Juliet Aubrey Movies

Based on a pair of memoirs by her husband John Bayley, this biographical portrait of writer Iris Murdoch stars both Judi Dench and Kate Winslet as the philosophical author at different stages of her life. When the young Iris (Winslet) meets fellow student Bayley (Hugh Bonneville) at Oxford, he's a naïve virgin easily flummoxed by her libertine spirit, arch personality, and obvious artistic talent. Decades later, little has changed as the couple (now played by Dench and Jim Broadbent) keeps house, with John doting on his more famous wife. When Iris begins experiencing forgetfulness and dementia, however, the ever-doltish but devoted John struggles with hopelessness and frustration to become her caretaker, as his wife's mind deteriorates from the ravages of Alzheimer's disease. Iris earned a slew of Supporting Actor awards for Broadbent, including recognition from the Hollywood Foreign Press Association, Los Angeles Film Critics Association, and National Board of Review. ~ Karl Williams, Rovi

Italian director Roberto Faenza creates this complex psychological drama about love and tragedy in the cultural minefield of the Middle East. Thirteen years ago, Asya (Juliet Aubrey) and Adam (Ciaran Hinds) witnessed the violent death of their three-year old son in London. Though the couple eventually moved to Tel Aviv, Asya never fully recovered from the misfortune, growing emotionally distanced from her husband and teenaged daughter Dafi (Clara Bryant). When young Frenchman Gabriel (Stuart Bunce) appears, however, Asya comes to believe that the youth is her dead child. Though Adam is simply happy that his wife is laughing again, the bond between Gabriel and Asya soon starts to navigate that disquieting gray area between parental love and carnal passion. Then, just as suddenly as he appears, he mysteriously disappears in his grandmother's old Morris, driving the utterly distraught Asya to search the ends of Israel for him. Meanwhile, Dafi falls for gentle Palestinian mechanic Na'im (Erick Vazquez), though their young love is tested by cultural misunderstandings and prejudice. ~ Jonathan Crow, Rovi

The third feature film of Giacomo Campiotti, previously the assistant director to Mario Monicelli, Il Tempo Dell'Amore (A Time to Love) is an omnibus film of three different love stories that take place in three different eras and locations. The common element is the theme: love causes a lot of pain. In the first episode, we are in South Africa at the turn of the century during the Boer war. Martha (Juliet Aubrey), a forty-year-old English woman, is on her way to visit her brother Thomas (Tam Williams), who is in the army, when the train is attacked by Boers. Peter (Ciaran Hinds), an English soldier, saves her life. This unexpected encounter leads to an impossible love, as Peter happens to be one of Thomas' footsoldiers. In the second story, Paris is under German occupation during the Second World War. Claire (Natacha Regnier), a young French musician, meets Gabriel (Ignazio Oliva), a Russian musician, during a concert performance. Their passionate love affair has limits because of the linguistic barriers, and what begins well ends in tragedy. In the last episode, we are in present-day Italy. Teenager Guiseppe is in a coma following an accident. His classmates take turns by his bedside, but when summer arrives, they all go away. Naty (Natalia Piatti), who is much younger than Guiseppe and somewhat of a tomboy, stays behind and visits him regularly, developing an attachment to the boy even though she knows that, when he recovers, he would not look at her. Il Tempo Dell'Amore tries to create a magical atmosphere in dealing with affairs of the heart, using dreams and nightmares to interpret moods. The first episode is the least successful in terms of building the relationship to its climax. The last episode is the best one, particularly because of excellent acting by Natalia Pitti, who is a natural. Campiotti co-wrote the script with his partner in his previous film, Like Two Crocodiles, the Russian playwright Alexander Adabachian, who has also worked as a screenwriter for Nikita Mikhalkov. Il Tempo Dell'Amore was in competition at the 1999 Locarno International Film Festival. ~ Gönül Dönmez-Colin, Rovi

Still Crazy is a film that looks back at the "rock band" era of the 1970s. Brian Gibson, who has directed musical biographies on Josephine Baker and Tina Turner, sets his narrative on a rock group, Strange Fruit, who are attempting a comeback twenty years after a bolt of lightening literally ended their career in the late 1970's. When keyboard player Tony (Stephan Rea) runs into the son of their old festival promoter, he gets the idea he could perhaps bring the aging musicians together for a revival. He goes off to search for Karen (Juliet Aubre), the band's Girl Friday and often the butt of their various ego trips. Karen, who now lives alone with her daughter, thinks it's a great idea and they set off to locate the other members. Beano (Timothy Spall), the drummer, has barricaded himself away in a trailer in his mother's garden for fear of being caught by the taxman. Ray (Bill Nighy), the lead singer, lives in a luxurious country house (beyond his means) with his second wife; he's still in the music business and has released a solo record. Les (Jimmy Nail), a great bass guitarist, is happily married, and his only regret is that his music never found the following he would have liked. As for ex-roadie Hughie (Billy Connolly), the Fruits were always his boys, and he's ready to give up his stall at Camden market and follow the dream. He would also love to see guitarist Brian again, but Brian is nowhere to be found. Karen decides to hire a much younger musician, Luke, to replace him. The re-formed band go to Holland to play a few clubs on a warm-up tour. However, the youngest member of the band is stealing the show, particularly with the members of the opposite sex. Despite efforts to stay calm and professional, the band is falling into the old routine of bickering day by day as they get close to the big reunion concert. Still Crazy was screened as part of the Panorama during the 49th International Berlin Film Festival, 1999. ~ Gönül Dönmez-Colin, Rovi

British television's adaptation of Catherine Cookson's novel, The Moth was set during the Edwardian era. Jack Davenport starred as carpenter Robert Bradley, who found himself in the employ of the wealthy and aristocratic Thorman family. When Robert fell in love with the beautiful Sarah Thorman (Juliet Aubrey), he ran up against the stern opposition of the parents -- not only Sarah's mother and father, but also his own. The Moth was presented in three 50-minute segments by Tyne Tees television in 1997. ~ Hal Erickson, Rovi

Scottish comedian Alan Cumming stars in this Dutch psychological drama, set in Vienna but mainly filmed in Budapest. Crazed stand-up comedian Daniel (Cumming) pleases his hospitalized mother (Hedi Temessy) by dressing to resemble his sister Hannah, who died in a Nazi concentration camp. After his girlfriend (Serena Gordon) drops him, he takes up with naive Texan Lilian (Juliet Aubrey), who is attempting to solve the mystery of her Nazi father's link to chemical businessman Wittfogel (Frank Finlay). Shown at the 1997 Nederlands Film Festival/Holland Film Meeting. ~ Bhob Stewart, Rovi

This provocative British comedy-drama provides an unsentimental chronicle of a vibrant young man who discovers that he is suffering from multiple sclerosis, and of the woman who loves and supports him. The afflicted man is Nick who loves life and spends his free time playing soccer and hanging out with his pals. One day he meets Karen and they end up moving in together. Their happiness is interrupted by a series of puzzling symptoms that begin to plague Nick. Karen, who has had more education, begins to fear that he has MS, but she says nothing to him. He goes in for rigorous medical tests and Karen's private diagnosis is confirmed. The disease gradually destroys the central nervous system and soon Nick is unable to pursue the things he most enjoys. He begins to retreat into himself and become increasingly bitter and irritable. Despite his anger and pain, Karen stays beside him. At one point, after he is no longer able to have sex, he accuses her of sleeping with her boss. But still the loyal Karen remains until the story's surprising conclusion. ~ Sandra Brennan, Rovi

In this 1994 BBC adaptation of George Eliot's novel, altruism, social reform, and romantic love struggle to survive against snobbery, economic oppression, and self-indulgence. Set in the fictional town of Middlemarch in the 1830s, the film begins when Dr. Tertius Lydgate (Douglas Hodge) arrives in the community to begin a medical practice. Because of his knowledge of the latest medical techniques and his desire to do humanitarian work and pioneering laboratory research, Lydgate becomes the ideal candidate for the pro bono position of superintendent of a new Middlemarch hospital. Meanwhile, Dorothea Brooke (Juliet Aubrey), a well-to-do resident of the nearby town of Tipton Grange, desperately searches for a noble cause to occupy her time. She and her sister Celia, both orphans, live with their uncle, Arthur Brooke (Robert Hardy), in a spacious home where they enjoy a comfortable life. After Dorothea observes the plight of poor tenant farmers during a horseback ride in the country, she decides to promote new housing for the farmers. But Dorothea and Lydgate both encounter obstacles as they attempt to realize their dreams. In Dorothea's case, her own uncle, Mr. Brooke, who operates the worst of the tenant farms, refuses to endorse her housing plan. As a self-satisfied member of the local establishment and a possible candidate for Parliament, he deems it wise to maintain the status quo. In Lydgate's case, a corrupt banker, Nicholas Bulstrode (Peter Jeffrey), threatens to block the physician's appointment as hospital superintendent unless he supports Bulstrode's candidate for the hospital chaplaincy. Against his better judgment, Lydgate compromises his integrity and backs Bulstrode's man rather than the man better-suited for the job. But the problems of Dorothea and Lydgate don't stop there. Dorothea, who is strikingly attractive, intelligent, and sensitive, chooses a middle-aged husband, the Rev. Edward Casaubon (Patrick Malahide), because she thinks she can contribute to his scholarly pursuits. But after marrying him, she discovers he is cold and conceited -- a walking book with an attitude. Her real love, though she doesn't fully realize it, is Will Ladislaw (Rufus Sewell), a handsome painter and social reformer who now must keep his distance from the married woman. Lydgate, deeply in love with pretty Rosamond Vincy (Trevyn McDowell), marries her only to discover that she is a self-centered spendthrift. While he dotes on her, she dotes on his bank account. Subplots emerge to add suspense and intrigue. One involves Rosamond's brother, Fred (Jonathan Firth), who abandons his studies for the ministry against his father's wishes to work the land and to pursue a young woman below his social status. Another involves the grasping banker Bulstrode, who is being blackmailed for acquiring money illegally. Casaubon dies of a heart ailment less than two years after he marries Dorothea, but he manages to hold onto her from the grave. His will states that she must forfeit all the property she inherits if she marries Ladislaw. Because she has already committed portions of her considerable inheritance to charitable causes, she rejects Ladislaw, but cannot tell him why. By this time, Rosamond has bankrupted Lydgate. Suspense builds as the film moves toward its conclusion and discloses the fate of the central characters -- Dorothea, Ladislaw, Lydgate, Rosamond, Bulstrode, and the others. ~ Mike Cummings, Rovi