Peter Donat Movies

Director David Fincher followed the success of his dark and atmospheric crime thriller Seven (1995) with another exercise in stylish film noir, this time lifting the pallid atmosphere a notch to indulge in a fast-paced trip through the cinematic funhouse. Michael Douglas plays Nicholas Van Orton, a Scrooge-like San Francisco investment banker following in his father's Scrooge-like footsteps. On Nicholas's 48th birthday (the age at which his father committed suicide), his younger, free-spirited brother Conrad (Sean Penn) blows into town and gives Nicholas a special gift for "the man who has everything" -- a ticket to CRS (Consumer Recreation Services), a company that constructs games custom-fit for each participant to provide, as CRS salesman Jim Feingold (James Rebhorn) cryptically puts it, "whatever is lacking." Nicholas's secure life begins a downhill slide as CRS masterminds a series of elaborate pranks, harmless at first, that quickly become malicious and life-threatening. Stripped of financial resources and convinced that he can trust no one, Nicholas begins to wonder if CRS is a front for a more covert operation, and if the game is in fact an attempt to steal his fortune and leave him for dead. Determined to fight back alone, Nicholas infiltrates CRS in order to "pull back the curtain and meet the wizard." ~ Anthony Reed, All Movie Guide

The strong anti-China beliefs of actor and political activist Richard Gere were evident in this Hitchcockian thriller that sought to expose the civil and human rights abuses of that country's legal system. Gere stars as Jack Moore, counsel to a large media conglomerate seeking to open trade relations with China, thereby delivering American television shows by satellite to the largest untapped market in the world. After an evening out at a nightclub and fashion show, Jack goes home with a beautiful model (Jessey Meng), then wakes up the next morning to discover her dead body. To his horror, Jack is accused of murdering the girl, who is revealed to have been the daughter of a high-ranking general. Assigned a court-appointed lawyer, Shen Yuelin (Bai Ling), Jack discovers that the repressive Chinese court system does not grant bail, encourages quick guilty pleas and executions, and looks upon him with disfavor for his Western moral turpitude. Finally persuading Shen that he's innocent, Jack and his lawyer embark on an investigation impeded at every turn by Chinese authorities, eventually uncovering a plot to discredit Jack and his company's entry into China. ~ Karl Williams, All Movie Guide

When a formerly dedicated family man succumbs to the temptations of a lethal seductress, he discovers that black widows aren't exclusive to the arachnid family in this tense thriller starring television mainstay Susan Lucci. Hired to restore the home of attractive widow Victoria Landers (Lucci), loving husband and father Dan Hiller (David Charvet) soon falls prey to the manipulative Victoria's alluring and irresistible sensuality. By the time Dan attempts to put a halt to the torrid affair, he quickly realizes that any attempt to loosen Victoria's suffocating grasp only seems to drive her to more desperate -- and deadly -- measures. ~ Jason Buchanan, All Movie Guide

Cabot Cove has been chosen as the location for the pre-Broadway staging of a new play starring David North (Peter Donat), a prominent actor who is emerging from a 10-year retirement. No sooner have rehearsals started than a murder occurs, with North's business manager Eric Benderson (Bradford Dillman) as the victim. Needless to say, Jessica (Angela Lansbury) is determined to find out "who done it"--and this time, there are plenty of subtle pop-cultural clues at hand, thanks to the cunning of screenwriter J. Michael Straczynski (Babylon 5. ~ Hal Erickson, All Movie Guide

John Goodman is cast as the Sultan of Swat, whose excesses -- especially drinking -- and private demons can (in this context) be excused in view of his genuine love of baseball. The facts never get in the way of a good story for screenwriter John Fusco; we're even offered the umpteenth rehash of "Little Johnny", the largely fanciful tale of the invalid boy who promises to get well if Babe hits him a homer (as in Pride of the Yankees, the cured Johnny makes return a appearance as grownup). The most amusing fabrication is the casting of narrow James Cromwell as the Babe's orphanage mentor Brother Mathias, who in real life weighed 300 pounds. Many of the characters are composites, notably Bruce Boxleitner's Jumpin' Joe Dugan. At least Ruth's two wives--Trini Alvarado as Helen, who suffers Babe's many peccadilloes and dies under strange circumstances, and Kelly McGillis as Claire, who keeps Babe on a very short leash-are depicted with a modicum of accuracy. The baseball sequences are well handled (though there could have been less slo-mo) while Elmer Bernstein's charmingly old-fashioned musical score is right in tune with the film's approach to its subject. The Babe is rated PG; had this been the whole truth and nothing but, and R rating would probably have been in order. ~ Hal Erickson, All Movie Guide

Blake Edwards, mining the same territory as in his 10, Micki and Maude, The Man Who Loved Women, and That's Life, (not to mention Blind Date), once again deals with male mid-life menopausal angst. Zach (John Ritter) is a novelist suffering from writer's block, spiraling downward in a sea of women and booze. To illustrate the depths to which Zach's life has sunk, the film begins when his mistress catches him in bed with another woman. Then his wife walks in. As a result, his wife leaves him. Things keep getting worse --his agent is dying, his house burns down, and he gets picked up for drunk driving. But in spite of his despair, he can't help chasing women, engaging in a series of bedroom misadventures with a collection of women --including a female body builder; a woman who likes to set pianos on fire; and the girlfriend of a rock star who suggests that he wear one of her boyfriend's glow-in-the-dark condoms. Helping Zach regain control of his life is Barney the lawyer (Vincent Gardenia) and Dr. Westford (Michael Kidd), a helpful psychiatrist. ~ Paul Brenner, All Movie Guide

Jessica (Angela Lansbury) travels to Moscow to attend the International Artists and Writers Conference. No sooner has she arrived that someone steals her purse--and when the police catch up with the thief, they find a role of microfilm amongst Jessica's belongings. Immediately, the KGB accuses our heroine of being a spy--which doesn't anger her quite as much as the subsequent murder accusation leveled at an old friend. ~ Hal Erickson, All Movie Guide

Jeff Grant (River Phoenix) is a San Diego teen who discovers his father Richard (Richard Jenkins) and mother Elizabeth Grant) are KGB agents. When he applies to the Air Force Academy, a routine FBI check leads to the shocking news. Soon the suburb of Fountain Grove becomes the focus of international agents and espionage. FBI agent Roy Parmenter (Sidney Poitier) helps Jeff absorb the shock and he battles KGB agent Konstantin Karpov (Richard Bradford) in a race to capture the Soviet agents. The excellent performances from Poitier and Phoenix are the highlight of this feature. ~ Dan Pavlides, All Movie Guide

In this drama, an American actress must decide whether or not to return to the Hungarian lover who abandoned her 15 years ago. ~ Sandra Brennan, All Movie Guide

Starting out as a story of the immediate perils of three couples intent on finding refuge in the countryside after nuclear war has broken out in the Gulf of Oman, the action and pace of this apparent thriller quickly succumb to roughly-drawn caricatures and the rest of the film takes a tumble. As the couples leave for their house far from the city, they worry about their children who have been delayed because of van trouble -- but their worries are nothing compared to the difficulties in store from the mean survivalist leader (Peter Donat). ~ Eleanor Mannikka, All Movie Guide

A very inexperienced rock band flirts with fame thanks to a valuable assist from the media in this comedy-drama directed by veteran music producer Lou Adler. Corinne Burns (Diane Lane) is a fifteen-year-old orphan who gains a measure of local notoriety when she quits her job at a burger stand during a live television newscast. Corinne has few prospects but plenty of nerve, and she's formed a band with her sister Tracy (Marin Kanter) and cousin Jessica (Laura Dern) called the Stains. While checking out a gig by veteran hard rock band the Metal Corpses, led by flamboyant singer Lou Corpse (Fee Waybill), opened by British punk upstarts the Looters, Corrine sneaks backstage to ask advice just as Lou demands tour manager Lawnboy (Barry Ford) find a new opening act. Lawnboy impulsively gives the Stains the gig, and while the first show for the girls (who've had all of three practices) is little short of a disaster, Corrine's skunk-stripe hairdo, provocative clothes and defiant declaration "We don't put out" captures the attention of a television reporter who covered her before. A story on the evening news about the Stains turns the band into a cult sensation, and Looters lead singer Billy (Ray Winstone) tries to offer her some advice and emotional support as the Stains rise from opening act to headliners, but Corinne and her friends learn that their new fans are a very fickle breed. Shot in 1980 but released to only a handful of theaters in 1982, Ladies and Gentlemen, The Fabulous Stains gained a potent cult following after it appeared on cable television, largely among punk rock fans -- the Looters featured Steve Jones and Paul Cook of the Sex Pistols on guitar and drums as well as Paul Simonon from the Clash on bass, while L.A. punk troublemakers Black Randy and the Metrosquad briefly appear as themselves. ~ Mark Deming, All Movie Guide

In this touching drama, an heiress with dyslexia is assisted by a self-taught taxi driver. ~ Sandra Brennan, All Movie Guide