Michel Duchaussoy Movies

The true story of one of Europe's most infamous and charismatic criminals comes to a close in this drama based on the life and crimes of Jacques Mesrine. Picking up where L'Instinct de Mort left off, L'Ennemi Public No. 1 begins as Mesrine (Vincent Cassel) returns to France after an exile in Canada. Teaming up with gunman Michel Ardouin (Samuel Le Bihan), Mesrine masterminds a series of armed robberies, and while he's able to stay one step ahead of the law most of the time, eventually he finds himself back in prison, where he makes friends with the clever François (Mathieu Amalric). With François' help, Mesrine breaks out of prison and becomes something of a celebrity, penning an autobiography, hob-nobbing with the wealthy and trying to paint himself as a political radical with the help of leftist spokesman Charlie (Gérard Lanvin). Mesrine also renews his relationship with his girlfriend, Sylvia (Ludivine Sagnier), but he also turns his back on some of his old friends and underestimates the determination of the French police to stop him once and for all. L'Ennemi Public No. 1 (aka Public Enemy No. 1, Part 2) went into release in late 2008, while the wildly successful L'Instinct de Mort was still playing in French theaters. ~ Mark Deming, All Movie Guide

This tough-as-nails, crime-themed docudrama constitutes the second installment in a four hour, two-part biopic on the doings of infamous French thug Jacques Mesrine (1936-79), officially regarded for many years as "Public Enemy #1" in Gaul. Here, he is played to the hilt by Vincent Cassel, who underwent massive weight gain and weight loss to properly evoke Mesrine. Picking up where the same year's Mesrine: L'Instinct de Mort left off, this outing covers Mesrine's life from 1973-79. The tale opens in March of '73, with Mesrine in the custody of authorities; he's accused of knowing an equally brutal and frightening mobster, Michel Ardouin (Samuel LeBihan), but aggressively denies this; a thrilling escape and an ugly shoot-out jointly perpetrated by the men, however, reveal the extent of Mesrine's deception. Mesrine, it seems, hasn't merely evolved into a legend in his own time, but a legend of his own making, aggressively feeding his own self-myth by perpetrating one outrageous criminal act after another. His latest ploy, it seems, involves donning a series of elaborate disguises (such as that of a doctor visiting his dying father, or a police inspector making inquiries) that enable him to pull off casino heists and other elaborate felonies. Eventually, Mesrine grows listless and bored with his own braggadocio and turns to extremist political factions for "inspiration," such as the Red Brigades and the Baader-Meinhof Gang, before an ugly incident with Parisian authorities brings him tumbling down from his throne. ~ Nathan Southern, All Movie Guide

The master of French suspense joins forces with the queen of English suspense fiction for this tense tale of the treacherous love affair between a disturbed bridesmaid and an unsuspecting young man. Philippe (Benoit Magimel) lives in a quiet French town with his hairdresser mother Christine (Aurore Clément) and two younger sisters. Soon after the news breaks about a local girl who has mysteriously vanished, Philippe's mother introduces her children to Gerard (Bernard Le Coq) -- a local businessman who may have matrimonial intentions toward the attractive beautician. Soon after receiving permission from her children to present Gerard with a sculpture of a woman's head that had previously adorned the family garden, however, the elusive beau seems to disappear without a trace. Philippe is intent on recovering the captivating piece of art, and after stealthily recovering it in a clandestine mission he places it in his closet without telling the rest of the family. Later, at his sister's wedding, Philippe meets attractive bridesmaid Senta (Laura Smet) and passion between the pair quickly ignites during a stormy seduction. A model and aspiring actress who lives alone in a massive villa inherited from her father, sultry Senta may be physically irresistible, yet she also seems to have a few morbid preconceptions about life, love, and death. As the affair between the pair grows increasingly heated, Philippe at first takes her request to murder a stranger as a means of proving his love as a joke. The more he gets to know her the more that it appears that Senta is in fact deadly serious about her dark request. ~ Jason Buchanan, All Movie Guide

Francis Palluau's directorial debut Bienvenue Chez les Rozes (Welcome to the Rozes) is a comedy about a hostage situation. Gilbert (Lorant Deutsch) and MG (Jean Dujardin) escape from prison and end up hiding out at the home of Daniel and Beatrice Roze (André Wilms and Carole Bouquet), who are celebrating their 20th wedding anniversary. MG takes everyone hostage in order to get money owed to him from the theft that put him in jail, and the Rozes do not seem to be perturbed at all by the evening's turn of events. Clemence Poesy rounds out the cast as Magali, the daughter of Daniel and Beatrice. ~ Perry Seibert, All Movie Guide

The collective crimes against humanity known as the Holocaust have been well-documented since the end of World War II, but lingering questions remain about how much was known about the Nazi mass-extermination schemes outside Germany, and what could have been done to prevent them. Political filmmaker Costa-Gavras confronts this thorny issue in this film, adapted from the stage drama The Representative and based in part on actual events. Kurt Gerstein (Ulrich Tukar) is a German chemist whose work on various government health projects led to him being added to the scientific staff of the Nazi SS. While working on disinfection and water purification programs to stem the tide of typhoid among German troops, Gerstein creates a toxic cleanser called Zyclon B. Gerstein soon learns that the SS has found a different use for Zyclon B -- in gas form, it is being used to exterminate Jews and other political undesirables en masse. Gerstein, a man of strong Christian faith, is horrified by this revelation, and he is determined to tell the world in hope of stopping the genocide; however, in Germany, Sweden, and the United States, Gerstein's story falls on deaf ears. One man who does believe Gerstein is Riccardo Fontana (Mathieu Kassovitz), a Jesuit with ties to the Vatican and close contact with Pope Pius XII (Marcel Iures). Fontana urges the Pope to speak out against the ongoing massacre, but the Pope declines, believing Russia is a greater menace to the Catholic Church than the Nazis. In time, desperate to spread the word of the holocaust, Gerstein and Fontana find themselves joining ranks with Roman Jews being rounded up by Nazi forces in occupied Italy. ~ Mark Deming, All Movie Guide

Long-established director Emir Kusturica makes his acting debut in Patrice Leconte's 19th century tale of a loyal, strong-willed woman who follows her soldier husband to a desolate French territory off the coast of Newfoundland. Madame La (Juliette Binoche) lives in marital bliss on the island of Saint-Pierre with her loving, oddball husband (Daniel Auteuil), simply called "the Captain" by his charges. Their world is upset one night, however, when two visiting sailors on a bender murder a local citizen. Neel (Kusturica) is sentenced to death, but the other one dies in a carriage accident before reaching prison. As the island waits for a guillotine (or "widow") to be shipped from the French government, Madame La does her best to convince the townspeople that Neel is genuinely good of heart and doesn't deserve a bloody fate. La Veuve de Saint-Pierre marks the second time that Auteuil has worked with director Leconte: their first effort, La Fille Sur la Pont, earned him a Best Actor award at the Cesars, France's equivalent to the Academy Awards. La Veuve screened at the 2000 Cannes and Toronto film festivals. ~ Michael Hastings, All Movie Guide

A fallen woman seeks to renew her faith with the help of a clergyman who has nearly lost his in this French drama. Lise (Isabelle Candelier) is a Parisian prostitute who has a young son, Sebastien. Lise dotes on her boy, who has a gift for music and sings in a children's choir directed by aging parish priest Father Andre (Michel Duchaussoy). Sebastien becomes involved in an auto accident that sends him into a coma; after he remains unconscious for three months, Lise begins to panic, desperate for a remedy that medical science can't provide. When she is told of a field in a village in rural France where a miracle is said to have occurred some years before -- an apparition of the Virgin Mary arrived to provide food for a group of starving children -- Lise wants to travel to the site of the miracle to pray for her son. She also insists that Father Andre come along, but the priest is not eager to go, due to his age, his health, and his increasing cynicism about religion. Lise is persistent, however, and before long the two are on the road in search of a much-needed miracle. ~ Mark Deming, All Movie Guide

This unique French offering is a compilation of 30 short films focused on AIDS. The mini-films were based on over 3,000 ideas put in by French school children and were made by filmmakers on a voluntary basis. Most of the vignettes deal with heterosexuality and AIDS, but one deals with drug-usage, and one with homosexuality. It took four production houses three years to create this inspirational and informative film. ~ Sandra Brennan, All Movie Guide

In this gothic romance based on a 1950s novel by Robert Margerit, after a whirlwind romance, Violette (Beatrice Dalle), a Parisian girl, has married Gustave Dupin (Philippe Volter), a charming aristocrat, and returned with him to live on his country estate. There, she begins to discover that all is not as it seemed, and beneath her groom's charming exterior is an undreamt-of savagery. She forms an alliance with her husband's much saner brother Bastien (Stephane Freiss) which saves her in the end, but not before she must go on trial for the murder of her husband. ~ Clarke Fountain, All Movie Guide