Kelly MacDonald Movies

A jilted bride enters into an unusual arrangement with a Hollywood actress and gets a second chance at true love in this romance starring David Tennant and Kelly MacDonald. Abandoned at the altar on the biggest day of her life, Katie (MacDonald) retreats back to her home on a small Scottish island and prepares to live the rest of her life alone. Shortly thereafter, however, Hollywood icon Lara Tyler (Alice Eve) decides that the very same island would be the ideal setting for her upcoming marriage to her handsome fiancée James (Tennant). But try as Lara might to keep the location of her nuptials a secret, the paparazzi soon descend on the island cameras in hand, eager to get the scoop. In a clever bid to trick the opportunistic shutterbugs, Lara recruits Katie to pose as the bride and walk down the aisle. As the big day draws near, however, everyone involved discovers just how complicated true love can be. ~ Jason Buchanan, Rovi

The final adventure in the Harry Potter film series follows Harry (Daniel Radcliffe), Ron (Rupert Grint), and Hermione (Emma Watson) as they prepare for a final battle with Lord Voldemort (Ralph Fiennes), who is determined to destroy Harry once and for all. In order to defeat the powerful wizard, they must find and destroy Voldemort's last and most elusive Horcrux -- that is, the enchanted piece of soul allowing him to remain immortal -- before his nefarious plans come to fruition. David Yates directs. ~ Tracie Cooper, Rovi

Political boss Enoch "Nucky" Thompson (Steve Buscemi) runs Atlantic City at the dawn of Prohibition in this drama inspired by Nelson Johnson's non-fiction book Boardwalk Empire: The Birth, High Times, and Corruption of Atlantic City. ~ Joe Friedrich, Rovi

A detective tracking a serial killer who preys on young women finds his investigation complicated by a glamorous Hollywood starlet and a ruthless crime kingpin in director Bertrand Tavernier's adaptation of the James Lee Burke novel In the Electric Mist with Confederate Dead. Jerzy Kromolowski, Mary Olson-Kromolowski, and Tommy Lee Jones collaborate on the screenplay for the film, which stars Jones, John Goodman, Peter Sarsgaard, Ned Beatty, and Tom Sizemore. ~ Jason Buchanan, Rovi

Victor Mancini (Sam Rockwell) has got some problems -- when he's not at Sex Addicts Anonymous meetings hunting for women to bed, he masquerades as a choking victim in restaurants as a scheme to gather money from unsuspecting strangers, which he uses to keep his ailing mother (Anjelica Huston) in a high-end extended-care facility for her extreme dementia. But what happens when this messed up Colonial-era theme-park employee finds Mrs. Right in the guise of his mother's doctor -- and how can he give their relationship a try when she tells him he's the next coming of Jesus Christ? Based on Chuck Palahniuk's (Fight Club) pitch-black comedic novel, Choke is adapted and directed by David Mamet alumni Clark Gregg, whose career spans stage, screen, and TV work as well as a screenplay credit for Robert Zemeckis' 2000 thriller What Lies Beneath. ~ Jeremy Wheeler, Rovi

Omnibus films attained renewed popularity during the 1990s and 2000s; this particular seven-episode film-a-sketch arrived during that period, and involved several top-tiered international filmmakers including John Woo, Spike Lee, Ridley Scott, Emir Kusturica and three others. Each helmer was asked to shoot a segment of between 16-18 minutes in length, for UNICEF, on the subject of exploited and/or underprivileged children around the world. The package opens with "Tanza," helmed by Algerian novelist-cum-filmmaker Mehdi Charef and shot in Burkina Faso. It concerns the 12-year-old female title character - an adolescent freedom fighter - who trollops through the countryside accompanied by young male guerilla fighters who spout off deliberately nonsensical English-language dialogue. Kusturica takes the reins for the second segment, "Blue Gypsy," an overtly comical episode in the vein of Time of the Gypsies about a precocious young boy who makes the split from his alcoholic father and thieving family and goes to live in a juvenile detention center, finding it preferable to home. The third episode, helmed by co-producer Stefano Veneruso and entitled "Ciro," recalls neorealismo with its Naples-set tale of a young boy unloved and systematically neglected by his mother, who resorts to spending time with other neglected children and stealing watches, and then gets caught in the direst of ways. The fourth segment, Spike Lee's delicately-handled "Jesus Children of America," stars Hannah Hodson as Blanca, a young Brooklynite ostracized by her peers because her parents are junkies; when she learns of her HIV-positive status, her world crumbles. For the 5th episode, "Bilu and Joao," Brazilian director Katia Lund casts child actors Francisco Anawake de Freitas and Vera Fernandes as two impoverished tykes whose days involve walking around the outskirts of Sao Paulo and pulling a wooden cart, into which they pile aluminum and paper - but do so joyously, with the courage and grace of two individuals delighting in subhuman work despite the direst of circumstances. For the sixth segment, "Jonathan," Ridley Scott teams up to co-direct with daughter Jordan Scott; the episode stars David Thewlis (Naked) as an emotionally-traumatized war photographer who encounters a band of Eastern European orphans. And the closer, John Woo's "Song Song and Little Cat," studies the contrast between the lives of two young Asian girls from polar opposite ends of the socioeconomic spectrum: Oi Ruyi is Little Cat, an abjectly impoverished child discovered in the garbage, during infancy, by a homeless man; she grows up helping her discoverer forage for victuals until he dies, leaving her aimless and bereft. Woo cuts between her story and that of Song Song, a wealthy and pampered little girl whose story is equally tragic in its own way, as her parents are undergoing a bitter divorce. Though this film, as indicated, enlisted the support of at least two major Hollywood directors (Scott and Lee) it did encounter extreme difficulty securing U.S. theatrical and ancillary distribution, which effectively kept it out of North America in the years that immediately followed its global release. ~ Nathan Southern, Rovi

Everyone's favorite collie returns to the screen -- and to her native home back in Britain -- in director Charles Sturridge's faithful adaptation of author Eric Knight's sentimental kid and canine novel Lassie Come Home. When Lassie saves a fox from the hunting hounds of the duke of Rudling (Peter O'Toole), the captivated nobleman becomes obsessed with the idea of purchasing the collie for his adoring granddaughter Cilla (Hester Odgers). Unfortunately for Rudling, the pooch already has a loving family in the form of kindly miner Sam Carraclough (John Lynch), his wife, Sarah (Samantha Morton), and their young son, Joe (Jonathan Mason). When Sam is laid off from his job, however, he is forced to sell the loyal dog to the duke in order to put food on the family table. Incensed at the dog's repeated attempts to escape and seek out her original loving family, the villainous duke charges kennel-keeper Eddie Hynes (Steve Pemberton) with the task of teaching Lassie how to stay as World War II looms ever more heavy on the horizon. When the dogs of war finally stop barking and start biting, Rudling beats a hasty retreat to the safety of northern Scotland with both the child and the canine. Realizing that her newfound companion is far from the people she cares about most, Cilla later helps her ever-loyal four-legged friend escape from the family's heavily fortified compound so that she may begin the 500-mile journey back home to Yorkshire. ~ Jason Buchanan, Rovi

Douglas Adams' oft-adapted tale of an normal guy making his way through the universe (it's already been presented as a novel, a radio serial, a television series, and a comic book) finally makes its way to the big screen in this endearingly goofy sci-fi comedy. Arthur Dent (Martin Freeman) is a very ordinary man who is having a truly unusual day -- after discovering that one of his best friends, Ford Prefect (Mos Def), is actually an alien, Ford tells him that the planet Earth is going to be destroyed so that otherworldly forces can make room for construction of a hyperspace bypass. Since Arthur accidentally saved Ford's life years ago, Ford does him a favor -- he first gets him a ride on a spaceship passing by, and then presents him with a guidebook that will tell a beginner everything he needs to know as he hitchhikes through outer space. Along the way, Arthur encounters such interstellar notables as sleazy Galaxy president Zaphod Beebelbrox (Sam Rockwell), the girl of his dreams Tricia McMillan (Zooey Deschanel), perpetually glum robot Marvin (voice of Alan Rickman), interplanetary construction magnate Slartibartfast (Bill Nighy), and cult leader Humma Kavula (John Malkovich). The Hitchhiker's Guide to the Galaxy was the first feature film for Garth Jennings, previously best known for his work in television commercials and music videos; he was recommended to the producers by director Spike Jonze after Jonze had to turn down an offer to head up the project. ~ Mark Deming, Rovi

Following up his critically acclaimed Monster's Ball, director Marc Forster took on this biography of playwright James Matthew Barrie, the scribe who penned the children's classic Peter Pan. Johnny Depp stars as the turn-of-the-century writer as the film follows Barrie as he struggles to write and have his play produced while he cares for his down-on-their-luck neighbors who inspired the story in the first place. J.M. Barrie's Neverland also stars Dustin Hoffman, Kate Winslet, and Julie Christie. ~ Matthew Tobey, Rovi

Susan Vreeland's novel The Girl in Hyacinthn Blue was the source for this made-for-TV drama. Utilizing a complex flashback-within-flashback structure, the film chronicles the 300-year history of a lost painting said to have been created by Dutch artist Johannes Vermeer. The story is framed by the present day narrative of an eccentric history teacher (Glenn Close) who has the inside track on the number of lives profoundly altered, for both good and ill, by the elusive painting. The teacher's tale interconnects individual stories of tragedy, romance, success, failure and even the Holocaust. Even the narrator herself has a personal and emotional stake in the supposed Vermeer. Advertised as the most expensive and ambitious project ever undertaken during the 52-year history of television's Hallmark Hall of Fame anthology series, Brush With Fate debuted February 2, 2003, on CBS. ~ Hal Erickson, Rovi

Maverick American filmmaker Robert Altman takes a witty and absorbing look at the foibles of the British class system in this intelligent murder mystery set in the early '30s. Sir William McCordle (Michael Gambon) and his wife Lady Sylvia (Kristin Scott Thomas) are a pair of wealthy British socialites who have invited a variety of friends, relatives, and acquaintances to their mansion in the country for a weekend of hunting and relaxation. Among the honored guests are Constance (Maggie Smith), Lady Sylvia's matronly aunt; Ivor Novello (Jeremy Northam), William's cousin who is also a well-known actor and songwriter; and Morris Weissman (Bob Balaban), an American film producer who is friendly with Ivor and researching an upcoming project. Observing the proceedings are the domestic staff of the mansion, including imperious butler Jennings (Alan Bates); footmen George (Richard E. Grant) and Arthur (Jeremy Swift); Probert (Derek Jacobi), a valet to Sir William; housekeeper Mrs. Wilson (Helen Mirren); Mrs. Croft (Eileen Atkins), who oversees the kitchen; and Elsie (Emily Watson), a maid. Also on hand are the guests' personal servants, including Mary (Kelly Macdonald), Constance's maid; Henry (Ryan Phillippe), Weissman's valet; and Parks (Clive Owens), a butler. While the servants are required to display a high level of decorum, they are expected to be passive observers who do not comment on what they see, though the gossip among them travels thick and fast once they retire to the servants' quarters downstairs. And it turns out that there's plenty worth gossiping about, especially after Sir William turns up dead, and everyone is ordered to stay at the mansion while the police investigate the killing. Gosford Park also features Charles Dance, Tom Hollander, Natasha Wightman, and Ron Webster; the screenplay was written by Julian Fellowes, based on a story by Altman and co-star Bob Balaban. ~ Mark Deming, Rovi

A nobody walks a dangerous path in a bid to become a big-shot in this gritty drama from the United Kingdom. Tony Cocozza (Ian Hart) is a small-time Scottish vocalist with a gimmick -- he loves the music of Frank Sinatra, and his repertoire consists almost entirely of songs associated with Ol' Blue Eyes. While Tony has a good voice and can bring off Sinatra's material quite well, he's a clueless nebbish offstage and hasn't been able to advance his career beyond the bottom rungs of the Scottish nightclub circuit. One night, while Tony waits out an intermission in his dressing room, an imposing-looking man named Chisolm (Brian Cox) arrives with a request -- his boss (Iain Cuthbertson) would prefer to hear some songs by Elvis Presley. Chisolm's boss turns out to be a powerful and dangerous crime kingpin, so Tony swallows his pride and sings like The King for a few minutes; the mobster is pleased, and Tony soon finds himself playing a better grade of nightclubs and spending his spare time with some of Glasgow's most notorious crime figures. Bill (Alun Armstrong), Tony's pianist and closest companion, warns Tony that he's getting in over his head with his new and dangerous friends, but imagining success is finally around the corner -- and emboldened by his new relationship with Irene (Kelly MacDonald), a pretty but cynical cigarette girl he met at a gig -- Tony refuses to listen to him. Strictly Sinatra also stars Tommy Flanagan and Richard E. Grant. ~ Mark Deming, Rovi