Franco Derosa Movies

Jackie Collins wrote the best-selling novel The Stud. Her sister Joan Collins starred in the 1978 film version of The Stud. The producer on the film was Joan Collins' then-husband Ron Kass. Need we say more? Well, there is a plot, involving the insatiable Joan's sexual hold over a handsome nightclub manager Oliver Tobias. And there was a sequel, also written by Jackie and starring Joan, titled The Bitch. Need we say more now? ~ Hal Erickson, Rovi

A previously unknown planet is discovered within our solar system, orbiting on the far side of the sun exactly opposite the position of the Earth, and at precisely the same speed. The European space agency Eurosec, headed by Jason Webb (Patrick Wymark), whose solar probe made the discovery, decides to send a manned mission to investigate, teaming America's top astronaut Glenn Ross (Roy Thinnes) and British astro-physicist John Kane (Ian Hendry). Their voyage aboard the space vehicle Phoenix is supposed to take six weeks, but when the ship returns to orbit in only three weeks -- ending in a crash of their landing vehicle that kills Kane -- Eurosec can only conclude that Ross has engaged in some sort of sabotage. The astronaut is at a loss as to how they could have done a round-trip in just three weeks, until he makes a startling discovery -- that everything that he sees, from the layout of rooms and buildings to all of the writing around him, is reversed, left to right and right to left. It takes Ross, amid his confusion, to arrive at the only possible conclusion -- that he and Kane did, indeed, journey to the new planet, and that world is a duplicate of Earth (and visa versa) down to the last molecule, a perfect mirror-image; and that world dispatched its own mission, with its own Ross and Kane. He and Webb, and Eurosec, scarcely have time to absorb the implications of this discovery -- if true -- as they prepare for a return flight for Ross, despite enormous risks and some potentially very dangerous unknowns in getting him back to the Phoenix. ~ Bruce Eder, Rovi

This uneven black comedy went into production as My Last Duchess. It then went through three title changes, representing, in the words of historian Leslie Halliwell, "a descending order of wit": Arrividerci, Baby, Drop Dead, Darling, and You Just Kill Me! Tony Curtis plays a charming contemporary Bluebeard who murders a succession of wives in order to fatten his bank account. At the beginning of the film, the 42-year-old Curtis, decked out in Buster Browns, does in his own stepmother. The remaining murders alternate between moderately amusing and just plain silly; our favorite scene is the disposal of Zsa Zsa Gabor, but that's just on basic principles. Curtis finally meets his match in a much-married widow who plots his demise (a plot point which, incidentally, was planned and abandoned for Chaplin's far superior Monsieur Verdoux). Director Ken Hughes and Ronald Harwood based their screenplay upon the Richard Deming novel The Careful Man. ~ Hal Erickson, Rovi

Ingrid Thulin plays a Polish inmate of the Dachau concentration camp who is liberated at the end of the war. Presumed dead, Ingrid returns to visit her husband (Maximillian Schell) She finds that his grief was fleeting at best; his new mistress is his "deceased" wife's daughter (Samantha Eggar) from a previous marriage. Since Ingrid's identity is masked by plastic surgery, she subtly re-enters their life without undue stress for either husband or daughter. But when the husband figures out the ruse, he murders his young paramour in the bathtub (a moment lavishly exploited in the print ads for this film) and plots to kill Ingrid for her money. A textbook case of implausibility, Return from the Ashes was adapted from an equally unbelievable novel by Hubert Monteilhet. ~ Hal Erickson, Rovi