Natasha Lyonne Movies

A down on her luck woman unwittingly becomes the object of a shady wager between two rival fashion photographers in this romantic comedy featuring Sopranos star Vincent Pastore. Dessi is something of an ugly duckling, and she's relegated herself to the reality that she'll never amount to anything but a fish cleaner in a low-rent restaurant. Then one day, Dessi catches the eye of local fashion photographer Rex. Rex is debating the true nature of photography with his rival Albert when he reluctantly accepts a bet to transform frumpy fish girl Dessi into a world-renowned super model. Though Rex ultimately succeeds in his mission, he falls for Dessi in the process and their romance hits the rocks after she catches wind of her newfound love's original intentions. ~ Jason Buchanan, All Movie Guide

For this follow-up to their mega-hit Ice Age, directors Carlos Saldanha and Chris Wedge team with the screenwriting duo behind Parenthood and City Slickers, Lowell Ganz and Babaloo Mandel. Robots stars Ewan McGregor as the voice of Rodney Copperbottom, an idealistic robot who wants to convince his electronic brethren to come together and work toward making the world a better place. As the story unfolds, Rodney faces opposition from an evil corporation headed by Big Weld (Mel Brooks) and finds some unlikely allies in the form of a ragtag group of misfit robots called the Rusties and voiced by the likes of Drew Carey and Amanda Bynes. Stanley Tucci and Dianne Wiest provide the voices of Rodney's parents, and Halle Berry portrays his love interest, Cappy. ~ Matthew Tobey, All Movie Guide

A deadly form of madness has taken over Cunningham Mental Hospital, and it's not just the patients whose sanity is slipping in this dark thriller from director William Butler. Cunningham is infamous for housing some of society's most dangerously psychotic criminals, and when a staff nurse is murdered, newly hired psychiatry intern Clark Stevens (Joshua Leonard) begins to sense that the staff is being held in the grip of a deadly madness. As Clark begins an investigation into the murder, his research begins to yield ominous answers that may be better left unexplored. ~ Jason Buchanan, All Movie Guide

A young man leaves his home and family in search of himself in this independent drama. America Brown (Ryan Kwanten) -- called "Ricky" by most of his friends -- was born and raised in a West Texas town where football is treated more like a religion than a game. Raised by a single mother (Karen Black), America's primary male role model has been his older brother Daniel (Michael Rapaport), who has drilled it into Ricky's head that it's his destiny to be a football star. But America has come to hate football, and especially loathes Bo (Leo Burmester), the manipulative coach of his high-school team. Desperate to get away from it all, America runs away to New York City, where he seeks refuge with John Cross (Hill Harper), a one-time football legend from West Texas who gave up the game to become a Catholic priest. As America looks to find a new life, he finds in Cross a man who is still haunted by his past and smitten with a woman in his congregation, Rosie (Élodie Bouchez). America, meanwhile, develops an infatuation of his own with Vera (Natasha Lyonne), a pretty but streetwise girl who waits tables at a neighborhood diner. America Brown was the first feature film from writer and director Paul Black; it was screened at the 2004 Tribeca Film Festival. ~ Mark Deming, All Movie Guide

Playwright, performer, and drag queen Charles Busch appears in the leading role as aging pop star Angela Arden in the darkly comic melodrama Die Mommie Die. Based on Busch's own play, this film marks the directorial debut of Mark Rucker. In 1967, Angela's career has hit bottom and she's trapped in a loveless marriage to film producer Sol Sussman (Philip Baker Hall). She gets involved in an affair with unemployed TV actor Tony Parker (Jason Priestley). After Sol suddenly dies, Angela's daughter Edith (Natasha Lyonne) plots a conspiracy of revenge and enlists the help of her brother, Lance (Stark Sands). Also featuring Nora Dunn and Frances Conroy. Busch has previously appeared in drag for the film adaptation of his play Psycho Beach Party in 2000. Die Mommie Die premiered at the 2003 Sundance Film Festival. ~ Andrea LeVasseur, All Movie Guide

In a sleepy small town there are two vibrant comic books stores that are rival universes unto themselves. Events spiral absurdly, violently out of control when the owners of the two shops -- nerdy hipster Ray (Donal Logue) and the nebbishy husband and wife team of Norman and Judy (Michael Rapaport and Natasha Lyonne) -- compete for a priceless collection of books left by the dead son of elderly Mrs. Cresswell (Eileen Brennan). Ray's friend, Archie (D.J. Qualls), tries to stop Ray from hiring a sleazy thief (Cary Elwes), but to no avail. Things get very ugly indeed. ~ Buzz McClain, All Movie Guide

The horny teen heroes of American Pie (1999) return for further raunchy antics in this comedy sequel written by the first film's creator, Adam Herz. Returning home following their freshman year of college, old friends Jim (Jason Biggs), Kevin (Thomas Ian Nicholas), Oz (Chris Klein), Finch (Eddie Kaye Thomas), and Stifler (Seann William Scott) rent a summer house on Lake Michigan where they hope to score romantically. However, complications ensue due to Jim's relative lack of experience, requiring an interlude with a fellow student and a visit to his old friend Michelle (Alyson Hanigan), who's now a band camp counselor, all in preparation for the return of Nadia (Shannon Elizabeth). In the meantime, Oz is separated from Heather (Mena Suvari) by a trip abroad, Finch has another encounter with Stifler's mom (Jennifer Coolidge), and Jim's dad (Eugene Levy) is as clueless as ever about his son's love life. Director J.B. Rogers served as first assistant director on the first film and made his directorial debut with Say It Isn't So (2001). ~ Karl Williams, All Movie Guide

This sequel to a box-office sleeper hit that spoofed teen slasher flicks takes its cues from haunted house and possession films, particularly The Haunting (1999) and The Exorcist (1973). Although many of the first film's main characters were homicide victims, Marlon Wayans, Shawn Wayans, and Anna Faris return anyway to "re-possess" their roles for this follow-up in which four students are invited by their professor (Tim Curry) to his haunted mansion, Hell House, for a weekend sleep-deprivation study. Providing the sleep deprivation, however, is a series of murderous, supernatural goings-on. Scary Movie 2 co-stars Tori Spelling, Andy Richter, Christopher Masterson, Kathleen Robertson, James Woods, Chris Elliott, and Natasha Lyonne. ~ Karl Williams, All Movie Guide

When a gentle bookkeeper is forced to act as an assassin in order to pay off her husband's debt to the mob, the bloodless scheme she concocts to keep a clear conscience could cost her more than she bargained for in a blistering crime comedy starring Diane Keaton, Burt Young, Bob Balaban, Paul Sorvino, and Natasha Lyonne. Fran (Keaton) has just lost her husband, and if that wasn't enough to shake her world, the revelation that he owed a healthy chunk of change to a local syndicate head does little to comfort her in her time of mourning. Soon informed that she is to carry out a series of risky assassinations lest she find herself having a premature reunion with her recently departed spouse, Fran opts instead to drive her would-be victims to her brother's house in Florida for safe keeping. When the big boss receives word that his enemies may not be as dead as he was led to believe, his impromptu trip to the Sunshine State leads to a comic series of criminal complications. ~ Jason Buchanan, All Movie Guide

This three-part drama, produced for HBO, examines the changing tides of the lives of lesbians in America, both politically and personally, as we eavesdrop on three stories taking place in the same house over a span of five decades. In 1961, the house is home to Edith (Vanessa Redgrave) and Abby (Marian Seldes), an elderly lesbian couple whose lifestyle is not accepted or acknowledged by their families. When Abby suffers a serious stroke and is on the verge of death, her family rallies to her side, but not understanding the nature of her relationship with Edith, she is not included as her loved ones say their final good-byes. After Abby's death, her nephew (Paul Giamatti) and his wife (Elizabeth Perkins) arrive from out of state with plans to sell the house, without consulting Edith. In 1972, the house is now home to four college students, Michelle (Amy Carlson), Linda (Michelle Williams), Karen (Nia Long), and Jeanne (Natasha Lyonne), all of whom are actively involved in the women's movement and also happen to be lesbians. The four find themselves at odds with the campus women's group when they try to promote an all-women's dance, while the other members of the group feel that feminism, not lesbianism, should be the focus of the group. Similarly, Linda faces hostility from her friends when she becomes involved with Amy (Chloe Sevigny), a very butch townie; Linda's friends see Amy's masculine attire and attitude as a form of self-loathing against being a woman, and while Linda cares deeply for Amy, she's not always comfortable with her and isn't sure that she wants to be public with their relationship. In 2000, Fran (Sharon Stone) and Kal (Ellen DeGeneres), a happy and firmly committed couple, are sharing the house, and after much discussion, they decide that they want to take their relationship to the next level and have a baby. However, deciding that they want a child and dealing with the practicalities of getting pregnant are two different things; Fran and Kal first debate about going to a sperm bank as opposed to asking one of their male friends to help out, and later, either going to a doctor to perform the procedure or trying it at home. DeGeneres' significant other, Anne Heche, wrote and directed the final segment; the 1972 story was directed by Martha Coolidge, and the 1961 episode was directed by Jane Anderson. ~ Mark Deming, All Movie Guide

In this satire, parents who are worried that their children might not be walking the straight and narrow path discover a rehabilitation camp designed to curb alternative lifestyles. Megan (Natasha Lyonne), a high school student and member of the cheerleading squad, seems like an ordinary enough teenage girl, but her habit of honestly expressing herself and lack of romantic enthusiasm for her boyfriend convince her very repressed parents, Peter (Bud Cort) and Nancy (Mink Stole), that Megan is becoming a lesbian. So Megan is shipped off to True Directions, a camp for gay and gay-leaning teens, where Mary Brown (Cathy Moriarty) attempts to deprogram kids with homosexual tendencies. The first step in the process is to get each teen to admit to their homosexuality, which Megan is loath to do, since she doesn't believe she's a lesbian -- or at least she didn't think so before she met her new friend Graham (Clea DuVall), who seems quite sure that she likes girls. Meanwhile, Mary's son Rock (Eddie Cibrian) may be exempt from the camp's activities, but he turns more than a few heads among True Directions' male inmates. Noted female impersonator RuPaul appears as a camp guide, and Julie Delpy has a cameo as a "lipstick lesbian." ~ Mark Deming, All Movie Guide

Despite the efforts of her sleazy attorney, Mr. Butz (David Alan Grier), teen drug dealer/car thief Crystal (Natasha Lyonne) is sentenced to a 25-year prison term, the first segment of which will be served in a youth correctional facility where she will be treated for her rampant bulimia. There, in-between binge/purge marathons with her fellow eating-disordered inmates and relentless harassment of the hapless authorities, she fends off the lesbian advances of her psychotic cellmate, Cyclona (Maria Celedonio), a serial killer who's just received a life sentence. The two escape together and embark on a cross-country road trip in search of Sister Gomez (Vincent Gallo), the beneficent nun who protected Cyclona from the sexual predations of her family during her troubled childhood south of the border. Where writer/director Matthew Bright's original Freeway was a modern retelling of Little Red Riding Hood, Freeway 2 riffs on Hansel and Gretel; it borrows only the trailer-park trappings of the earlier film, making the titular allusion to automobiles somewhat tenuous. ~ Brian J. Dillard, All Movie Guide