Betsy Drake Movies

Dr. Marsh Tracy (Marshall Thompson) is an animal behavioral research director who travels to East Africa with his daughter Paula (Cheryl Miller) in this engaging wildlife saga. While Tracy develops a relationship with anthropologist Julie Harper (Betsy Drake), Paula befriends the visually challenged lion named Clarence. Because his eyes are crossed, Clarence has never been able to rely on hunting for survival, so the family adopts the lovable lion. Richard Haydn plays the schoolmaster with comic flair as he runs scared from the harmless king of the jungle. The evil Gregory (Maurice Marsac) is the leader of a group of mercenaries who plan to capture Julie's beloved gorillas and sell them for profit. Clarence later traps Gregory in a slapstick scene to save the animals from danger. The film served as a pilot for the television series Daktari. ~ Dan Pavlides, Rovi

In his all too brief life, director Henry Cornelius became the principal standard-bearer of genteel whimsy in British films. Cornelius' Next to No Time (based on a story by Paul Gallico) stars Kenneth More as a milquetoast engineer who has lost a lot of professional and personal opportunities because of his unwillingness to assert himself. While on a cruise across the Atlantic, More notices that the wall clock in the ship's bar is standing still. The bartender explains that the clock is always halted for an hour each day in order to coordinate with the International Date Line. Emboldened by the notion that anything is possible when time stands still, More sheds his inhibitions, improves his lot in life, and wins the love of an American girl (Betsy Drake). While not as remarkable a comic achievement as Henry Cornelius' Genevieve, Next to No Time is perfect "wish fulfillment" TV fare for a rainy afternoon. ~ Hal Erickson, Rovi

Based on the autobiography by George and Anna Rose, Room for One More is a warm-hearted vehicle for husband-and-wife actors Cary Grant and Betsy Drake. Though she already has three children of her own, New Jersey housewife Anna Rose (Drake) adopts several kids born into less fortunate circumstances. Both Anna and her husband "Poppy" (Grant) must contend with the emotional baggage brought to their home by these "unwanted" kids, and both bear up quite well. The film's dramatic core concerns the Roses' efforts to reach a desperately unhappy 13-year-old girl (Iris Mann) and a physically handicapped boy with a penchant for getting into serious trouble (Clifford Tatum Jr). Despite occasional moments of anguish and pathos, Room for One More for the most part opts for a light-hearted approach to its subject matter. In 1962, a TV sitcom version of Room for One More, starring Andrew Duggan and Peggy McCay, debuted as a mid-season replacement over the ABC network; at that time, the original film was re-titled The Easy Way. ~ Hal Erickson, Rovi

Best known to posterity as the third wife of Cary Grant, Betsy Drake enjoyed a substantial film career during the postwar era. In Pretty Baby, Drake plays Patsy Douglas, an enterprising young lady who always assures herself a seat on the subway by carrying a doll wrapped in baby bunting. Through a series of complications that could only happen in a movie, it is eventually assumed that the "baby" is genuine. Patsy's bosses, advertising executives Sam Morley (Dennis Morgan) and Barry Holmes (Zachary Scott), hope to use Patsy's bundle of joy to land an important client, grouchy baby-food tycoon Cyrus Baxter (Edmund Gwenn). Most of the film is a not-so-subtle swipe at radio and TV advertising, considered a rich source of humor back in 1950. Cast in a tiny role as a receptionist is future "June Cleaver" Barbara Billingsley. ~ Hal Erickson, Rovi

Cary Grant met his future wife Betsy Drake on the set of the appropriately titled Every Girl Should be Married. Grant plays well-known baby specialist Madison Brown, who is Dr. Spock in everything but name. After a chance meeting with headstrong young Anabel Sins (Drake), poor Brown finds his every move and thought monitored by Anabel, who intends to become his wife come heck or high water. Upset that Brown steadfastly resists her charms, Anabel decides to make him jealous by playing up to her boss Roger Sanford (Franchot Tone). When Brown still won't bite, our plucky heroine mounts a campaign enlisting everybody in town to wear down the doctor's resistance. Nowadays, this is called "stalking"; in 1948, it was called "funny." Produced, directed and written by Don Hartman, Every Girl Should be Married was a box-office winner to the tune of $775,000. ~ Hal Erickson, Rovi