Richard Dano Movies

This week, Jessica (Angela Lansbury) is visiting the set of "Floppieville", a TV puppet show based on one of her children's stories. But it isn't kid stuff when the designer of the puppets finds out that someone is profiting from his ideas without proper credit or remuneration. Inevitably, a murder takes place--with one of the smiley-face Floppieville puppets as the weapon! ~ Hal Erickson, Rovi

This time the murder victim is a nasty and abusive loan shark (Robert Beltran). The main suspect is the shark's stepson, a young graffiti artist (William Gallo). A picture taken with infrared film would seem to prove the young man's guilt beyond all doubt. Ah, but the police have reckoned without Jessica Fletcher (Angela Lansbury--who just so happens to be the suspect's writing teacher, and as such is inclined to believe him innocent. ~ Hal Erickson, Rovi

"I'm in love with a mermaid!" read the opening line of Leonard Maltin's original review for Splash. And with the delightful Darryl Hannah in the lead, who could fault Maltin for his public declaration of ardor? The story begins in 1959, when a young boy is rescued from a watery grave by an adolescent mermaid. Twenty-five years later, the boy has grown up--and lo and behold, it's Tom Hanks. Meanwhile, the mermaid, likewise grown up, has surfaced in search of Hanks, her long-lost love. On dry land, the mermaid is able to walk about on legs; any contact with salt water, and she reverts to her half-fish form. Adopting the name of Madison from a New York street sign, the girl manages to win Hanks' heart. Alas, a secret government lab, populated by such smarmy types as Richard B. Shull and Eugene Levy, captures Madison for research purposes--and possible vivisection. Egged on by his brother John Candy, Hanks rescues his beloved, joining her in the ocean depths as a mer-man (mer-fellow? mer-guy?) A captivating confection from the peerless creative team of director Ron Howard and screenwriters Lowell Ganz and Babaloo Mandel, Splash was a winner all the way--especially at the box office, where the $11 million film racked up a huge profit. Historical sidebar: Splash was the first release from Disney's Touchstone Pictures division. ~ Hal Erickson, Rovi

After a teenager suffering from Tourette's Syndrome dies in a fall, Dr. Arthur Ciotti (Michael Constantine) shows up in the autopsy lab and makes an unusual request of medical examiner Quincy (Jack Klugman). Ciotti wants to take possession of the dead boy's brain in hopes of finding a cure for Tourette's. It turns out that Ciotti has been campaigning for years to persuade the pharamaceutical company which employs him to finance similar research, but to no avail; there simply isn't enough "profit" in something as rare as Tourette's. As the story progresses, Quincy becomes a staunch crusader on behalf of government-funded research for "orphan" diseases. This episode and its eighth-season followup "ive Me Your Weak" were instrumental in the ultimate passage of the real-life Orphan Drugs Act. ~ Hal Erickson, Rovi

Director James Ivory has disowned this Hollywood drama, inspired by the Fatty Arbuckle/Virginia Rappe case and based on a satirical poem by Joseph Moncure March, which was heavily cut by American International Pictures from two hours to 90 minutes. The story concerns Jolly Grimm (James Coco), whose career as a famous silent film comic is coming to an end with the advent of talking pictures. He plans a last hurrah by making one more silent film and invites a collection of Hollywood big shots to his mansion in hopes of convincing one of them to distribute the picture. His mistress, Queenie (Raquel Welch), encourages him, but it quickly becomes apparent the film is a bomb. As Jolly Grimm keeps drinking, his mood becomes less jolly and more grim, particularly when movie star Dale (Perry King) starts getting quite familiar with Queenie. Meanwhile, young starlet Nadine (Annette Ferra), after finding her sister in bed with a guest, seeks out Jolly for solace. When Jolly tries to comfort her by kissing her full on the mouth, a drunken party guest, thinking Jolly is trying to seduce the girl, begins to beat Jolly senseless. Dale halts the fracas, but when Jolly doesn't thank Dale properly for saving him from a shellacking, Dale retreats with Queenie to the boudoir. Jolly, already keyed up to a dangerous level, awaits their emergence from the bedroom with a gun in his hand. ~ Paul Brenner, Rovi