Aleta Morrison Movies
British musical star Tommy Steele had starred in Half a Sixpence in London and on Broadway, thus he was first choice for this garish film version. Based on the H.G. Wells story Kipps (previously filmed in 1941 with Michael Redgrave), Half a Sixpence tells the tale of a humble London drapery clerk (Steele) who inherits a fortune. He briefly forgets his old mates and his faithful girl friend (Julia Foster), but soon discovers that High Society isn't his cup of tea. Filmed during the "monster musical" cycle fostered by The Sound of Music, Half a Sixpence isn't really suited for the spectacular approach dictated by co-producer Charles H. Schneer. Fortunately, the guiding directorial hand is the film's other producer: George Sidney, a veteran of MGM's Arthur Freed unit, who knew how to successfully weld music with story. Thanks to Sidney and star Steele, Half a Sixpence never gets too out of hand, though we'd argue with some of the eyestrain-inducing color choices in the bigger numbers. The film might have done better at the box office had the score yielded a few hit songs. ~ Hal Erickson, Rovi
- Starring:
- Tommy Steele, Julia Foster, (more)
John Gregson stars as Chayley Broadbent, a young Yorkshire businessman leading a dull, perfunctory life. He inherits a sizeable fortune, plus a prosperous textile factory, from his wealthy father. Soon after, he has a fight with his straight-laced girlfriend, Ethel (Susan Stephen) and leaves her, taking off for London. Once there, he plunges into the nightclub circuit, falling in love with showgirl Diana Dors. But she mistakes him for an impoverished chap and thus rejects his marriage proposal. When she finally figures out the truth, she makes a beeline for him, but by then he's onto her golddigging motives and instead opts to return to Ethel. Adapted from a novel by Derick Boothroyd, Value for Money shows no shame in trotting out all the cliches and obvious comic set-ups indigenous to this sort of film farce. ~ Hal Erickson, Rovi
- Starring:
- John Gregson, Diana Dors, (more)

