Paul Douglas Movies

George Marshall directed this breezy romantic comedy starring Tony Randall and Debbie Reynolds. Randall plays Lorenzo Charlton, a stuffy tax investigator sent to the farm of Pop Larkin (Paul Douglas) and Ma Larkin (Una Merkel) to find out why they haven't been paying taxes. He discovers that the Larkins, instead of money, use a homegrown barter system. Their complex economic network causes Lorenzo to drink one home brew too many. Awakening from a hangover, he sees a vision of loveliness before him -- the Larkin's spunky daughter Mariette (Debbie Reynolds). Enraptured by Mariette, he decides to stick around and help the family out of their onerous tax burden. Further research reveals an ancestral claim dating to the Civil War -- in reality, the government owes the Larkins $14 million. ~ Paul Brenner, All Movie Guide

A rare comedy effort by director Robert Wise, This Could Be the Night is based on a series of short stories Cordelia Baird Gross. Jean Simmons stars as Anne Leeds, a prim, proper and very level-headed grade-school teacher who takes a night job as secretary to rough-and-tumble nightclub owner Rocco (Paul Douglas). Despite his raffish exterior, Rocco has a heart of gold, and he does is best to protect Anne from Broadway predators in general and ladies'-man Tony Armotti (Anthony Franciosa) in particular. As she struggles to put Rocco's questionable business practices in order, Anne also encourages the efforts of immigrant busboy Hussein (Rafael Campos) to earn his American citizenship, and helps sexy chorine Ivy (Neile Adams) realize her dream of becoming a famous chef. Several veteran thespians add spice to the proceedings, including J. Carroll Naish, Joan Blondell, Murvyn Vye and ZaSu Pitts, while music is provided by the Ray Anthony Orchestra. ~ Hal Erickson, All Movie Guide

Filmed in England, The Gamma People is a strange blend of "Prisoner of Zenda" type adventure, comic opera, cold war paranoia and science fiction. The film is set in Gudavia, a mythical European country ruled by scientists. These misguided intellectuals have been utilizing gamma rays to create a race of genius-level supermen, Instead, they wind up either with emotionless automatons or hulking, mindless brutes. American newsman Paul Douglas and British photographer Leslie Phillips, literally stumbling into this situation, attempt to save the day. Also battling the Gamma People is Eva Bartok, the sister of one of the human "experiments". ~ Hal Erickson, All Movie Guide

The Solid Gold Cadillac was adapted from the George S. Kaufman-Howard Teichmann Broadway hit of the same. Both the play and film were predicated upon the notion of a humble ten-share stockholder triumphing over a corrupt big-business board of directors, but there was one significant difference. In the stage version, septuagenarian Josephine Hull starred as Laura Partridge, a sweet little old lady who asks several embarrassing questions at a stockholder's meeting. In the film version, Laura's age is lowered by at least four decades to accommodate star Judy Holliday. In both versions, a romance develops between Laura Partridge and Edward L. McKeever, the owner of the corporation she takes on. McKeever (played in the film by Paul Douglas, Holliday's co-star in the Broadway version of Born Yesterday) is an honest man, which is more than can be said for his self-serving board of directors (Fred Clark, John Williams, Ray Collins et. al.) With McKeever's covert help, Laura, who has been given a dummy executive position in the corporation in hopes that she'll shut up, forms a stockholder's association intent upon throwing the rascals out. Though the dialogue in Solid Gold Cadillac is consistently entertaining, the film's best line goes to Judy Holliday: Describing her brief career as an actress in a Shakespearean troupe, she recalls ruefully that "No one's allowed to sit down unless you're a king." George Burns, taking over from the stage version's Fred Allen, provides the wry scene-setting narration. Currently available TV prints of The Solid Gold Cadillac have restored the original Technicolor final shot. ~ Hal Erickson, All Movie Guide

A good Samaritan applies himself to others to the point of injuring his own life by ignoring his personal obligations and house payments. ~ All Movie Guide

Originally released as High and Dry, The Maggie was one of the most endearing of the "regional" British comedies of the 1950s. Hollywood's Paul Douglas plays an American businessman whose brash, glad-handing techniques earn nothing but cold stares in a tiny Scottish village. Ever anxious to cut costs, Douglas arranges with a local "transport company" to move his luggage to a remote Scots island. That's how he gets mixed up with The Maggie, a ranshackle old shipping vessel captained by taciturn Alex Mackenzie. Our only cavil: The Maggie is slow going at times, cutting its humor potential in half. ~ Hal Erickson, All Movie Guide

Cameron Hawley's novel Executive Suite appeared around the same time as two other tales of big-business intrigue, the 1954 film A Woman's World and the 1955 Rod Serling teleplay Patterns. Elements of all three properties inevitably overlap. In Executive Suite, a furniture-store executive dies suddenly, resulting in a power play between five of his vice presidents. Julia O. Tredway (Barbara Stanwyck), daughter of the company founder and mistress of the president, must choose between solid family man McDonald Walling (William Holden), blackmail-prone Josiah Walter Dudley (Paul Douglas), ruthless Loren Phineas Shaw (Fredric March), duplicitous George Nyle Caswell (Louis Calhern), and eternal corporate bridesmaid Frederick Y. Alderson (Walter Pidgeon). Only Walling, the most honest of the bunch, refuses to campaign for the presidential chair. Despite the presence of the A-list leads and of supporting actors Shelley Winters, Dean Jagger, and Nina Foch, Executive Suite is a true ensemble effort, with everyone carrying like weight onscreen. The property was later adapted into a TV series, which owed more to Dallas than it did to the Hawley novel. ~ Hal Erickson, All Movie Guide

Self-centered Washington socialite Rosalind Russell joins the WACS in order to be near her boyfriend William Ching, a GI stationed in Paris. Russell is certain that her DC connections will enable her to get out of the service as easily as she got in. Unfortunately for her, Russell's ex-husband Paul Douglas decides to teach her a lesson by pulling a few strings himself. Several of the army-camp scenes are stolen by Marie Wilson as an amply proportioned chorus girl, who's joined the WACS to escape stage-door johnnies. Filmed in part on location at the Women's Army Corps training center at Fort Lee, Virginia, Never Wave at a WAC was produced by Rosalind Russell's husband, Frederick Brisson. The film was released in England as The Private Wore Skirts. ~ Hal Erickson, All Movie Guide

During the Vatican Holy Year of 1950, confidence trickster Joe Brewster (Paul Douglas) disguises himself as a priest and heads to the Holy City. It is Brewster's intention to use his faux clerical garb to evade arrest by the American authorities. But through the influence of American priest Father John (Van Johnson), Brewster experiences an epiphany and changes his ways. Reverent to a fault, When in Rome could have been insufferably saccharine, but the no-nonsense performances of Paul Douglas and Van Johnson carry the day. Enhancing the film is producer-director Clarence Brown's decision -- thankfully approved by the MGM front office -- to lens much of the story on location in Rome and Vatican City. ~ Hal Erickson, All Movie Guide

The title character (Paul Douglas) is a pro football player of the early 1940s at the end of his career. Douglas is offered a coaching job, but he stubbornly turns it down in hopes of making a comeback. Day after day he sits in his den watching movies of his past gridiron triumph, much to the dismay of his wife (Joan Bennett). When she chews him out for living in the past, Douglas walks out and takes up with a younger woman (Linda Darnell). To prove that he's still in top shape, Douglas takes a job as a professional wrestler. His new girl friend, realizing that Douglas is miserable without his wife, conspires with the other woman to get Douglas back on his old team. The wartime need for warm bodies allows Douglas a few more years in football, but eventually he gets wise to himself and takes the coaching job. Ironically, Guy Who Came Back star Paul Douglas was in his youth an football pro who retired from active play to become a sports announcer. ~ Hal Erickson, All Movie Guide

Though not the most profitable baseball comedy ever made, Angels in the Outfield is one of the most likeable and enduring. Paul Douglas stars as Guffy McGovern, the combative, foul-mouthed manager of the Pittsburgh Pirates. With his team in the basement once more, McGovern has plenty to complain about. All this changes when, while wandering through Forbes Field at night, Guffy is accosted by the voice of the Archangel Gabriel (courtesy of an unbilled James Whitmore). As the spokesman for the Heavenly Choir Nine, a celestial ballclub, Gabriel begins bestowing "miracles" upon the Pirates--but only on the condition that McGovern put a moratorium on swearing and fighting. With the help of the invisible ghosts of past baseball greats, the Pirates make it into the Pennant race. During one crucial game, orphan girl Bridget White (Donna Corcoran) insists that she can see the angels helping out the "live" ballplayers--understandably so, since it was Bridget's prayers that prompted Gabriel to visit McGovern in the first place. Newspaperwoman Jennifer Page (Janet Leigh) transforms Bridget's angelic visions into a nationwide news story, causing no end of trouble for McGovern. When Guffy himself confirms Bridget's claims, he falls right into the hands of vengeful sportscaster Fred Bayles (Keenan Wynn), who's been scheming all along to have McGovern thrown out of baseball. Complication piles upon complication until the Big Game, wherein Guffy is forced to rely exclusively upon the talents of his ballplayers--notably "over the hill" Saul Hellman (Bruce Bennett)--to win the pennant. Unlike the spell-it-all-out 1995 remake of Angels in the Outfield, the original film never shows the angels, permitting the audience to draw its own conclusions regarding Divine Intervention. The film is an unqualified delight, never descending into sloppy sentiment or boggy bathos. Understandably, Angels in the Outfield was Paul Douglas' favorite film (though he'd never admit it after President Dwight D. Eisenhower, hardly Douglas' favorite politician, insisted that it was his favorite as well). ~ Hal Erickson, All Movie Guide

Filmed entirely on location in New Orleans, Panic in the Streets stars Richard Widmark as Dr. Clinton Reed, a physician from the U.S. Health Service who must race against time to stop a plague. The carrier was an illegal alien, murdered by criminals Jack Palance and Zero Mostel. When local officials note the strange condition of the corpse, they fear that the germs will spread to epidemic proportions, and thus summon Reed to wrest control of the situation. At first facing opposition from rule-bound police captain Paul Douglas, Widmark is finally able to work hand-in-glove with Douglas in tracking down Palance and Mostel, who have themselves become plague carriers. Many of the actors in Panic in the Streets are local nonprofessionals, selected by director Elia Kazan because of their "rightness" within the framework of the story; the rest of the cast is peopled by such film veterans as Barbara Bel Geddes, Tommy Cook, Emile Meyer and H.T. Tsiang. Widmark's son is played by an uncredited Tommy Rettig, four years before he starred on the Lassie TV series. Though Elia Kazan liked to claim that much of Panic in the Streets was improvised, there was a script, adapted by Richard Murphy and Daniel Fuchs from a story by Edward Anhalt and Edna Anhalt. ~ Hal Erickson, All Movie Guide

Love That Brute is a remake of the 1942 comedy Tall, Dark and Handsome. In the original, Cesar Romero starred as a soft-hearted 1920s gangster who manages to maintain a reputation as a dangerous character, even though he's never killed anyone in his life. In the remake, Romero is cast as Pretty Willie, the principal villain, while the starring role is essayed by Paul Douglas. Falling in love with Ruth Manning (Jean Peters), the pretty recreation director of the city's park system, "Big Ed" Hanley (Douglas) hires Ruth as the governess for his children. Trouble is, he has no children, so he dispatches his faithful henchman Bugs (Keenan Wynn) to find him a kid. Meanwhile, "Big Ed" tilts with arch-enemy Pretty Willie, gaining the upper hand when it appears that "Big Ed" has bumped off several of Willie's lieutenants. Discovering that her boss is a gangster, Ruth is about to walk out on him--and then, the truth behind Ed's phony "killer instinct" is hilariously revealed. ~ Hal Erickson, All Movie Guide