Diana Dors Movies

This is a story of a group of women overcoming several obstacles by helping each other out, even if that means just listening. Seven different women whose backgrounds are filled in by flashbacks and narration are together in a steambath on ladies' day. Violet (Diana Dors) is the maternal manager of the steambath, and one of the issues to be resolved is how to save the bath from being shut down by the authorities. Nancy (Vanessa Redgrave) is suddenly a single mother of three after being deserted by her husband. Her good friend Sarah (Sarah Miles) has neither children nor husband, even an ex-husband, yet she can empathize with Nancy's increasing loneliness. Josie (Patti Love) is an outgoing, talkative woman whose sex life is her main interest at the moment, and other women include a somewhat reserved mother-and-daughter duo (Brenda Bruce and Felicity Dean). Personal traumas are revealed and shared, and a plan to save the steambath is also cooked up. This was to be the last film for both Diana Dors and Joseph Losey who died not long after the feature was wrapped. ~ Eleanor Mannikka, All Movie Guide

The British "Adventures Of..." series can be described as a dirtier "Carry On" (if such a thing is possible). Christopher Neil plays the title character in 1987's Adventures of a Private Eye. Neil's life is plunged into peril when he agrees to deal with a blackmailer. To achieve his purposes, our hero is obliged to make love to every beautiful girl he meets; it's meant to be satirical, but the laughs often take second place to the heavy breathing. If nothing else, Adventures of a Private Eye treats us to a performance by the delectable 1960s leading lady Suzy Kendall. ~ Hal Erickson, All Movie Guide

A sexy comedy about the carnal exploits of a cab driver who gets mixed up with gang of jewel thieves. ~ All Movie Guide

Nurse Will Make it Better is a videotaped chiller starring Diana Dors and Andrea Marcovicci. Dors plays a nurse, while Marcovicci portrays a seriously ill patient. A devotee of The Occult, Dors promises to cure Marcovicci through use of black magic. She does, but the horrible consequences are not covered by Blue Cross. Nurse Will Make it Better was a 1975 installment in ABC's long running Wide World Mystery late-night anthology. ~ Hal Erickson, All Movie Guide

When she's hired to nurse the daughter of an American ambassador, a woman begins influencing the girl's actions, as well as those of her two sisters. ~ John Bush, All Movie Guide

The darkly comic and sometimes quite gory Theatre of Blood is a vehicle tailor-made for its star Vincent Price, brilliantly capitalizing on his reputation as a master of period horror drawn from "literary" sources. Price portrays Shakespearean actor Edward Lionheart, who becomes enraged after losing a prominent acting award and decides to seek revenge on the critics responsible. Fittingly, he using the works of the Bard as a guide, basing his killings on violent scenes from Shakespearean plays. Price takes full advantage of his meaty role, ominously reciting classic Elizabethan monologues while rigging particularly nasty torture devices. This hilarious turn is assisted by a colorful supporting cast, including Robert Morley, Richard Coote, and Michael Hordern as critics and Diana Rigg as Lionheart's devoted daughter and partner in crime. The end result is a wonderfully evil lark that, in its own way, proves surprisingly faithful to the often bloody spirit of Shakespeare; certainly the full implications of Shylock's demand for a "pound of flesh" have rarely been made quite as explicit. ~ Judd Blaise, All Movie Guide

The title character is a ghost, doomed to roam his mansion until an age-old mystery is solved. A widow Dorothy Alison and her two children are "hired" by the wraith-like Blunden to aid him in his sleuthing. Also joining in on the investigation are two ghostly kids, who'd been mistreated in life. ~ Hal Erickson, All Movie Guide

More widely seen in Britain as Nothing but the Night, this atmospheric chiller -- based on the novel Children of the Night by John Blackburn -- stars the ubiquitous Christopher Lee and Peter Cushing as a Scotland Yard inspector and a forensics expert sent to investigate a series of mysterious deaths among the elderly caretakers of a Scottish orphanage. Their probing uncovers a diabolical plot perpetrated by members of a Satanic cult, involving the use of an experimental serum which contains the genetic memories of its departed members. The caretakers have been injecting the serum into their young charges in order to use their bodies as healthy vessels for the Satanists' return, and the resulting possession transforms them into sadistic murderers. Although Christopher Lee acted as co-producer on both this film and the superb mystical classic The Wicker Man, it bears little resemblance to the latter, playing more like a Hammer-style variant on the American-made Brotherhood of Satan, released the previous year. Also known as The Resurrection Syndicate. ~ Cavett Binion, All Movie Guide

John Moulder-Brown plays a teen-aged London bathhouse attendant who forms a business alliance with female attendant Jane Asher. The object is to obtain better tips from their clients, but soon the impressionable Moulder-Brown falls in love with the older Asher. Brushed off by the girl in favor of a handsome swimming instructor, Moulder-Brown makes several halfhearted attempts at revenge. When the boy and girl finally do get together sexually, the event is motivated by lust and has tragic results. Deep End observes how adolescent obsession can mushroom into disaster if one doesn't have the emotional equipment to cope. ~ Hal Erickson, All Movie Guide

British agents drop like skeets in this convoluted espionage film. Jonas Wilde (Richard Johnson) is a successful British secret agent who wants to hang up his license to kill and retire. His superior, Canning (Harry Andrews), agrees to accept his resignation if he agrees to one last case -- killing a Czechoslovakian defector currently being held by the Americans. Wilde goes along with Canning's plan and, with the help of his housekeeper Rhoda (Diana Dors), completes the mission. But then Jonas is captured by CIA agent Lucinda (Sam Wanamaker), who reveals that an unknown agent in the British secret service is the force behind getting fellow British agents killed. When Jonas and Canning's wife, Barbara (Sylvia Syms), travel to Canning's headquarters, he is told that a British agent has been murdered. Jonas proceeds to take the dead agent's niece Mari (Barbara Bouchet) onto a boat for questioning and discovers false names, deceptions and increasing amounts of dead bodies. ~ Paul Brenner, All Movie Guide

One of the lower points of Joan Crawford's latter-day career curve (though nothing to compare with the later embarrassment of Trog!), this lurid, low-rent thriller nevertheless gives Crawford the opportunity to chew acres of scenery in a campy Marlene Dietrich-style get-up. She portrays the ringmaster of a cheesy traveling circus troupe whose stars are being whacked in a variety of flamboyant ways (many of which are depicted in the garish trailer, particularly Michael Gough's spike-in-the-head scene). Despite the exploitation potential in this lurid Grand Guignol scenario, this film is fairly light on scares or gore -- and far too heavy on circus stock footage. A sequel of sorts to producer Herman Cohen's Horrors of the Black Museum, this one is a slight improvement, thanks to Crawford's outrageous, over-the-top performance. ~ Cavett Binion, All Movie Guide

In this comedy, a homing pigeon wins the big race. Meanwhile the bird's owner continues on with his day. ~ Sandra Brennan, All Movie Guide