Michel Duchaussoy Movies

A tragic and shameful moment in French history continues to have consequences in the present day in this screen adaptation of the novel by Tatiana de Rosnay. Julia Jarmond (Kristin Scott Thomas) is an American writer living in Paris with her husband, Bertrand (Frédéric Pierrot), an architect who is restoring a block of apartments in Paris owned by his family. Julia learns that Bertrand's family obtained the building through less than honorable means; the original owners were Jews who were forced to sell in the wake of the Vel' d'Hiv Roundup in 1942, when the Nazi-affiliated Vichy government arrested over 13,000 Parisian Jews. One of the victims was Sarah Starzynski (Mélusine Mayance), a ten-year-old girl who tried to protect her younger brother by locking him in a cupboard in their apartment. Fearing for her brother's safety, Sarah escapes the crowded cycling stadium where the Jews are being held and tries to make her way back home. Julia learns of Sarah's story while doing research on the Vel' d'Hiv Roundup, and her investigation teaches her a great deal about an event many in France are reluctant to discuss, as well as the links to Bertrand's family. Elle S'Appelait Sarah (aka Sarah's Key) was, along with La Rafle, one of two films concerning the Vel'd'Hiv Roundup released in France in 2010. ~ Mark Deming, Rovi

The true story of one of Europe's most infamous and charismatic criminals comes to a close in this drama based on the life and crimes of Jacques Mesrine. Picking up where L'Instinct de Mort left off, L'Ennemi Public No. 1 begins as Mesrine (Vincent Cassel) returns to France after an exile in Canada. Teaming up with gunman Michel Ardouin (Samuel Le Bihan), Mesrine masterminds a series of armed robberies, and while he's able to stay one step ahead of the law most of the time, eventually he finds himself back in prison, where he makes friends with the clever François (Mathieu Amalric). With François' help, Mesrine breaks out of prison and becomes something of a celebrity, penning an autobiography, hob-nobbing with the wealthy and trying to paint himself as a political radical with the help of leftist spokesman Charlie (Gérard Lanvin). Mesrine also renews his relationship with his girlfriend, Sylvia (Ludivine Sagnier), but he also turns his back on some of his old friends and underestimates the determination of the French police to stop him once and for all. L'Ennemi Public No. 1 (aka Public Enemy No. 1, Part 2) went into release in late 2008, while the wildly successful L'Instinct de Mort was still playing in French theaters. ~ Mark Deming, Rovi

This tough and gritty French-language crime drama represents the premier installment in a two-part series of features on the life and doings of notorious Gallic hood Jacques Mesrine (1936-1979). Mesrine is played, in both installments, by actor Vincent Cassel, who reportedly underwent massive weight gain and weight loss to convincingly portray the volatile Mesrine at various periods of his life. Director Jean-François Richet begins in 1979, with Mesrine's uncommonly violent death, whereby he and a beautiful young woman are suddenly (and fatally) ambushed by Parisian police not far from Mesrine's place of birth. Richet then flashes back to the Franco-Algerian War of the late '50s and a brutal interrogation undergone by Mesrine. Following a military discharge, Mesrine returns to his parents' suburb of Clichy, where his dad has arranged a pathetic job for him in a lace-making factory. Never one to take humiliation lying down, Jacques perceives burglary, larceny, and racketeering as much-superior options and decides to pursue a life of crime via a "business partnership" with childhood buddy Paul (Gilles Lellouche), who works for mobster Guido (Gérard Depardieu).

As the years pass, Jacques works his way up through the ranks of the underworld; via Paul, he also meets and falls hard for two women: Pigalle streetwalker Sarah (Florence Thomassin), and Sofia (Elena Anaya), a beautiful Spanish woman with whom he cohabitates after doing time in a French prison. Following a brief and unsuccessful attempt to "go straight," Jacques reconnects with Guido, then finds it necessary to escape from France to Canada with his new mistress, Jeanne (Cécile De France). Unfortunately, another prison sentence is waiting for him there, replete with brutal solitary confinement, but the possibility of a daring escape beckons. The second half of the Mesrine saga, entitled Mesrine: L'Énnemi Public No. 1 for French release, followed immediately after and picks up where this installment wraps. ~ Nathan Southern, Rovi

The master of French suspense joins forces with the queen of English suspense fiction for this tense tale of the treacherous love affair between a disturbed bridesmaid and an unsuspecting young man. Philippe (Benoit Magimel) lives in a quiet French town with his hairdresser mother Christine (Aurore Clément) and two younger sisters. Soon after the news breaks about a local girl who has mysteriously vanished, Philippe's mother introduces her children to Gerard (Bernard Le Coq) -- a local businessman who may have matrimonial intentions toward the attractive beautician. Soon after receiving permission from her children to present Gerard with a sculpture of a woman's head that had previously adorned the family garden, however, the elusive beau seems to disappear without a trace. Philippe is intent on recovering the captivating piece of art, and after stealthily recovering it in a clandestine mission he places it in his closet without telling the rest of the family. Later, at his sister's wedding, Philippe meets attractive bridesmaid Senta (Laura Smet) and passion between the pair quickly ignites during a stormy seduction. A model and aspiring actress who lives alone in a massive villa inherited from her father, sultry Senta may be physically irresistible, yet she also seems to have a few morbid preconceptions about life, love, and death. As the affair between the pair grows increasingly heated, Philippe at first takes her request to murder a stranger as a means of proving his love as a joke. The more he gets to know her the more that it appears that Senta is in fact deadly serious about her dark request. ~ Jason Buchanan, Rovi

Francis Palluau's directorial debut Bienvenue Chez les Rozes (Welcome to the Rozes) is a comedy about a hostage situation. Gilbert (Lorant Deutsch) and MG (Jean Dujardin) escape from prison and end up hiding out at the home of Daniel and Beatrice Roze (André Wilms and Carole Bouquet), who are celebrating their 20th wedding anniversary. MG takes everyone hostage in order to get money owed to him from the theft that put him in jail, and the Rozes do not seem to be perturbed at all by the evening's turn of events. Clemence Poesy rounds out the cast as Magali, the daughter of Daniel and Beatrice. ~ Perry Seibert, Rovi

The collective crimes against humanity known as the Holocaust have been well-documented since the end of World War II, but lingering questions remain about how much was known about the Nazi mass-extermination schemes outside Germany, and what could have been done to prevent them. Political filmmaker Costa-Gavras confronts this thorny issue in this film, adapted from the stage drama The Representative and based in part on actual events. Kurt Gerstein (Ulrich Tukar) is a German chemist whose work on various government health projects led to him being added to the scientific staff of the Nazi SS. While working on disinfection and water purification programs to stem the tide of typhoid among German troops, Gerstein creates a toxic cleanser called Zyclon B. Gerstein soon learns that the SS has found a different use for Zyclon B -- in gas form, it is being used to exterminate Jews and other political undesirables en masse. Gerstein, a man of strong Christian faith, is horrified by this revelation, and he is determined to tell the world in hope of stopping the genocide; however, in Germany, Sweden, and the United States, Gerstein's story falls on deaf ears. One man who does believe Gerstein is Riccardo Fontana (Mathieu Kassovitz), a Jesuit with ties to the Vatican and close contact with Pope Pius XII (Marcel Iures). Fontana urges the Pope to speak out against the ongoing massacre, but the Pope declines, believing Russia is a greater menace to the Catholic Church than the Nazis. In time, desperate to spread the word of the holocaust, Gerstein and Fontana find themselves joining ranks with Roman Jews being rounded up by Nazi forces in occupied Italy. ~ Mark Deming, Rovi

Long-established director Emir Kusturica makes his acting debut in Patrice Leconte's 19th century tale of a loyal, strong-willed woman who follows her soldier husband to a desolate French territory off the coast of Newfoundland. Madame La (Juliette Binoche) lives in marital bliss on the island of Saint-Pierre with her loving, oddball husband (Daniel Auteuil), simply called "the Captain" by his charges. Their world is upset one night, however, when two visiting sailors on a bender murder a local citizen. Neel (Kusturica) is sentenced to death, but the other one dies in a carriage accident before reaching prison. As the island waits for a guillotine (or "widow") to be shipped from the French government, Madame La does her best to convince the townspeople that Neel is genuinely good of heart and doesn't deserve a bloody fate. La Veuve de Saint-Pierre marks the second time that Auteuil has worked with director Leconte: their first effort, La Fille Sur la Pont, earned him a Best Actor award at the Cesars, France's equivalent to the Academy Awards. La Veuve screened at the 2000 Cannes and Toronto film festivals. ~ Michael Hastings, Rovi

A fallen woman seeks to renew her faith with the help of a clergyman who has nearly lost his in this French drama. Lise (Isabelle Candelier) is a Parisian prostitute who has a young son, Sebastien. Lise dotes on her boy, who has a gift for music and sings in a children's choir directed by aging parish priest Father Andre (Michel Duchaussoy). Sebastien becomes involved in an auto accident that sends him into a coma; after he remains unconscious for three months, Lise begins to panic, desperate for a remedy that medical science can't provide. When she is told of a field in a village in rural France where a miracle is said to have occurred some years before -- an apparition of the Virgin Mary arrived to provide food for a group of starving children -- Lise wants to travel to the site of the miracle to pray for her son. She also insists that Father Andre come along, but the priest is not eager to go, due to his age, his health, and his increasing cynicism about religion. Lise is persistent, however, and before long the two are on the road in search of a much-needed miracle. ~ Mark Deming, Rovi

This unique French offering is a compilation of 30 short films focused on AIDS. The mini-films were based on over 3,000 ideas put in by French school children and were made by filmmakers on a voluntary basis. Most of the vignettes deal with heterosexuality and AIDS, but one deals with drug-usage, and one with homosexuality. It took four production houses three years to create this inspirational and informative film. ~ Sandra Brennan, Rovi

In this gothic romance based on a 1950s novel by Robert Margerit, after a whirlwind romance, Violette (Beatrice Dalle), a Parisian girl, has married Gustave Dupin (Philippe Volter), a charming aristocrat, and returned with him to live on his country estate. There, she begins to discover that all is not as it seemed, and beneath her groom's charming exterior is an undreamt-of savagery. She forms an alliance with her husband's much saner brother Bastien (Stephane Freiss) which saves her in the end, but not before she must go on trial for the murder of her husband. ~ Clarke Fountain, Rovi