Bernard Stone Movies

1978  
R  
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Jackie Collins wrote the best-selling novel The Stud. Her sister Joan Collins starred in the 1978 film version of The Stud. The producer on the film was Joan Collins' then-husband Ron Kass. Need we say more? Well, there is a plot, involving the insatiable Joan's sexual hold over a handsome nightclub manager Oliver Tobias. And there was a sequel, also written by Jackie and starring Joan, titled The Bitch. Need we say more now? ~ Hal Erickson, Rovi

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Starring:
Joan CollinsOliver Tobias, (more)
 
1969  
R  
Singer, songwriter, and actor Anthony Newley produced, directed, co-wrote, scored, and starred in this bizarre autobiographical musical in which a famous entertainer takes a look back at the circumstances of his life. Legendary singing star Heironymus Merkin (Newley) stands by the sea, surrounded by a small mountain of souvenirs of his life and times, with his mother (Patricia Hayes) and children (Tara Newley and Alexander Newley, Newley's real life daughter and son) by his side. As Merkin shows his captive audience reel after reel of footage from the story of his life, the film crew making the movie grows impatient, wishing Merkin was more cooperative and waiting for an ending to the script. We learn that Merkin was raised without a father, and his Uncle Limelight (Bruce Forsyth) encouraged him to become an entertainer at a young age. As Merkin enjoys a hit with the tune "Piccadilly Lilly" that catapults him to fame, he becomes partners with Goodtime Eddie Filth (Milton Berle), a cheerful demon who introduces Merkin to the pleasures of women. As Merkin stumbles into a short-lived marriage with Filigree Fondle (Judy Cornwell) and enjoys a more successful relationship with Polyester Poontang (Joan Collins, Newley's spouse at the time), he finds it difficult to resist the temptation to bed nearly every attractive woman who crosses his path, and develops a lifelong obsession with the young, innocent, yet nubile Mercy Humppe (Connie Kreski). Meanwhile, Merkin is frequently visited by The Presence (George Jessel), who seems to hold the power of life and death as he cracks one old joke after another. Also starring Stubby Kaye, Victor Spinetti, and Margaret Nolan, Can Heironymus Merkin Ever Forget Mercy Humppe And Find True Happiness? was rated X for its original release in 1969, though a slightly edited R-rated version was soon shipped to theaters, though it didn't prevent the film from becoming a critical and financial flop. ~ Mark Deming, Rovi

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Starring:
Anthony NewleyJoan Collins, (more)
 
1968  
 
The Strange Affair is a fragmentary "'60s" interpretation of a straightforward Bernard Toms novel. Michael York plays a rookie London policeman, appalled at the corruption surrounding him. He does not find comfort in the fact that his own superior (Jeremy Kemp) is just as crooked as the crooks. Susan George is the obligatory "mod" girl with whom York conducts a brief affair. Like many British films of its period, it seems more concerned with inducing pop-art headaches than simply telling its story. ~ Hal Erickson, Rovi

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Starring:
Michael YorkJeremy Kemp, (more)
 
1968  
 
Acclaimed British neo-realist filmmaker Ken Loach made his theatrical debut with this bleak kitchen-sink drama. Joy (Carol White) leads a life that makes her name seem like some sort of a cruel joke. Her husband Tom (John Bindon) is a second-rate burglar who shows neither her nor their infant child much affection. When Tom is jailed for theft, Joy is left on her own, until Tom's best friend Dave (Terence Stamp) invites her to stay with him. Dave is warm and caring in a way that Tom is not, and love begins to blossom between them. However, Dave also supports himself as a thief, and when he's arrested and put behind bars, Joy is left back where she started. Joy takes a job as a barmaid to support herself, and she is persuaded to pose nude for a photographer to bring in some extra money; she files for divorce from Tom and begins seeing other men. However, Tom wants to give their marriage another chance once he's released from prison, much to Joy's chagrin. Several clips with Terence Stamp were later used in The Limey (1999) to illustrate the earlier life of Stamp's character in that film. ~ Mark Deming, Rovi

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Starring:
Carol WhiteTerence Stamp, (more)
 
1967  
 
Smashing Time attempts to turn British actresses Rita Tushingham and Lynn Redgrave into a female Laurel and Hardy. The film's second mistake is to prolong the joke for 96 minutes. Tushingham and Redgrave play a couple of dimwitted North Country girls who head to London, in hopes of breaking into the mad, mod world of fashion modeling. Instead they spend most of their screen time getting in each other's way and wreaking havoc on innocent pedestrians. The comic "highlight" of Smashing Time is supposed to be a mammoth pie fight; but outside of one cute throwaway gag involving a street minister, the sequence makes one wish, in the words of Laurel and Hardy buff Leonard Maltin, that Smashing Time "had been handled by someone other than [director] Desmond Davis." ~ Hal Erickson, Rovi

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Starring:
Rita TushinghamLynn Redgrave, (more)
 
1966  
 
In this drama, a former RAF pilot is hired to fly a suspicious package from France to England. Trouble ensues when the pilot decides to keep it for himself without realizing that his employer anticipated his treachery and planted a bomb on the plane. Fortunately, the boss's secretary intervenes and saves the pilot. ~ Sandra Brennan, Rovi

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Starring:
Gregoire AslanTracy Reed, (more)