Simon Moseley Movies

Director Kenneth Branagh tackles the works of William Shakespeare for the fifth time in his career as a filmmaker with this adaptation of one of The Bard's most accessible works. Rosalind is the daughter of a banished duke, and lives among a community of Westerners living in 19th century Japan. When her father, the duke, is suddenly banished, the frightened girl is forced to flee for the Forest of Arden lest she risk being executed by her malevolent uncle. Joining Rosalind on her flight to the forest is her sympathetic cousin Celia, who helps to pass her incognito kin off as a man in order to avoid detection. Later, Rosalind's clever ruse begins to serve a dual purpose when she determines to use the disguise to gauge the devotion of Orlando, yet another exile, while making her way to the Forest of Arden. ~ Jason Buchanan, All Movie Guide

When the tiny burgh of Keighley lands the rights to host the annual British hairdressing championships, practically every city in the United Kingdom is represented in the competition -- except Keighley itself. It seems the event is team-oriented, and the only suitable local contestants had a huge falling out a decade ago. For Brian (Josh Hartnett), the son of two hairdressers, that falling out had personal consequences: His mother Shelley (Natasha Richardson) left his father Phil (Alan Rickman) to take up with Phil's hair model Sandra (Rachel Griffiths). Since then, former styling champ Phil has settled for training Brian to help run his lowly barber shop, while Shelley and Sandra have opened a salon of their own. But when Shelley learns that she has terminal cancer, she reaches out to her family in hopes that a reunion for the hairdressing contest might help them all find some sense of closure. To complicate matters, Phil's old arch-nemesis, Ray (Bill Nighy), is now a two-time champ looking for a three-peat, and he's brought along his beautiful American daughter Christina (Rachael Leigh Cook) to work on his team. Blow Dry also marks the screen debut of supermodel Heidi Klum. ~ Brian J. Dillard, All Movie Guide

In this British-French comedy of manners, Parker Posey stars as Margaret, an award-winning writer of bawdy novels who's grown vaguely dissatisfied with her life in Manhattan -- and her marriage to Edward (Jeremy Northam), a junior poetry professor. Engrossed in the sexually charged 18th century French diary she's adapting for her next book, Margaret heads on a research trip to France only to discover that the chateau at which the diary was written has been turned into a nunnery full of singing sisters. Nevertheless allowing her fertile imagination to get away from her, Margaret experiences the events of the diary as a series of naughty daydreams, simultaneously becoming besotted with Martin (Patrick Bruel), the French music producer who's currently cutting an album with the nuns. When Margaret returns to New York, Martin follows, setting the stage for all sorts of romantic entanglements in Margaret's lofty social circle, which includes Till (Elizabeth McGovern), her playwright sister, and Lily, a bisexual socialite. The feature debut of documentarian Brian Skeet, Misadventures received only a belated video release in America, excised of much of its overt sexuality, including a full-frontal shot of an entire soccer team. What remained, however, was still quite sexy and grown-up. London pop combo Saint Etienne's music didn't fare as well. Although the group's 20-song soundtrack eventually came out in Japan under the title The Misadventures of Saint Etienne, only a few tracks made it into the actual film; in fact, a different subset was included in the American and continental releases. ~ Brian J. Dillard, All Movie Guide

Still Crazy is a film that looks back at the "rock band" era of the 1970s. Brian Gibson, who has directed musical biographies on Josephine Baker and Tina Turner, sets his narrative on a rock group, Strange Fruit, who are attempting a comeback twenty years after a bolt of lightening literally ended their career in the late 1970's. When keyboard player Tony (Stephan Rea) runs into the son of their old festival promoter, he gets the idea he could perhaps bring the aging musicians together for a revival. He goes off to search for Karen (Juliet Aubre), the band's Girl Friday and often the butt of their various ego trips. Karen, who now lives alone with her daughter, thinks it's a great idea and they set off to locate the other members. Beano (Timothy Spall), the drummer, has barricaded himself away in a trailer in his mother's garden for fear of being caught by the taxman. Ray (Bill Nighy), the lead singer, lives in a luxurious country house (beyond his means) with his second wife; he's still in the music business and has released a solo record. Les (Jimmy Nail), a great bass guitarist, is happily married, and his only regret is that his music never found the following he would have liked. As for ex-roadie Hughie (Billy Connolly), the Fruits were always his boys, and he's ready to give up his stall at Camden market and follow the dream. He would also love to see guitarist Brian again, but Brian is nowhere to be found. Karen decides to hire a much younger musician, Luke, to replace him. The re-formed band go to Holland to play a few clubs on a warm-up tour. However, the youngest member of the band is stealing the show, particularly with the members of the opposite sex. Despite efforts to stay calm and professional, the band is falling into the old routine of bickering day by day as they get close to the big reunion concert. Still Crazy was screened as part of the Panorama during the 49th International Berlin Film Festival, 1999. ~ Gönül Dönmez-Colin, All Movie Guide

At least the 22nd time William Shakespeare's most famous tragedy has been brought to the screen, Kenneth Branagh's film adaptation of Hamlet was the first to preserve Shakespeare's entire text, uncut and unabridged. Moving the action into the 19th century, Branagh cast himself in the title role and, as in his adaptation of Much Ado About Nothing, assembled an eclectic group of actors that mixed veteran Shakespearean performers (including John Mills, Judi Dench, John Gielgud, and Derek Jacobi) with Hollywood stars not known for interpreting the Bard's work (among them Robin Williams, Charlton Heston, Billy Crystal, and Jack Lemmon). However, unlike most interpretations, it's the women who really carry the show, with the two best performances delivered by Kate Winslet as Ophelia and Julie Christie as Gertrude. As usual, Hamlet finds himself torn over what to do after the death of his father and his mother's hasty remarriage. Branagh's version of Hamlet was also notable on a technical level, as it was filmed in the 70-mm format for increased visual clarity and detail. ~ Mark Deming, All Movie Guide

Actor Oliver Parker made his directorial debut with this adaptation of the tragic play by William Shakespeare that abridges the original text by half and ups the quotient of sex and violence. Laurence Fishburne stars as the Moorish general Othello, who returns a hero after crushing an invasion attempt by the Turkish army near Cyprus. Pledged to marry the lovely Desdemona (Irene Jacob), Othello ignores the advice of his intended's father, who tells him that she may have a deceptive nature. Othello's aide Iago (Kenneth Branagh), jealous over the elevation of his rival, Cassio (Nathaniel Parker, the director's real-life brother) to lieutenant, begins scheming to make Othello believe that Desdemona and Cassio are carrying on an affair. On the slimmest of evidence, Iago manages to manipulate Othello's suspicious, distrustful nature. Played previously in black face on film by actors Orson Welles and Laurence Olivier, Parker's production of Othello (1995) was the first major cinematic production to cast an African-American in the title role. ~ Karl Williams, All Movie Guide

Though not as successful as Trainspotting (1996) or Lock, Stock and Two Smoking Barrels (1998), this high-energy, kinetic crime thriller belongs in the same British New Wave category as those later films. In a decaying British city of the near future, Billy (Jude Law) is an ex-con adrenaline junkie dating a Belfast native, the thrill-seeking Jo (Sadie Frost). Billy and Jo are the leaders of a teen gang of "ram-raiders," car thieves who jack an automobile, ram the vehicle through the front of a store, and steal whatever booty they can carry before the authorities arrive. A typical ram raid ends up in a high-speed pursuit by the police, which is all a part of the game for Billy, Jo, and their followers. However, a local drug lord, Tommy (Sean Pertwee) doesn't like the teen crooks infringing on his business. His opposition to their scheming leads to a deadly car race that plays out like a game of post-modern "chicken." Following the release of Shopping (1994), writer-director Paul Anderson went in a different direction than contemporaries Guy Ritchie and Danny Boyle, opting to create slick Hollywood science fiction films such as Mortal Kombat (1995), Event Horizon (1996), and Soldier (1998). ~ Karl Williams, All Movie Guide