George Herbert Movies

This gory British horror satire features a hammy Michael Gough as Doctor Storm, the demented overseer of a bizarre health resort advertising "Hairy Holidays" for teenage hipsters -- on whom he secretly performs diabolical mind experiments, turning them into mindless automatons directed by a remote-control device. Those lucky enough to escape the doctor's operating table are invariably tracked down by a leather-clad bike gang or decapitated by the doctor's car (thanks to handy fender-mounted scythes). Into this trap falls pop music star Robin Askwith, whose quest for a stress-relieving getaway lands him in Gough's house of horrors. Oblivious, at first, to his impending fate (thanks to the diverting presence of the doctor's pretty niece, Vanessa Shaw), Askwith eventually realizes that the fellow patients look just a bit too relaxed for comfort. Ostensibly the blackest of black comedies, some aspects of the film actually presage Lindsay Anderson's far more sophisticated Britannia Hospital, though the satire here is far less intelligent. The biggest laughs are provided by the badly dated, ultra-mod '60s clothing and dialogue. ~ Cavett Binion, Rovi

Skin, shocks, and suspense are all on the menu in this arty sexploitation opus from Great Britain. A mummy who has risen from the grave (voice of Valentine Dyall) serves as our guide through a series of stories illustrating the ongoing conflict between men and women. A photographer (Dorothy Grumbar) working on a sadomasochistic photo spread goes to special lengths to see that her model (Anthony Rowlands) has just the right look. An elderly man (Kenneth Benda) dating a female scientist (Yvonne Quenet) is in for a surprise when they have a child. A strange young man (Elliott Stein) hires a call girl for the evening, but the lady in question (Sue Bond) objects when he makes a request that seems rather unusual...or is it? Female secret agent Lindy Leigh (Maria Frost) has a hard time keeping her clothes on as she sets out to capture an enemy military attaché. A cat burglar (Cathy Howard) finds an unusual way of avoiding arrest after she's caught in the act by her latest victim (Mike Briton). And an aging woman (Laurelle Streeter) demonstrates how she's kept in touch with her many lovers over the years. Originally released as Secrets of Sex, Bizarre also appeared in edited form as Tales of the Bizarre, with most of the sexual material and nudity removed; the film was also distributed as Secrets of Sex. ~ Mark Deming, Rovi

The Trollenberg Terror, authored by Peter Key and directed by Quentin Lawrence, started life on British television as a six-part installment of ITV's Saturday Serial in late 1956 and early 1957. The big-screen version, was adapted by Jimmy Sangster, who compressed most of the best horrific and mystery elements of the original into an under-90-minute vehicle, which Lawrence directed. At a remote Alpine village, mountaineers suddenly start dying, their bodies horribly multilated -- at first, these incidents seem like they could just be accidents. But the arrival of a pair of sisters (Janet Munro, Jennifer Jayne), one of whom feels an almost telepathic connection with someone or something on the mountain, attracts the interest of American Alan Brooks (Forrest Tucker), a trouble-shooter for the United Nations. He and Prof. Crevett (Warren Mitchell), who has been monitoring the radiation levels in the area from a research station set up by the government, determine that there is a pattern to these deaths that Brooks has seen before, in a prior incident in the Andes Mountains. They determine that the Earth has been invaded, at high altitude, by a race of gigantic, tentacled aliens who live in thin atmosphere and at extremely low temperatures. Camouflaging themselves in a dense radioactive cloud, they've been content up until now to hide their existence while experimenting with the inhabitants of their new world -- they've taken over some human subjects telepathically, and also re-animated dead bodies. And they've killed those -- such as the hapless mountaineers who have stumbled upon their new lair, or those few humans whose stronger-than-usual mental powers have allow them to sense the aliens' presence -- who threaten to discover them. But now Crevett sees that the aliens are adapting and moving down the mountain, the cloud bringing their necessary cold temperatures with them, and threatening to engulf the village as prelude to an attack on it and all that lies beyond. The Trollenberg Terror was retitled The Crawling Eye when it was released in the United States, in an obvious attempt to draw the same audience that had made the previous year's British film adaptation of a tv serial -- The Quatermass Xperiment, renamed The Creeping Unknown -- into a huge hit in the US. ~ Bruce Eder, Rovi

Cafe Metropole stars Tyrone Power as an international playboy with a habit of writing rubber checks. Heavily in debt to cafe owner Adolphe Menjou, Power agrees to pose as a Russian nobleman and woo heiress Loretta Young, so that Menjou can get his mitts on the girl's money. Avarice gives way to love, but not before Young walks out on Power when she catches on to his original selfish intentions. The script for Cafe Metropole was written by actor/director Gregory Ratoff, who also plays a supporting role. The film's first biggest laughs are reserved for the first scene, in which mild-mannered Christian Rub attempts to collect on one of Power's debts by clumsily wielding a loaded revolver. ~ Hal Erickson, Rovi