Victoria Eagger Movies

Australian director Paul Cox, skilled at intense psychological stories about lone souls looking for comfort in a cold world, was at his best with this original script co-written by the director and Barry Dickins. Martha is a 78-year-old woman living out her final days. Not a maudlin tale of a lonely woman wasting away, A Woman's Tale focuses on a human who manages to maintain an amazing vitality in the face of death. She encourages her young nurse, Anna (Gosia Doborowolska), to use her flat for romantic trysts; she looks in on Billy (Norman Kayes), an elderly neighbor, and she resists attempts by her son Johanathan (hris Haywood) to place her in a nursing home. Sheila Florance's performance as Martha is a marvel, especially given the art-imitates-life aspect of production: Florance was terminally ill, and she died soon after she was nominated for the Best Actress Award for Australia's Academy Awards. ~ Tom Wiener, Rovi

This Australian romantic comedy, filmed prior to the death of Princess Diana, was updated with additional scenes shot several months later. Even so, certain situations originally intended as comedy now seem prophetic and painful rather than humorous. After a grim London opening sequence with a voiceover acknowledging the royal Diana's death, the story flashes back 18 months to Wollongong, Australia, where independent Aussie Diana Spencer (Toni Collette), who entered a women's magazine competition, learns she has won a trip for two to meet the Princess of Wales. Spencer is fascinated by Princess Diana, since she shares both the same name and birthday (although she's 10 years younger). Joined by fiancé Mark Fraser (Malcolm Kennard), Spencer arrives in London, where the magazine's British representative Carol (Victoria Eagger) checks them into a hotel. She's then disappointed to find that her meeting with the Princess is not one-on-one but just an invitation to a garden party attended by hundreds. Problems arise when Mark is separated from Diana, who gets arrested along with British photographer Rob Naylor (Dominic West), part of the paparazzi pack stalking the Princess. (In one scene, paparazzi depart in a frenetic feeding frenzy to get pics of a celebrity in a car crash!). Carol makes a play for Mark back at the hotel room. Rob gets a tip on the whereabouts of the Princess, and Diana joins Rob in his stakeout of an apartment. After the Princess emerges and her car drives off, photographer Rob is in hot pursuit during a chase sequence. Mark decides to return to Australia, while Rob and Diana are joined by cross-dresser Neville (Tom Hillier), a look-alike for Princess Di. The trio takes off for Elton John's birthday party, where the Princess is scheduled to show. Attending the party are Bob Geldof, Jerry Hall, and Susannah York. One sequence in this film captures vocalist Kylie Minogue attempting to walk down a street while stalkarazzi keep pace; uniformed chauffeurs in another scene share a few drinks while awaiting passengers. The Sydney airport substitutes for London's Heathrow. Scenes later added to the controversial movie show Spencer in mourning outside Kensington Palace with an accompanying voiceover by Collette. ~ Bhob Stewart, Rovi

This caustic Australian comedy is meant to burn those commercial interests who sponsor artists for tax breaks. It also a sexually unresponsive wife's revenge against her cheating husband. Heiress Georgina Oliphant, the daughter of pharmaceutical magnate George Oliphant is on a mission to find a sculptor suitable of her father's sponsorship. Normally, George doesn't give a hoot about art, but tax time approaches and he needs a big deduction. Since large bronze statues are 100% deductible, that's what he wants. Georgina comes through with the lesbian sculptor Lily Carmichael who suggests a detailed male nude, sans fig leaf. For her model, lily chooses unemployed hunk Karl-Heinz Applebaum who at first doesn't realize he is to model totally nude. Fortunately, coquettish Georgina is around to convince him to shed those clothes. He soon begins looking forward to the sessions much to the dismay of his frowsy, sexually frosty wife Cecilia, a devout member of the "Center for Synchronic Awareness," an esoteric religious cult which is headed by the oily, avaricious Baba Charles whose picture Cecilia has placed throughout her home (Aussie film buffs may recognize the photo as that of director Rolf de Heer, a rival of this film's director Paul Cox). Soon enough, her husband and Georgina become lovers causing Cecilia to hatch an elaborate plot for revenge, a plot in which the financially beleaguered George Oliphant unwittingly assists by having her pose with her husband for an even larger, more tax deductible sculpture. ~ Sandra Brennan, Rovi

Siam Sunset is a post-modern love story about two lost souls. Perry works for an English paint company. His job of creating colors gradually becomes one of constant misfortune. In desperation, he travels to one of the most desolate parts of Australia, where he hopes to find a special color called Siam Sunset that will somehow bring about his salvation from the natural disasters that mysteriously torment him. Along the way, he meets Grace, a woman as troubled by the world as he is. Together they decide to give life and love another chance if the universe lets them. ~ Gönül Dönmez-Colin, Rovi

Michael is the extremely impoverished nephew of George, a wealthy mining magnate. Not only is he poor now, but he grew up poor. Michael has reason to believe that his uncle cheated him of his inheritance from his father's share in the family mining operation. Michael is concerned about taking care of a mentally handicapped brother and a half-brother who is part aboriginal. George, when confronted, indicates that whatever the facts of the case are, he isn't letting go of a penny. Michael decides to kidnap George's granddaughter for ransom. The snatch takes place while the girl's aunt, a Polish nun, is visiting her mother (the nun's sister), who is not well. She gets caught up in the abduction as well, and a relationship develops between the angry young man and the otherworldly religious woman. She only knows that he seems like a ruffian, and she expects to be raped. He just wants her to be respectful of him. The situation brings on a degree of personal intimacy neither of them has anticipated. ~ Clarke Fountain, Rovi