Gino Pernice Movies

This film marks actress Monica Vitti's directing debut. In the story, Magherita (Monica) has been married to her husband Paolo (Gino Pernice) for a long time, and doesn't appear to listen to her or notice what she does. A movie director friend of hers (lliott Gould) gives her a video-camera with remote control capacity for her birthday, and she hits on the notion of using it to film a kind of family diary. In addition to her own confessions to the lens, she sometimes leaves it on when she's not in the room. When one of these tapings reveals that her husband has been having an affair with her best friend (Catherine Spaak), she confronts her friend - who reveals that the affair has been going on for over a decade. After kicking her husband out, she becomes melancholy and attempts suicide. Just as the pills are taking effect, her director friend comes in to tell her that he's been looking at the tapes she's been making, and thinks they will make a great film, which doesn't please her much. ~ Clarke Fountain, Rovi

If this Italian drama were any less well told, it would come off as a pure union propaganda piece. Instead, it is a worthy film for the director who made the acclaimed film Investigation Of A Citizen Above Suspicion. In any manufacturing situation, it simply doesn't pay to be the fastest and hardest working person on the assembly line. In the first place, you probably can't keep up the pace you've set. In the second place, you make all your co-workers a) look bad and b) have to work harder; they will not thank you for this. Appearances to the contrary, it's a really stupid thing to do. However, Lulu Massa (Gian Maria Volonte) doesn't understand this simple principle, and he enjoys the pay bonuses he gets from management -- until he has to leave work to recuperate from an accident in which he lost a finger. During that time, he visits a colleague who shows him not only the error of his own ways, but the horror of his whole working situation. When he goes back to work, Massa tries to organize a union. At first, he is just as unpopular with his co-workers as before, but he is persistent. ~ Clarke Fountain, Rovi

The Continental cast and scenes of intense violence may earmark Texas, Addio as a spaghetti Western, but the plot of this Italian/Spanish production unspools very much like its Hollywood counterpart. Django star Franco Nero's character provides the link; his two-fisted, taciturn Texas sheriff, Burt Sullivan, is cut from the same unwavering in-his-duty cloth as Gary Cooper's lawmen as he crosses the border to bring wealthy and sadistic Mexican crime boss Cisco Delgado (José Suárez) to justice for the murder of his father. Sullivan's body count may be staggeringly high by the film's fade-out, but his kills are strictly in defense of himself, his greenhorn brother, Jim (Cole Kitosch, aka Alberto Dell'Acqua or Robert Widmark), or later, a group of Mexican revolutionaries led by lawyer Luigi Pistilli that attempts to overthrow Delgado's corrupt regime. Director Ferdinando Baldi (whose Western curriculum vitae includes the more European-flavored Blindman [1971] and Get Mean [1975], with American ex-pat actor Tony Anthony) makes excellent use of the Almeira, Spain, locations (well photographed by future Trinity Is Still My Name director Enzo Barboni); and if his pacing is occasionally draggy, he more than makes up for it with a wealth of well-staged brawls and shoot-outs. His script (written with Django co-scribe Franco Rossetti) is lean and solid, with a hint of noir in its central dark secret regarding Delgado's relationship with Sullivan's family. ~ Paul Gaita, Rovi

The Russo/Italian coproduction Attack and Retreat was titled Italiano Brava Gente in Italy and Oni Shli Na Vostok in the USSR. This "solidarity" war epic hinges on the plot device of Italian and Soviet WWII troops forming a united front against their one-time ally, the Germans. To drum up business in America, the producers hired two Hollywood stars: Arthur Kennedy (as a fascist leader) and Peter Falk. In some prints of this film, Kennedy and Falk's highly distinctive voices have been dubbed by anonymous actors. Attack and Retreat was gorgeously filmed on location in the Ukraine with an international team of cinematographers. Originally released at 156 minutes, the film has been severely pared down for subsequent reissues and TV showings. ~ Hal Erickson, Rovi