so entertaining to watch in these relatively thankless roles. ~ Bruce Eder, Rovi

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Starring:
George C. ScottAnne Bancroft, (more)
 
1975  
R  
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Based on a true 1972 story, Sidney Lumet's 1975 drama chronicles a unique bank robbery on a hot summer afternoon in New York City. Shortly before closing time, scheming loser Sonny (Al Pacino) and his slow-witted buddy, Sal (John Cazale), burst into a Brooklyn bank for what should be a run-of-the-mill robbery, but everything goes wrong, beginning with the fact that there is almost no money in the bank. The situation swiftly escalates, as Sonny and Sal take hostages; enough cops to police the tristate area surround the bank; a large Sonny-sympathetic crowd gathers to watch; the media arrive to complete the circus; and police captain Moretti (Charles Durning) tries to negotiate with Sonny while keeping the volatile spectacle under control. When Sonny's lover, Leon (Chris Sarandon), tries to talk Sonny out of the bank, we learn the robbery's motive: to finance Leon's sex-change operation. Sonny demands a plane to escape, but the end is near once menacingly cool FBI agent Sheldon (James Broderick) arrives to take over the negotiations. ~ Lucia Bozzola, Rovi

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Starring:
Al PacinoJohn Cazale, (more)
 
1975  
 
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Switch was the pilot film for a tongue-in-cheek adventure series that ran on CBS from 1975 to 1978. Robert Wagner stars as Pete Ryan, an ex-con sent up for being a "scam" artists, and Eddie Albert as Frank McBride, an ex-cop turned private investigator. Working as a team, Pete and Frank devote themselves to conning other confidence artists and returning the ill-gotten gains to the rightful owners. It is therefore necessary for Pete to teach Frank how to be a crook, and for Frank to teach Pete how to be honest. In this pilot, Charles Durning guest stars as another former policeman, a two-time loser who has been framed for a jewel robbery. If we are to believe the print ads for this film, its original title was The Switch, which was probably shortened to avoid the inevitable comparisons to The Sting. ~ Hal Erickson, Rovi

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Starring:
Robert WagnerEddie Albert, (more)
 
1975  
 
The Trial of Chaplain Jensen is a fact-based TV movie starring James Franciscus. As Navy chaplain Jensen, Franciscus portrays the only US navy officer ever court-martialed on the charge of adultery. Lynda Day George is the woman who points the accusing finger at Jensen, while Joanna Miles plays his grimly supportive wife. Though a model of decorum compared to the TV movie fare to come as the 1970s progressed, The Trial of Chaplain Jensen was tagged with a "Parental Discretion Advised" label by a nervous ABC when it first shown on February 11, 1975. It's likely, however, that most viewers young and old were glued to the competing TV movie on NBC--the unforgettable Sarah T: Portrait of a Teenage Alcoholic. ~ Hal Erickson, Rovi

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1976  
PG  
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Posing as a fugitive from justice, frontier undercover agent John Deakin (Charles Bronson) boards a train to go after a ruthless gang of outlaws. Ingredients essential to the action include an anti-military conspiracy involving gunrunners and Indians, a phony epidemic, and a down-and-dirty traintop fight between Deakin and Carlos (boxer-turned-actor Archie Moore). Breakheart Pass was adapted for the screen by Alistair MacLean from his own novel. ~ Hal Erickson, Rovi

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Starring:
Charles BronsonBen Johnson, (more)
 
1976  
 
One of four dramatic miniseries carried by NBC under the blanket title Best Sellers, Captains and the Kings was adapted from a novel by Taylor Caldwell. Covering a time span from 1857 to 1912, this was the saga of the Irish-immigrant Armagh clan, with emphasis on the rags-to-riches career of Joseph Armagh (Richard Jordan). Achieving fame and prominence (if not full-fledged social acceptance) through a Byzantine series of investments in the oil industry, the elder Armagh was obsessed with the notion of having one of his sons become the first Irish-Catholic President of the United States (does this story sound vaguely familiar?). Along the way, Joseph and his offspring indulged in innumerable romantic liaisons, extramarital and otherwise. Featured in the all-star cast is Patty Duke Astin, who won an Emmy award for her portrayal of Bernadette Hennessey Armagh. Captains and the Kings was broadcast from September 30 to November 18, 1976 in seven installments, two of which ran 120 minutes, and the other six lasting 60 minutes -- a total of nine hours' air time in all. ~ Hal Erickson, Rovi

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1976  
PG  
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Harry and Walter Go to New York was born of the theory that, the more stars and money that you throw into a film, the better the film will be. The theory has seldom been proven true, and it certainly wasn't in this case. Harry (James Caan) and Walter (Elliot Gould) are a third-rate vaudeville team, playing tank towns in turn-of-the-century USA. Thrown into the hoosegow on a petty-theft charge, our heroes make the acquaintance of big-time crook Adam Worth (Michael Caine). Once they're sprung, Harry and Walter follow Worth to New York, with the intention of pulling off a huge bank robbery. Lissa Chestnut (Diane Keaton), a bird-brained suffragette, is also mixed up in the proceedings though she never seems certain of who or what her character is from one scene to the next. The film's one tangible asset is its meticulous re-creation of 1890s New York, courtesy of art director Harry Horner. ~ Hal Erickson, Rovi

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Starring:
James CaanElliott Gould, (more)
 
1977  
R  
Loosely based on former policeman Joseph Wambaugh's humorous novel, The Choirboys determinedly explores the stunted interior lives of a large crew of callous, bigoted L.A. policemen. These men get together to lend one another emotional support. However, the means they choose for this do not enhance their sensitivity or their judgement. When one of them has a really bad day, he asks his buddies to come to "choir practice," and they get together for alcoholic benders of fairly epic proportions. When one of them accidentally shoots a homosexual teen cruising a city park, everyone (including higher-ups) gets called on to help with the cover-up. The Choirboys, which was a critical and box-office failure, had an impressive cast list, including such well-known performers as Blair Brown, James Woods, Randy Quaid, Lou Gossett Jr., Perry King and Charles Durning. ~ Clarke Fountain, Rovi

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Starring:
Charles DurningLouis Gossett, Jr., (more)
 
1977  
R  
Soured on America by his experiences as a POW in Vietnam, General Lawrence Dell (Burt Lancaster) hopes that his government will someday tell the truth about the Southeast Asian debacle, thereby allowing his country to embark upon a healing process. Regarded as a dangerous embarrassment by the higher-ups, Dell is framed on a manslaughter charge and sent to prison. Escaping with three hardened convicts (Paul Winfield, Burt Young, and William Smith), Dell takes over an SAC base, threatening to launch nine Titan missiles if his demands that top-secret Vietnam files be made public are not met. Thus, the fate of the world rests in the hands of the mentally unbalanced Dell, his former superior General MacKenzie (Richard Widmark), and U.S. president David Stevens (Charles Durning). For this picture, Edward Huebach and Ronald M. Cohen adapted Walter Wager's novel Viper Three. ~ Hal Erickson, Rovi

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Starring:
Burt LancasterRichard Widmark, (more)
 
1978  
R  
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Brian De Palma returns to the mind-blowing potential of telekinesis in the follow-up to his 1976 horror hit Carrie. While vacationing with his psychic son, Robin (Andrew Stevens), and close associate Childress (John Cassavetes), government agent Peter Sandza (Kirk Douglas) survives a terrorist attack, only to discover that it was staged by Childress so he could kidnap Robin for his own nefarious purposes. With the assistance of another psychic (William Finley) and Hester (Carrie Snodgress), an employee at the Paragon Institute for Psychic Research, Peter discovers a telekinetic Chicago high-school girl named Gillian (Amy Irving), who may be able to help him find Robin. Even though they have never met, Gillian can see Robin's memories and experiences telepathically, and she knows that he is in trouble. But Childress knows all about Gillian, too, and he is not about to let Peter's paternal quest get in the way of his plans for harnessing their psychic power. ~ Lucia Bozzola, Rovi

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Starring:
Kirk DouglasJohn Cassavetes, (more)
 
1978  
PG  
After getting caught cheating his bookmaking boss over a high-stakes pinball wager, Neil Gallagher (Ken Marshall) leaves his Corpus Christi home for Los Angeles, hoping to make it big as a folk rock balladeer. With best friend Henry (Harvey Lewis) in tow as his manager, Neil finds only failure, but when they come across a streetsmart 14-year-old pinball whiz named Tilt (Brooke Shields), he envisions a plan to get rich quick and save face in his hometown. Impressed by Neil's music, Tilt agrees to hitchhike with him to Texas, thinking she's helping to raise money for a demo tape. They stop by roadside arcades along the way to hustle petty gamblers into betting against the unassuming teen's pinball prowess. When the duo hit home with cash in their pockets, Neil brazenly challenges his former employer, an obese pinball champion known as "the Whale" (Charles Durning), to a 400-dollar game against the unbeatable Tilt. What Neil doesn't realize is that Tilt has caught on to his manipulation and lies, and all his big plans are going to blow up in his face when Tilt and the Whale secretly hold their own late-night pinball tourney. ~ Fred Beldin, Rovi

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Starring:
Brooke ShieldsKen Marshall, (more)