Louise DeCarlo Movies

Harry and Walter Go to New York was born of the theory that, the more stars and money that you throw into a film, the better the film will be. The theory has seldom been proven true, and it certainly wasn't in this case. Harry (James Caan) and Walter (Elliot Gould) are a third-rate vaudeville team, playing tank towns in turn-of-the-century USA. Thrown into the hoosegow on a petty-theft charge, our heroes make the acquaintance of big-time crook Adam Worth (Michael Caine). Once they're sprung, Harry and Walter follow Worth to New York, with the intention of pulling off a huge bank robbery. Lissa Chestnut (Diane Keaton), a bird-brained suffragette, is also mixed up in the proceedings though she never seems certain of who or what her character is from one scene to the next. The film's one tangible asset is its meticulous re-creation of 1890s New York, courtesy of art director Harry Horner. ~ Hal Erickson, Rovi

In this service comedy set during World War II, Capt. Cash (Dick Shawn) and Lt. Christian (James Coburn) are given orders to invade a small but strategically important village in Sicily. To their surprise, none of the natives offer the slightest resistance to the Americans taking over their town, who present only one stipulation -- the main event on the town's annual social calendar, a football match followed by a wine festival, is scheduled to happen in a few days. If the Americans would be kind enough to let them have their party, they'll hand over the town without a fight. Cash and Christian think that this plan sounds reasonable enough, and a few days later they and their men are drunkenly whooping it up with the townspeople when both German and U.S. surveillance planes spot the festivities. Thinking the wild party looks more like some sort of battle, both the Germans and Americans make plans to send in troops. Screenwriter William Peter Blatty would enjoy greater success a few years down the line with The Exorcist, a novel about a different sort of conflict. ~ Mark Deming, Rovi