Philip McGough Movies

In this tribute to the man considered by many to be the father of the science fiction genre, a reporter interviewing author H.G. Wells makes a startling revelation that could forever change mankind's relationship with the universe. Upon arriving at Wells' London home on a fog enshrouded evening in 1946, newspaper reporter Ellen McGillivray is regaled with tales of time travel dating back to Wells' days at London's Imperial College of Science. It seems that Wells and colleague Jane Robbins stumbled across a previously undiscovered rift in time during a series of midnight experiments, and though the pair swore to keep the discovery a secret, the experience forever bonded the adventurous scientists. When Ellen accepts Wells' outlandish tales at face value, his shock at her lack of disbelief is countered by the revelation that she is an underground government agent posing as a reporter in hopes of discovering the secrets of a crystal orb rumored to hold the secrets of the entire universe. ~ Jason Buchanan, Rovi

Several American stars add marquee value to this British comedy about a single mom who's back in the dating game, whether she likes it or not. Jenny Seagrove plays Suzanne, a recently widowed woman in her 30's with two children, teenage son Ben (Ben Reynolds) and younger daughter Natalie (Ace Ryan). Suzanne is still dealing with her husband's passing and doesn't feel ready for a new man in her life. But her friends have other plans and they try fixing her up with Frank (Charles Dance), a dentist so eager to win her hand he hypnotizes her during an appointment in hopes she'll accept his offer of a dinner date. Frank soon has competition when Tony (Anthony Edwards), an American sports therapist, meets Suzanne at a concert; their paths cross again when he finds a wallet she's lost and stops by her home to return it. The first film production from noted stage producer Bill Kenwright, Don't Go Breaking My Heart also features cameos from Jane Leeves and Tom Conti. ~ Mark Deming, Rovi

David Cronenberg's cinematic intensity eviscerates this adaptation of David Henry Hwang's passionate stage production. Based on a true incident involving a French diplomat who carried on an affair for 18 years with a man the diplomat thought was a woman, M. Butterfly begins in 1964 Beijing when French foreign service employee Rene Gallimard (Jeremy Irons) becomes smitten with Chinese opera performer Song Liling (John Lone). Before long, Gallimard is enamored with Song, and they begin an inflamed affair -- bracketed by the stipulation that Gallimard will never be allowed to look upon her in a state of complete undress. Gallimard agrees to the rules, but, as he climbs up the diplomatic ladder, the communist government gets involved, corralling Song to become an informer for the government. When, at last, Gallimard's passion demands nudity, Song flees the relationship. Gallimard, pining for his lost love, then becomes a physical and mental wreck. He leaves China and accepts a two-bit diplomatic position, but then Song appears once again to Gallimard. At that point, Gallimard is arrested and, during the subsequent sensational trial for treason, his affair is exposed for the sham that it is. ~ Paul Brenner, Rovi

Two men who had been partners 20 years earlier reunite and rekindle old animosities in this routine, low-budget drama by director David Drury, made for the "First Love" British TV series but also released theatrically. James (James Aubrey), a teacher, and Father Michael (Nicholas Gecks) meet again long after their upbeat musical partnership ended and are overjoyed at seeing each other -- though that is short-lived. Personality differences emerge rather quickly, especially after James starts a sexual liaison with the mother of a little boy who adores Father Michael. Flashbacks to the 1950s help to illustrate the background of the two men in conflict. ~ Eleanor Mannikka, Rovi

In the conclusion of "Resurrection of the Daleks," the titular characters, hoping to be restored to their former malevolent glory, have rescued their creator, Davros (Terry Malloy), from cryogenic exile. The Daleks must also contend with a disease that is decimating their ranks, and, of course, they must dispose of their old enemy, the Doctor (Peter Davison). Without revealing the ending of this adventure, it should be noted that "Resurrection of the Daleks" represented the swan song of series regular Janet Fielding (Tega). Written by Eric Saward, "Resurrection of the Daleks" was originally broadcast in England as two 50-minute episodes, the second of which aired on February 15, 1984. It has since been re-edited into a four-part cliffhanger for American television. ~ Hal Erickson, Rovi