O.L. Duke Movies

Director Carl Franklin and actor Denzel Washington team up again (following 1995's Devil in a Blue Dress) for the crime thriller Out of Time. Washington stars as Matt Lee Whitlock, the well-respected chief of police in a quiet Florida community. While in the process of getting a divorce from fellow detective Alexandra (Eva Mendez), Matt engages in an affair with his high school sweetheart Anne (Sanaa Lathan). Unfortunately, Anne is married to the extremely jealous Chris (Dean Cain), a former pro football player who works as a security guard. After a major murder occurs in the community, Matt finds himself the main suspect. With the help of his medical examiner pal Chae (John Billingsley), Matt must solve the case before he is found guilty himself. Out of Time premiered at the 2003 Toronto Film Festival. ~ Andrea LeVasseur, All Movie Guide

Miguel Pinero became a leading figure in New York's art scene during the 1970s as a poet, actor, and playwright whose vibrant, often pointed, work spoke directly to the lower classes and to disenfranchised minorities. As a founder of the influential Nuyorican Poets Cafe, his poetry soon became recognized as a forerunner to rap and hip-hop music. TV screenwriter turned director Leon Ichaso spins this impressionistic biographical look at this artist. Raised in an abusive family, Pinero (Benjamin Bratt) turns to streets for solace. Soon he is engaging in petty crime, drug dealing, and addiction. When he finds himself in Sing-Sing, he turns his experiences in prison into the play Short Eyes, which eventually garners him seven Tony awards in 1974. Uncomfortable with his new fame, he clings to his girlfriend, Sugar (Talisa Soto), and his childhood buddy, Miguel Algarin (Giancarlo Esposito), who is a literature professor and who co-founded the Nuyorican Cafe. Though Pinero makes cameos on such shows as Kojak, his art begins to suffer as he starts to succumb to his drug addictions. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide

Mike "McGee" Giardello (Giancarlo Esposito) and Laura Ballard (Callie Thorne) investigate when a famous sports doctor "accidentally" kills his sister-in-law. Joining the investigation is Falsone (Jon Seda), who in the course of events finds time to show off his prowess in the boxing ring. Meanwhile, Munch (Richard Belzer) is peeved that his partners in the Waterfront Bar would doubt the honesty of his accountant cousin -- until he's slapped with a bill for 30,000 dollars in back taxes. And Gharty (Peter Gerety), newly separated from his wife, tries to date Waterfront waitress Billie Lou (Ellen McElduff). ~ Hal Erickson, All Movie Guide

Seen mostly through the eyes of wheelchair-bound prisoner Augustus Hill (Harold Perrineau Jr.), who serves as narrator and "tour guide," the first season of Oz begins with the establishment of a "prison within a prison" on Cell Block 5 of Oswald Maximum Security Penitentiary -- aka "Oz." Under the watchful eyes of Warden Leo Glynn (Ernie Hudson), Tim McManus (Terry Kinney) serves as unit manager of Cell Block 5, which he rechristens the Emerald City. It is the hope of the idealistic McManus that by allowing the prisoners more freedom and privileges, and getting them used to a daily routine, they will become rehabilitated more quickly. Perhaps it goes without saying that McManus is in for a lot of disillusionment and disappointment during the eight episodes of season one. Newly interned at "Em City" are former lawyer Tobias Beecher (Lee Tergesen), nervously serving time for murder; famed Muslim leader Kareem Said (Eamonn Walker), who calmly informs Warden Glynn that he intends to become "top man" at Oz; pro basketball player Jackson Vayhue (Rick Fox); and cannibalistic serial killer Donald Groves (Sean Whitesell). Their assimilation into the prison population is uneventful until Governor James Devlin (Zeljko Ivanek), who has sailed into office on a platform diametrically proposed to Glynn's "coddling" of prisoners, orders the removal of such newly installed privileges as smoking and conjugal visits. Going one step farther, Devlin reinstates the death penalty, resulting in the immediate execution of one of the Em City "residents." Clearly, this does nothing to alleviate the tension between cons and guards -- nor, for that matter, between the various powerful factions within the population. In the course of events, an undercover narc is found hanged in his cell, another prisoner is set afire, the Oz staffers wrestle with the problem of what to do with elderly inmates, a turf war breaks out over a game of checkers, and Kareem Said suffers a heart attack. The season ends with a bloody and destructive riot -- with no indication as to who will survive to appear in season two. ~ Hal Erickson, All Movie Guide

A "deadbeat dad" is found murdered in a hotel room. The suspects include the victim's embittered father-in-law Max Schaffer (Val Avery) and two women in the dead man's life. Ultimately the prosecution of the case boils down to jury sympathy for a long-suffering and arguably justified perpetrator -- not to mention a terminal leukemia patient. ~ Hal Erickson, All Movie Guide

When a prostitute is murdered, detectives Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) question deli owner McCracken (Brian Smiar), who has a history of harassing hookers. Another likely suspect is plastic surgeon Dr. Mark Danforth (Jonathan Walker), who may have been a client of the dead woman. At the end of the day, it is Assistant D.A. Kincaid (Jill Hennessy), rather than her more experienced associate McCoy (Sam Waterston), who must decide whether the right person has been accused of the crime. ~ Hal Erickson, All Movie Guide

The father of celebrated baseball star Pat Williams (Malik Yoba) is murdered. Following the trail of clues, detectives Briscoe (Jerry Orbach) and Logan (Chris Noth) determine that the killing was tied in with gambling debts and not-so-veiled threats against the dead man's relatives. All roads eventually lead to big-time bookie "Papa Doc" Doniel (Ray Aranha) -- but that's hardly the end of the story. ~ Hal Erickson, All Movie Guide

In this lively comedy, an African American yuppie rethinks life on the corporate fast-track after he falls in love with an ultra hip club promoter. Knowing that she finds him a total square, he seeks the advice of a swinging young mail boy. ~ Sandra Brennan, All Movie Guide

In this actioner, Eddie Baker is brutally murdered by drug dealers. Later expatriate, reformed drug-dealer Superfly is conned into returning to the US from Paris by federal drug agents. He then must let his former cronies know that he wants back into the drug business. Superfly hasn't been a dealer for over twenty-years, and doesn't realize that drug dealing has become a deadly game. His sudden reappearance rouses the suspicion of the two crooked cops controlling the city's drug flow. They are unsure which side of the law he is on and are not anxious to allow him a piece of the action. Fortunately for "Fly" a good buddy fills him in on modern drug trafficking. He decides to go back to Paris, but then the US agents force him to change his plans. Later Superfly is beaten by the drug lord's men and his lady friend is shot. Now nothing will prevent the enraged hero from getting his revenge. ~ Sandra Brennan, All Movie Guide

The title of this earnest anti-drug drama from distinguished black television journalist Tony Brown, the long-time host of the PBS show Tony Brown's Journal, has a double meaning: it refers to a slang term for cocaine, and also to the deeper problem of the lead character, a woman who has lost touch with her African-American heritage. Kim grew up in a middle-class neighborhood with plenty of love and material things, including a drop-dead gorgeous wardrobe. She was an exceptional high-school student and dreamed of becoming an attorney. She goes to college, discovers cocaine, and finds her life falling apart. Eventually she is convinced to become a member of the Black Student Union and there she meets good-hearted and handsome Bob, a pre-med student who helps her move away from drugs and back to her studies. He is the first African-American boyfriend Kim has ever had. Things look up, until the driven, conniving, drug-addicted Vanessa becomes Kim's dormmate. Vanessa desperately wants to become a TV anchor woman and will do anything, even sleep with studio execs, to get there. She has a terrible influence on the weak-willed Kim and gets her involved in a rapid downward spiral of humiliating sex and increased drug use that results in tragedy for both girls. Ultimately though, it leads to Kim's redemption. ~ Sandra Brennan, All Movie Guide

The PBS series Great Performances first presented the made-for-TV feature Seize the Day. The time is the success-driven '50s; Robin Williams plays Tommy Wilhelm, a middle-ager who has just lost his salesman's job. Margaret, his wife (Katherine Borowitz), is on the verge of divorce and fully intends to take him to the cleaners whether he has an income or not. Doctor Adler (Joseph Wiseman), Tommy's judgmental father, cannot abide having a failure in the family and refuses to lend his son a single penny. In desperation, Tommy heads to New York City, where his old wheeler-dealer pal Dr. Tamkin (Jerry Stiller) has promised him a job. Even there, however, Tommy is defeated by the cold-shoulder treatment afforded him by the people whose opinions he values most. Seize the Day was adapted by Ronald Ribman from the novel by Saul Bellow. ~ Hal Erickson, All Movie Guide