Archie Duncan Movies

When a man buys an otter for a pet, he gets more than he bargained for as he tries to keep the animal in his bathtub. He and his pet soon find life in London is not the place for such and animal, so the two head for the coast. The man enlists the help of a local female doctor to help in the care and feeding of his beloved otter in this family feature from the writers of Born Free. ~ Dan Pavlides, All Movie Guide

In this dark comedy, a Yankee goes to visit a family of British eccentrics to ask for the hand of one of their daughters in marriage. He soon finds himself in the midst of a really odd family. One of them talks like Bela Lugosi, another believes herself to be a vampire, while a third is locked away in a padded cell. Another family member is thrilled when he finally invents a horseless carriage (50 years after Ford), and the family grandfather is found reading Playboy just before he dies. Trouble begins when members of the family begin to be mysteriously murdered. The American suitor must then discover which member of the strange family is in line to inherit the family fortune. ~ Sandra Brennan, All Movie Guide

From Richard Lester, the director of 1980's Superman II and the 1964 A Hard Day's Night, comes this less-successful sequel to the The Mouse that Roared. The Prime Minister of the Duchy of Grand Fenwick (Ron Moody) is in a bind because he has no money to renovate his castle and there is a serious problem with his small country's main export, wine. The stuff tends to explode. So the Prime Minister asks the U.S. for aid to develop space research, knowing full well they are not going to give him money to remodel his castle. Once the U.S. grants a cool million to the country, Russia adds in a used rocket, and things start popping. Like it or not, the Duchy is suddenly involved in space research and contributing to the madness is the discovery that its unique wine makes good rocket fuel. ~ Eleanor Mannikka, All Movie Guide

In this modernized version of Grace Miller White's popular novel, the feisty Tess moves to the Pennsylvania Dutch country and finds herself unwelcome by her Mennonite neighbors until she begins fighting along with a group of farmers who sold land to a chemical company and are now unhappy because it has been polluted. During the struggle, Tess falls in love with a handsome Mennonite. Eventually their love and her hard work pays off and her neighbors finally accept her. ~ Sandra Brennan, All Movie Guide

Quickie-flick entrepreneur Bert I. Gordon makes a bid for the kiddie trade in The Boy and the Pirates. Charles Herbert, the juvenile star of 13 Ghosts, plays a contemporary kid who finds a bottle on the beach. The bottle contains genie Joseph Turkel (a loyal member of Stanley Kubrick's "stock company"), who whisks Herbert back in time and on board the pirate ship captained by Bluebeard (Murvyn Vye, whose performance is as shamelessly over-the-top as anything concocted by Robert Newton). Reams of stock footage later, Herbert escapes Bluebeard's clutches, together with his new friend Susan Gordon (Bert I. Gordon's daughter). Veteran Hollywood scrivener Lillie Hayward brings some much-needed class and polish to the low-budget proceedings. ~ Hal Erickson, All Movie Guide

The mysterious Indian jungle provides the setting for this adventure where a one-legged hunter pursues a terrifying tiger, a man-eater. On the hunt, the man encounters the cowardly fellow who caused him to lose his leg in a POW camp. Together they face the snarling, cornered jungle cat. Again, the fellow chickens out, resulting in the near-fatal mauling of the hunter. Later, the coward's wife helps the battered hunter recuperate. As she ministers to him, the hunter can't help but fall in love with her. He begins to drink heavily. He stops when he learns that the coward's son has wandered off into the dangerous jungle. Not wanting the lad to be tiger chow, the hunter sets off to kill the beast. He succeeds. ~ Sandra Brennan, All Movie Guide

After an extensive talent search, producer-director Otto Preminger selected a 17-year-old unknown from Iowa, Jean Seberg, to play Joan of Arc, a role traditionally portrayed by actresses twice to three times Seberg's age. Seberg is cast opposite such venerable pros as Richard Todd (as Dunois), Anton Walbrook (the Bishop of Beauvais), John Gielgud (Earl of Warwick) and Felix Aylmer (The Inquisitor). Cast as the vacillating Dauphin is Richard Widmark. Graham Greene's screenplay refashions the original Shaw text in the form of a flashback. Seberg eventually became an accomplished actress by virtue of her appearances in such nouvelle vague films as Breathless, but it was too late to salvage Saint Joan, which was figuratively burned at the stake by critics and filmgoers alike. ~ Hal Erickson, All Movie Guide

X the Unknown is a well-crafted imitation of the Quatermass British sci-fi pictures of the 1950s. A group of soldiers on maneuvers in Scotland stumble across a gravel pit which emanates an unusual amount of radiation. Several deaths occur before the radioactive material is mysteriously stolen. Researcher Dr. Adam Royston (Dean Jagger) speculates that the thief is some sort of inhuman monstrosity dwelling at the Earth's core. He points out that past radioactive disturbances have been occurring at 50-year intervals, each followed by sudden deaths and the disappearance of the material. Royston suggests that the unknown monster has been resuscitated by humankind's recent atomic experiments. Sure enough, the monster manifests itself as a huge slab of glowing radioactive mud (laugh now if you must -- you won't laugh when you see it). X the Unknown works well within its limited budget; unfortunately, many TV prints have been truncated, robbing some of the best horrific moments of their full impact. ~ Hal Erickson, All Movie Guide

This 1950's TV series is based on the legendary Robin Hood of Sherwood Forest and his men, who try to keep Prince John from usurping Richard the Lionhearted's throne while he is off fighting in the Crusades. ~ Tana Hobart, All Movie Guide

Trouble in the Glen was one of several felicitous collaborations between Hollywood's Republic Pictures and England's Herbert Wilcox-Anna Neagle productions. Curiously, Ms. Neagle does not appear--just as well, since the film is dominated by Orson Welles. Introducing himself with a typically self-indulgent monologue, the porcine Mr. Welles plays a South American resident who returns to his ancestral home in Scotland to become "Laird of the Glen". He immediately alienates the local populace by closing down the highway that runs through his estate. Hoping to make peace between Welles and the locals is former US air force officer Forrest Tucker, who developed an affection for the community while being stationed there during WWII. Violence threatens to erupt when evicted tinker Victor McLaglen rounds up a gang of toughs to lay siege on Welles' castle. The scenes involving Tucker's polio-crippled daughter (Margaret McCourt) run the risk of sloppy sentiment, but are deftly handled by producer-director Wilcox. Margaret Lockwood costars as Welles' daughter, who adheres to Hollywood formula by falling in love with the handsome Tucker. ~ Hal Erickson, All Movie Guide

This comedy is essentially a prototype of Disney's 1961 film Parent Trap and tells the tale of twin girls, separated after their parents divorce, who meet each other at summer camp and hatch an elaborate scheme to get their parents back together. ~ Sandra Brennan, All Movie Guide

Street Corner was a marginally realistic study of British policewomen. The film takes its female cast through a typical day on the Chelsea beat. In the manner of Dragnet and The Blue Lamp, the skimpy plotline is merely there to string together several anecdotal incidents, illustrating that while a policewoman's lot is not a happy one, neither is it dull. Feminist film fans might point with pride to the fact that Street Corner was written and directed by a woman, Muriel Box. The fact that Box had been working in this capacity in the British film industry for years, while Hollywood had been relegating women to second-class status during the same period of time, is equally worthy of being pointed out. ~ Hal Erickson, All Movie Guide