Otto Diamant Movies

1975  
R  
This audacious, vulgar, freewheeling fantasia on the life of pianist Franz Liszt ranks among director Ken Russell's most outrageous efforts. Roger Daltrey, lead singer for The Who, is awkward yet likeable as the flamboyant piano performer with a bevy of fetching mistresses and groupies, while Paul Nicholas is completely outlandish as the scheming opera composer Richard Wagner. There's no nod to reality here: Liszt and Wagner were in fact friends, and Liszt, who became Wagner's father-in-law, actually assisted in the production of Wagner's opulent productions. Russell, on the other hand, presents Wagner as Liszt's jealous rival ready to wreak havoc on the world by unleashing a cryogenic Viking (Yes keyboardist Rick Wakeman) and a horde of machine-gun wielding robot Nazis. In a finale out of Flash Gordon serials, Liszt saves the day after surviving a guillotine designed for phallic dismemberment. The film is fast and loud and wildly undisciplined, much like one of Liszt's Hungarian Rhapsodies. Look fast and you'll see Ringo Starr as the pope. ~ Les Stone, Rovi

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Starring:
Roger DaltreySara Kestelman, (more)
 
1974  
PG  
Director Ken Russell made a number of biographical films of composers' lives including The Music Lovers, (about Tchaikovsky) and Lisztomania. Russell embellished the other films with certain characteristic flourishes, which include a focus on the composers' sexual obsessions, poetically telling anachronisms, and scenes which show Richard Wagner in a bad light. The story of Mahler is recounted in a much less complex and flamboyant manner and is a relatively reverent study of the life and work of Austrian composer Gustav Mahler, here played by Robert Powell. The film tackles the touchy dilemma of Mahler's Jewishness in the anti-Semitic atmosphere of 19th-century Vienna. He converts to Christianity, which has no effect on his brilliant musical output but which eats away at his physical and mental well-being. Gustav Mahler (1860-1911) was a conductor and composer of the late Romantic era and specialized in huge symphonic works. Though his works were performed widely during his lifetime, they were less and less-often played until Leonard Bernstein's active campaign on their behalf brought him renewed recognition as a composer of the first rank, every bit the peer of Brahms or Stravinsky. ~ Clarke Fountain, Rovi

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Starring:
Robert PowellGeorgina Hale, (more)
 
1972  
R  
Based on the book of the same name by H.S. Ede, eccentric director Ken Russell created this biographical drama of a great early 20th century artist who died tragically young. Henri Gaudier (Scott Anthony) is only 18 years old, a self-taught Parisian sculptor of enormous talent but prone to rash, exuberant behavior. Henri meets and begins a platonic but emotionally intense relationship with Sophie Brzeksa (Dorothy Tutin), a cultured Polish woman 20 years his senior. The relationship between Henri and Sophie remains inspired and impassioned, if not sexual, and her air of intelligent refinement positively impacts his life and work. Eventually, the couple moves to London, where Henri takes his partner's last name, and his star rises in the art world as the chief proponent of Vorticism, an offshoot of Cubism and Futurism. In real life, Henri Gaudier-Brzeska was a signer of the Vorticist Manifesto and a founder of The London School along with his patron, Ezra Pound, but his genius was not recognized until after his death. Gaudier-Brzeska was killed at the age of only 24 in WWI, a French Army hero who had been twice promoted for bravery. ~ Karl Williams, Rovi

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Starring:
Dorothy TutinScott Antony, (more)
 
1971  
G  
Add Fiddler on the Roof to QueueAdd Fiddler on the Roof to top of Queue 
Norman Jewison's adaptation of the long-running Broadway musical is set in the Ukranian ghetto village of Anatevka (the film was actually lensed in Yugoslavia). Israeli actor Topol repeats his London stage role as Tevye the milkman, whose equilibrium is constantly being challenged by his poverty, the prejudicial attitudes of non-Jews, and the romantic entanglements of his five daughters. Whenever the weight of the world becomes too much for him, Tevye carries on lengthy conversations with God, who does not answer but is at least more willing to listen than the milkman's remonstrative wife Golde. After arranging a marriage between his oldest daughter Tzeitel and wealthy butcher Lazar Wolf, Tevye is forced to do some quick rearranging when the girl falls in love with poor tailor Motel Kamzoil. Fancying himself more broad-minded than his gentile oppressors, Tevye cannot accept the notion that his other daughter Chava would want to marry Fyedka, a non-Jew. And after shouting the praises of "tradition," Tevye must change his tune-and his entire life-when he and his neighbors are forced out of Anatevka by the Czar's minions. Topol's co-stars include Norma Crane as Golde, Yiddish theater legend Molly Picon as Yente the matchmaker, and Leonard Frey as Motel. ~ Hal Erickson, Rovi

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Starring:
TopolNorma Crane, (more)
 
1971  
 
Tom Bell plays a disgruntled young Brit who becomes bored by his job and his marriage. Bell impulsively launches an affair with 15-year-old actress Olivia Hussey. But fear not: this isn't going to be "The Joey Buttafuco Story". Rather, both Bell and Hussey are brought to their senses when she thinks she's pregnant. Judy Carne, at the tail end of her Laugh-In-generated fame, is adequate as Bell's loving wife. Director Gerry O'Hara based the screenplay for All the Right Noises on his own novel. ~ Hal Erickson, Rovi

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Starring:
Tom BellOlivia Hussey, (more)
 
1970  
 
Dom (John Thaw) is the 30-year-old pseudo revolutionary whose main goals are to sleep with women and spout Marxist and Leninist slogans. He is kidnapped by party members and, in a warehouse, is subjected to a trial by his peers. They believe he is only paying lip service to the movement and is not a true revolutionary. The trial is interrupted when word of an impending police raid reaches the gathering. Stock footage of the 1968 Paris riots is used judiciously to enhance the spirit of revolutionary fervor ~ Dan Pavlides, Rovi

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Starring:
John ThawEdina Ronay, (more)
 
1967  
 
Add The Fearless Vampire Killers, or Pardon Me but Your Teeth Are in My Neck to QueueAdd The Fearless Vampire Killers, or Pardon Me but Your Teeth Are in My Neck to top of Queue 
A pair of bumbling vampire-hunters attempts to destroy an undead nobleman and his cronies and rescue a buxom maiden in actor/director Roman Polanski's playful update of the venerable vampire genre. Bat expert and vampire obsessive Professor Abronsius (Jack MacGowran) barely survives his journey through the Alps into snowy Slovenia to continue his oft-maligned research into the undead. Thawed out by his hapless assistant, Alfred (Polanski), and the frisky local innkeeper, Shagal (Alfie Bass), Abronsius quickly notices the overabundance of raw garlic as a decorating motif in the inn and its environs. Too ineffectual to save Shagal from having his blood sucked, the professor and Alfred miss the boat again when the mysterious Count Von Krolock (Ferdinand Mayne) kidnaps Shagal's built, beautiful daughter, Sarah (Sharon Tate). The itinerant vampire hunters must travel through the icy wilderness to Von Krolock's abode and evade his manservant and his effete son Herbert (Iain Quarrier) before Sarah joins the ranks of the ghouls. They soon learn, however, that the luxury-starved lass actually enjoys her captors' lavish attentions. The action climaxes during a costume ball attended by a phalanx of blood-suckers, although the laughs and surprises continue until the very end. Sixteen minutes of unauthorized cuts have been restored in some video editions of The Fearless Vampire Hunters, although the animated credits sequence that replaced them is also retained. The film marks the feature debut of Tate, who replaced Polanski's original choice, Jill St. John, on the advice of producer Martin Ransohoff. ~ Brian J. Dillard, Rovi

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Starring:
Roman PolanskiJack MacGowran, (more)
 
1958  
 
Count Five and Die is a neat British-made programmer set just before the D-Day invasion. Nigel Patrick plays a British major who heads a group of special agents, dedicated to misleading the Nazis into thinking the invasion will take place in Holland. The Allied spies, which include American Jeffrey Hunter and Frenchwoman Annemarie Duringer operate under cover as the owners of a documentary filmmaking firm. The plan is nearly destroyed when one of the spies turns out to be a Nazi agent. The title Count Five and Die refers to the length of time its takes for the traditional cyanide capsules (always doled out to secret agents in films of this nature) to take effect. ~ Hal Erickson, Rovi

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Starring:
Jeffrey HunterNigel Patrick, (more)