Fred Allen Movies

Like W.C. Fields before him, American comedian Fred Allen hoped to headline in vaudeville as a comic juggler. It was in the early 1920s that Allen found his true forte as a monologist and master of ceremonies, and in this capacity he starred on Broadway with his partner/wife Portland Hoffa in such revues as The Passing Show. In 1932, he hosted his first weekly radio show, but by strictly adhering to the script he came across as stiff and stilted. Allen's true radio personality began coming across in his long-running Town Hall Tonight (1934-41), in which he enjoyed deviating from the script for a wry adlib or satiric barb. So often did Allen "wing it" that he frequently ran overtime, compelling the NBC network to cut him off in mid-sentence to make room for the next program. NBC also had a habit of pulling the plug whenever Allen's wit became too biting--usually at the expense of the sponsor, a special-interest group, or the network itself. It was during this period that Allen launched a desultory film career (he'd already appeared in a handful of short subjects in the early 1930s). In 1935's Thanks a Million, Allen was in his element as the cynical manager of a broken-down theatrical troupe; he was less well served in Sally, Irene and Mary (1938). As a film actor, Allen was rather limited: unlike fellow radio star Bob Hope, Allen's basset-hound face and baggy eyes precluded romantic leads, while his sing-song nasal voice undercut any possibility for serious roles. When Allen returned to films in 1941 it was as "himself" in Love Thy Neighbor, in which he costarred with Jack Benny. The film capitalized on the celebrated Benny-Allen "feud" of the 1936-37 season, which both comedians (actually longtime friends who admired each other's work) would occasionally revive into the 1950s as a means of getting quick laughs. After Love Thy Neighbor, Allen forsook films again to concentrate on his radio work. He left the air due to illness in 1944, then returned with the half-hour "Fred Allen Show" in 1945. One of this series' most popular features was "Allen's Alley," a weekly jokefest in which the star traded witticisms with such regulars as Senator Claghorn(Kenny Delmar), Mrs. Nussbaum (Minerva Pious), and Titus Moody (Parker Fennelly). In 1945, Fred Allen appeared in his fourth feature film It's in the Bag. While the film started out as a traditional comedy (its basic plot was reworked into Mel Brooks' The Twelve Chairs [1969]), the story was abandoned at midpoint for a series of nonsequitir sketches involving a large lineup of guest stars--including Jack Benny. Allen continued his radio program until it was knocked out of the ratings race by CBS' "Stop the Music" in 1949. During the 1950s, Allen worked primarily as a guest star on other comedians' radio and TV series, and from 1955 through 1956 he appeared as a regular "quizzer" on "What's My Line?" He also revitalized his sporadic movie career in 1952 with a brace of 20th Century-Fox all-star films, We're Not Married and O. Henry's Full House. A prolific writer (he penned most of his own radio material), Allen turned out two best-selling memoirs in his last decade, Much Ado About Me and Treadmill to Oblivion. On March 17, 1956, Fred Allen left the New York apartment of a friend, then suddenly collapsed on the sidewalk, the victim of a fatal stroke. ~ Hal Erickson, All Movie Guide
1961  
 
1956  
 
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Shortly before his death, comedian Fred Allen supplied the dry-witted narration for the Project 20 hour-long documentary special The Jazz Age. Inasmuch as the special aired posthumously, it can be regarded as a fitting epitaph for the talented Allen. Spanning the period from the 1919 Treaty of Versailles to the 1929 stock market crash, the special utilizes documentary footage and clips from dramatic films to recreate the era of "wonderful nonsense." The viewer is offered a kaleidoscope of landmark events, fads, foibles, and celebrities: the passage of the 18th Amendment, which led to Prohibition, speakeasies, and the rise of the gangster culture; the hero worship bestowed upon baseball legend Babe Ruth and "lone eagle" aviator Charles Lindbergh; public "crazes" like mahjongg and the Charleston; the "return to Normalcy" expounded by President Warren Harding and the "Business of America is Business" philosophy of his successor Calvin Coolidge; and on less frivolous note, the ascendance of the Ku Klux Klan and the disastrous aftereffects of the Florida Land Boom. Throughout the film, the songs of the 1920s are vividly recreated by Robert Russell Bennett, the man who previously orchestrated the music of Richard Rodgers on the classic TV series Victory at Sea. Rebroadcast several times throughout the 1950s and '60s, The Jazz Age remained in circulation on cable TV well into the 1990s. ~ Hal Erickson, All Movie Guide

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1952  
 
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Having supped full of success with the multi-storied O. Henry's Full House, 20th Century-Fox assembled another all-star "omnibus" film, We're Not Married. The unifying factor of this enjoyable seriocomedy is provided by justice-of-the-peace Melvin Bush (Victor Moore), who learns to his horror that his license is invalid. Bush and his wife (Jane Darwell) feverishly track down the five couples whom he has married "illegally" to inform them of the fact and invite them to renew their vows. Couple #1 is Fred Allen and Ginger Rogers, a husband-and-wife radio team whose huggy-kissy behavior on the air conceals the fact that they'd dearly love to cut each other's throats. Couple #2 consists of David Wayne and his contest-happy spouse Marilyn Monroe, who's just won the "Mrs. Mississippi" pageant. Couple #3, Paul Douglas and Eve Arden, ran out of things to say to each other long ago. Couple #4 is millionaire Louis Calhern and his avaricious young bride Eva Gabor, who intends to jilt the old coot and make off with his millions. And Couple #5 is young GI Eddie Bracken and his pregnant wife Mitzi Gaynor. When Bush delivers the news that these unions aren't legal in the eyes of the state, the results range from poignant to hilarious: particularly satisfying is Calhern's puckish revenge on his gold-digging wife. And yes, that is Lee Marvin as Eddie Bracken's army buddy. ~ Hal Erickson, All Movie Guide

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Starring:
Ginger RogersFred Allen, (more)
1952  
 
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This anthology film assembles five respected directors and a top-notch cast to bring a handful of stories by the great American author O. Henry to the screen. In The Cop and the Anthem, a tramp named Soapy (Charles Laughton) tries to get arrested so that he can spend the winter in jail, only to find that is not as easy as it used to be. Marilyn Monroe appears in this episode as a streetwalker. The Clarion Call features Dale Robertson as Barney, a cop forced to arrest an old friend, Johnny (Richard Widmark). Anne Baxter stars in The Last Leaf as Joanna, an elderly woman who sees her own illness reflected in the fall of the autumn leaves; she's convinced that when the last leaf drops from the tree outside her window, her life will go with it. The Ransom of Red Chief concerns Sam (Fred Allen) and Bill (Oscar Levant), two novice kidnappers who kidnap a child, only to discover that his parents don't want him back -- and after a few hours with the brat, they find out why. And The Gift of the Magi tells the story of a pair of cash-strapped newlyweds, Della (Jeanne Craine) and Jim (Farley Granger), who struggle to get each other the perfect Christmas gift, with unexpected results. John Steinbeck narrates. ~ Mark Deming, All Movie Guide

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Starring:
Charles LaughtonMarilyn Monroe, (more)
1945  
 
Based on the popular Russian novel The Twelve Chairs, this stars Fred Allen as flea-circus impresario Fred Floogle. Learning that he's inherited $12 million from his uncle, Fred also discovers that the money has been stuffed in one of thirteen chairs that he's sold at auction. The rest of the film goes off on any number of hilarious tangents, each tied-in ever so tenuously to the plot. Included is an episode at the movies (Fred and his wife Binnie Barnes are continually escorted up several balcony steps and out several alleyway doors), a visit to Floogle's radio cohort Mrs. Nussbaum (Minerva Pious), a brief misadventure with Jack Benny (this time Benny has a hat-check girl in his hall closet, so that he can collect tips from visitors), an impromptu barbershop quartet session with Fred, Rudy Vallee, Don Ameche and Victor Moore, and a confrontation with the dreaded William Bendix mob (Bendix isn't really a gangster; he simply inherited the mob from his mother). Also weaving in and out of the proceedings are John Carradine as a crooked attorney, Robert Benchley as Fred's pompous in-law-to-be, Sidney Toler as a popcorn-munching detective, and Jerry Colonna as Fred's live-in psychiatrist. Two versions of this film exists, one without Fred Allen's ongoing voice over narration. ~ Hal Erickson, All Movie Guide

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Starring:
Fred AllenJack Benny, (more)
1940  
 
Love Thy Neighbor was produced to capitalize on the famous radio feud between comedians Jack Benny and Fred Allen. The two stars (actually friends in real life) play "themselves," constantly at each other's throats due to real and imagined slights. Benny complicates matters by falling in love with Allen's niece, played by Mary Martin. The battling comics briefly patch up their differences when Benny rescues Allen from an out of control motorboat, but the truce doesn't last long. The final scene takes place during a musical revue starring Benny, which Allen tries to break up with a slingshot. The Benny-Allen feud was already old news by the time of Love Thy Neighbor, and the film is merely an uninspired attenuation of a threadbare premise. The result is a letdown for fans of both Jack Benny and Fred Allen--though there are a handful of genuinely funny one-liners, as well as adroit supporting contributions from Mary Martin and Eddie "Rochester" Anderson. The best scene in Love Thy Neighbor is the animated opening-credits sequence, produced by Warner Bros.' "Looney Tunes" mentor Leon Schlesinger. ~ Hal Erickson, All Movie Guide

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Starring:
Jack BennyFred Allen, (more)
1940  
 
To fully appreciate Buck Benny Rides Again, one must have some familiarity with Jack Benny's radio programs of the 1939-40 season. During this period, Jack's broadcast costars included bandleader Phil Harris, announcer Don Wilson, singer Dennis Day and comedians Eddie "Rochester" Anderson and Andy Devine. All five supporting players appear in this film, all playing "themselves" just as Benny does. Falling in love with aspiring singer Joan Cameron (Ellen Drew), Jack vows to go out of his way to impress her. When he learns that Joan is headed for a western dude ranch, he poses as "Buck" Benny, a rootin'-tootin'-shootin' 100% genuine cowboy. In truth, both Jack and his valet Rochester are terrified at the Wide Open Spaces, certain that they'll be scalped by Indians at the first opportunity, but through a series of silly coincidences Benny manages to convince Joan that he's an honest-to-goodness frontiersman. The plot thickens when a pair of modern-day desperadoes (Ward Bond and Morris Ankrum) plot to rob the dude ranch's safe, but our hero saves both the day and his girlfriend, with the unsolicited but very welcome assistance of his pet polar bear Carmichael (the same bruin who allegedly ate the gas man on Jack's radio show). Benny fans will get an extra kick out of seeing his legendary Maxwell in all its sputtering, backfiring glory, while old-time radio aficionados will enjoy hearing the voices of Mary Livingstone (Mrs. Benny) and Jack's "friendly enemy" Fred Allen. Frank Loesser's musical score includes such hit-parade favorites as "Say It (Over and Over Again)" and "My! My!", the latter sung by Rochester to his sweetie Josephine (Theresa Harris). ~ Hal Erickson, All Movie Guide

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Starring:
Jack BennyEllen Drew, (more)
1938  
 
Three manicurists hope to become entertainers through the auspices of their wisecracking agent (Fred Allen). Sally (Alice Faye) is the smart one, Irene (Joan Davis) the funny one, and Mary (Marjorie Weaver) the cute-and-innocent one. The girls secure work in a Greenwich village nitery, where Sally falls for star singer Tony Martin. The threesome's career becomes stalled until Mary inherits an old ferry boat, which she converts into a floating nightclub. Among the highlights of Sally Irene and Mary is a jitterbug number by Joan Davis and supporting appearances by Jimmy Durante and Gypsy Rose Lee (billed under her real name, Louise Hovick). The film was based on a non-musical play by Eddie Dowling and Cyril Rood, previously filmed in 1925. ~ Hal Erickson, All Movie Guide

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Starring:
Alice FayeTony Martin, (more)
1935  
 
A sharp satire of small-town politics, Thanks a Million stars Dick Powell as the leading man of a travelling musical show. During a short stopover, the troupe witnesses a political rally where a pompous candidate (Raymond Walburn) is wallowing in ineptitude. Sensing a quick-buck opportunity, the show's manager (Fred Allen) offers to entertain on the politician's behalf. The upshot of all this is that Powell, rather than the political hack, becomes the party's candidate for governor! Thanks a Million was remade in 1946 as If I'm Lucky, with Perry Como and Phil Silvers, respectively, in the Dick Powell and Fred Allen roles. ~ Hal Erickson, All Movie Guide

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Starring:
Dick PowellAnn Dvorak, (more)
1930  
 
Written by George S. Kaufman for a Broadway revue, The Still Alarm concerns two businessmen (one of whom is played by Clifton Webb) who are sharing a hotel room. They are a fairly placid duo, concentrating on whatever matter is at hand without getting duly excited. This becomes quite clear when they discover that smoke is coming into their room and that the hotel's alarm bells are ringing furiously. Rather than panic, they treat this as if it were an everyday occurrence and begin making preparations for dealing with the emergency without a hint of panic. Soon, a group of firemen (including Fred Allen) nonchalantly make their way into the room, ready to evacuate the proceedings if necessary, but not in too great a hurry -- one of the firemen has even brought his violin along and so everyone pulls chairs together and listens to an impromptu recital, even as the fire rages stronger and fiercer on all sides. ~ Craig Butler, All Movie Guide

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1926  
 
Vera Reynolds is Corporal Kate in this WWI comedy-drama. Shipped off to the front to entertain the troops, Irish-Catholic showgirl Kate and her Jewish pal Becky (Julia Faye) encounter all manner of merry misadventures. Things get serious, however, when both Kate and Becky fall in love with the same doughboy, Private Jackson (Kenneth Thompson). This romantic triangle is rather bluntly resolved when tragedy strikes on the battlefield. Produced by Cecil B. DeMille, Corporal Kate was in part a showcase for Julia Faye, DeMille's longtime "secret" girlfriend. ~ Hal Erickson, All Movie Guide

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Starring:
Vera Reynolds

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