Gary Piquer Movies

With an earnest narrative that suggests a lighter version of such man-against-the-system efforts as Erin Brockovich and A Civil Action, Jose Antonio Quieros's drama Cenizas del cielo (Ashes from the Sky) stars Celso Bugallo as Federico, a gentleman who has spent the better part of thirty years living in a quaint, lyrical valley all but ruined by the presence of one element - the local nuclear power plant. After three decades of protesting the plant's presence in vain, he receives word of the Kyoto Agreement, a new law that may just play an instrumental role in closing the plant down. ~ Nathan Southern, Rovi

With his English-language political thriller The Feast of the Goat, action helmer Luis Llosa cinematizes Mario Vargas Llosa's sweeping, epic novel about the myriad of events leading up to the assassination of a real-life tyrannical despot. The story opens in 1992, when a Dominican émigré attorney, Urania Cabral (Isabella Rossellini) leaves her new home in the U.S. and heads back to her native country, for the first occasion in decades. She intends to confront her father, 80-year-old Augustin (Tomas Milian), about his former employment in the government of the supremely corrupt dictator Rafael Leonidas Trujillo (Tomas Milian). The film then flashes back to the events surrounding the assassination of Trujillo on a highway in late May of 1961, by delving into the lives and motives of each of the participants - from Amadito (Juan Diego Botto), whom Trujillo forced to execute his future brother-in-law, to that victim's father (Murphy Guyer), to Antonio (David Zayas), the brother of an incriminating witness whom Trujillo's men executed. One by one, as their stories are disinterred, the assassins gather on a nighttime road, brandishing guns, and prepare to shoot Trujillo and throw his body into the trunk of a car. Paul Freeman, Stephanie Leonidas and Richard Bekins co-star; Llosa co-authored the script with Augusto Cabada and Zachary Sklar. ~ Nathan Southern, Rovi

A bloody trail of mutilated corpses leaves a remote village frozen with fear in this full moon tale of terror starring Julian Sands and directed by El Segundo Nombre's Francisco Plaza. When authorities discover a number of bodies bearing wounds of surgical precision mixed with savage gashes deep within the nearby forest, the citizens of Allariz vow never again to set foot in the dreaded woods. Though a wandering soap vendor named Manuel Romasanta has confessed to the crimes claiming that he used the fat of the victims as the foundation for his deep cleansing skin care products, a deeper investigation reveals that Romasanta may in fact be suffering from the curse of lycanthropy. ~ Jason Buchanan, Rovi

Writer-director Agusti Vila explores destiny, coincidence, and love in this romantic comedy set in Barcelona. After getting dumped by his girlfriend, Juan (Alex Brendemuhl) decides to sit in the same park bench at the same time each day in order to improve his odds for a chance encounter. Soon his efforts pay off and he finds himself in the company of the assertive, prickly Alicia (Victoria Freire) and bookworm Ana (Monica Lopez). With each woman, he shares his idiosyncratic ideas on romance and communication. Un banco en el parque was screened at the 1999 San Sebastian Film Festival. ~ Jonathan Crow, Rovi

Ten years ago Oxford archaeology professor Robert Rylands suddenly and mysteriously left the college and the town to embark upon a long journey. His sudden return creates quite a stir, and most of this English-language Spanish drama, based on a novel by Javier Marias, centers on the effect it has upon those who know and love him. As soon as he arrives, Rylands heads straight for the police department and sits down to tell a policeman and good friend about his adventure. The plot then moves to Alfred, a fellow lecturer who lives with Jill, his sister and her daughter, Sue. Juan, a Spanish guest lecturer is also staying with them. Jill is worried about Alfred who has been suffering from a bizarre illness that causes him to faint and makes it difficult for him to use his left hand. She finds Rylands' sudden reappearance most distracting. Somehow the lives of Rylands, Jill and Alfred are connected, and both Sue and Juan decide to find out how. ~ Sandra Brennan, Rovi