Larry Drake Movies

Milo Ventimiglia (of the blockbuster TV series Heroes), headlines this dark crime thriller, which marks the sophomore directorial outing of Marc Schoelermann, following the 2006 telemovie Hexxx. Ventimiglia portrays a young intern, newly arrived at the University Hospital in Philadelphia, who stumbles onto a psychopathic group of colleagues playing a vile game. They regularly select one of their members (on a rotational basis) to commit the "perfect murder," while the rest use forensic methods to try to determine exactly how the homicide was executed. Alyssa Milano (of TV's Who's the Boss? and Charmed) co-stars as Ventimiglia's fiancée, while thesps Johnny Whitworth and Lauren Lee Smith are among the perpetrators. Mark Neveldine and Brian Taylor (of Crank fame) scripted. ~ Nathan Southern, Rovi

Their lives going nowhere fast, two middle-aged friends from Los Angeles start up their own business in a bid to gain the respect of their friends and colleagues. As young children, Brenda (Sean Young) and her immigrant friend Jonathan (Christian Schoyen) were bullied mercilessly. Now they're adults, and not much has changed. In an attempt to get their lives on track, they take a shot at the American Dream. But while owning your own business is easy, getting to the top in a city like L.A. is nearly impossible. Seduced by the prospect of success and caught up dreams of fast cars and fat bank accounts, Brenda and Jonathan quickly realize that they don't know the first thing about running their own business. When their latest client Chuck (Danny Trejo) discovers they've been living the dream on his dime, the two friends are in for a rude awakening. ~ Jason Buchanan, Rovi

A crystal-meth addict struggles to get his next fix as he obsesses over a recent breakup in Spun, a black-comic drug drama from music video director Jonas Akerlund. Rushmore's Jason Schwartzman stars as Ross, a young man who finds his maniacal world crumbling around him over the course of one long weekend. Spun chronicles Ross' travails as he tries to score from his regular dealer, Spider Mike (John Leguizamo), who realizes during Ross' visit that he's misplaced his stash. Indisposed by the frantic drug search, Spider Mike's girlfriend, Cookie (Mena Suvari), enlists Ross to pick up her stripper friend Nikki (Brittany Murphy) from work, and when he grudgingly agrees, he learns that Nikki might have an inside line on some of her own speed, courtesy of The Cook (Mickey Rourke). Meanwhile, two bumbling cops are onto Spider Mike's trail, and in his paranoid-delusional state, he sets out to find out who set him up. Spun premiered at the 2002 CineVegas Film Festival before securing berths at the Sundance, Toronto, and South by Southwest festivals. ~ Michael Hastings, Rovi

Based on "The Dead Zone," a magazine article by Malcolm Gladwell, the made-for-TV Runaway Virus pits a team of dedicated scientists against a deadly virus. A particularly nasty form of influenza, which leaves its victims with bloody noses and blackened feet before their inexorable demise, has spread to Los Angeles, courtesy of an illegal alien. Although the scientists work as a team to prevent a horrendous epidemic, there is ample time for individual heroics, much of these manifested in the actions of reclusive vaccine specialist Jenny Blanchard (Paige Turco) and Center for Disease Control doctor Daniel Rothman (Jason Beghe). Runaway Virus debuted January 29, 2000, on ABC. ~ Hal Erickson, Rovi

A group of bullies terrorizing a small town meet their match in the Muscles From Brussels in this action drama. Eddie Lomax (Jean-Claude Van Damme) is a drifter who has been in a suicidal funk since the death of his close friend Johnny (Danny Trejo). Riding his motorcycle into a small desert town where Johnny once lived, Lomax is confronted by a gang of toughs, who beat him and steal his bike. However, Lomax is not a man to take an injustice lying down, and soon he begins exacting a violent revenge on the men who stole his motorcycle, with local handyman Jubal Early (Pat Morita) lending a hand and several area ladies offering aid and comfort. Inferno (which was also released under the titles Desert Heat and Coyote Moon) was directed by John G. Avildsen, though Danny Mulroon is credited on some prints. ~ Mark Deming, Rovi

In this science-fiction TV series, bio-anthropologist Dr. Sloan Parker (Debra Messing) encounters an advanced race intent on wiping out present-day humans. Problem is -- they look just like us. In the opening episode, Parker learns that Randall Lynch (Roger Howarth), who murdered her mentor, may not be human after she checks out his DNA. In fact, there's a whole quintet of guys she can't trust, including even an FBI agent (Adam Storke). Her only help comes from her two associates (Vincent Ventresca, Larry Drake). Global warming has triggered the problem, but how can she stop this highly advanced race? The ABC series premiered January 15, 1998. ~ Bhob Stewart, Rovi

Tony (Daniel Baldwin) runs a rather intriguing Hollywood brothel. His primary hookers -- Francesca (Julie Delpy), Mimi (Georgina Cates), and Dolly (Pamela Gidley) -- are given to elaborate, costumed, role-playing fantasies to please Tony's peculiar, highly emotional clientèle. The harlequin-outfitted harlots find their lives suddenly complicated by their increasingly strange customers, a relentless husband (Patrick Dempsey), and a political rally involving a sexually uninhibited mayoral candidate (Seymour Cassel). ~ Buzz McClain, Rovi

The fishing industry of a small Northwestern coastal town is nearly destroyed when a mysterious giant sea creature takes up residence. Based on a novel by Peter Benchley, the story bears more than passing resemblance to the author's most popular story, Jaws in that a few, including a scientist, learn the terrifying truth and try to convince a skeptical community that they are all in danger should they go too near the water. Once the town believes, it is up to the hero, a lady coast guard officer, and the scientists to stop the beast. This feature originally aired as a two-part miniseries on network television. ~ Sandra Brennan, Rovi

This drama chronicles the moral fortitude and courage of a simple North Carolina farmer in 1815. The trouble begins when the widowed farmer August King takes his wagon to a nearby town to get supplies and make the final payment on his land. He arrives to find the townsfolk quite agitated as two slaves have escaped from the estate of Olaf Singletary, the richest man in town. August had earlier seen the fleeing 17-year-old slave girl. That night, he is camped out and the starving runaway stumbles in. August is a good, highly-principled man and decides to ignore his own personal risk and help her. He conceals the fugitive from Olaf and his posse as he hurries back to the safety of his farm. Still despite his efforts, word leaks out that a traveler is harboring the slave and that he has a milk cow attached to the back of his wagon. To fool the pursuers, August kills his cow, and later as he is shooting some wild rapids he loses his new pig. Eventually, August comes upon Olaf and sees him capture the other slave and brutally chop him up because he is angry that the young slave girl, for whom he has a special reason for wanting back, isn't with him. By the time August makes it back to his home, almost everything he values has been lost or destroyed, but he has learned some valuable lessons about what is really important in life. ~ Sandra Brennan, Rovi

Jumping fairly late on the slasher-movie bandwagon, this stylish but hollow effort from director Manny Coto stars L.A. Law's Larry Drake as the psychopathic Evan Rendell, who fancies himself a misunderstood medical genius. In an inventive opening scene, Rendell performs a bit of impromptu surgery on his keepers at the asylum (who had given him the title nickname due to his fits of nervous laughter) and escapes to his hometown to set up his "practice." This medical mania seems to run in the family, as we are shown in flashback: Evan's daddy once butchered several local women in his search for a replacement heart for his wife, and although he was unable to save her, Pops managed to spirit away young Evan and keep him safe (in a very, very nasty hiding place) before being lynched by the locals. Hiding out in the abandoned family home, "Dr. Giggles" begins a random killing spree in town with his bag of medieval-looking surgical instruments... but he finds new purpose when he sees the medical records of young Jennifer (Holly Marie Combs), who is in line for a heart transplant, and vows to "cure" her himself. This film eschews the possibilities of its demented premise, choosing instead to serve up a flavorless hash of '80s slasher clichés (wisecracking killer, stupid teenage victims, virginal heroine, 20-years-later motif, etc.). The only truly inspired moment occurs in flashback, when we discover the actual hiding place the elder Dr. Rendell chose for his son. ~ Cavett Binion, Rovi

Neglecting Julie (Frances McDormand), his lawyer lady friend, Dr. Peyton Westlake (Liam Neeson) works feverishly to perfect his latest invention -- artificial skin that could be used to treat burn victims. Peyton himself falls victim to an explosion when one of Julie's crooked clients sends his henchmen to sniff out an incriminating document that's been left in Westlake's lab. Hideously disfigured and left for dead, the good doctor receives an experimental medical treatment that renders him super-strong, impervious to pain and prone to heightened fits of rage. Rebuilding his lab into an underground hideout, Westlake begins using his synthetic skin to impersonate various characters and engineer his revenge against those who destroyed his life. Reconnecting with Julie, however, becomes the unsightly vigilante's biggest challenge. ~ Brian J. Dillard, Rovi

A remake of the 1945 Gene Tierny vehicle Leave Her to Heaven, Loni Anderson plays a newlywed whose over-possessiveness of her husband's attentions takes on a dangerous edge. ~ Sandra Brennan, Rovi