Tanya Pohlkotte Movies
Martin Mirkhein (Griffin Dunne) is a failed entrepreneur trying to figure out how to pay a huge tax bill to the State of Florida when he gets a brainstorm -- Daniel Strong, the inspirational men's movement novel by New Age philosopher Luther Waxling (Dennis Hopper), would make a great film. Never mind that Mirkhein doesn't know a thing about making movies -- he decides that this film is his destiny, and he heads out with his girlfriend/personal assistant/aspiring screenwriter Marie (Illeana Douglas) to visit Waxling's representatives, who don't react with much enthusiasm when Mirkhein suggests that he'd like them to give him the film rights as well as the money to produce the movie. In search of financing, Mirkhein finds himself working with Kim Ulander (Christopher Walken), a businessman who doesn't mind if people think he's a gangster (and boy, is he something at karaoke night!), and Ron (John Turturro), a second-rate hood with a severely impaired fashion sense. The first directorial effort from artist David Salle, Search and Destroy was executive produced by Martin Scorsese, who also plays a small role as a tax agent. ~ Mark Deming, Rovi
- Starring:
- Griffin Dunne, Illeana Douglas, (more)
- 1994
- R
A wealthy Beverly Hills husband and wife are forced to reevaluate their lives after losing their jobs in writer-director Michael Tolkin's aloof satire. Peter Witner (Peter Weller) and Katherine Witner (Judy Davis) have become so accustomed to their high-class, shallow lifestyle that they feel helpless when circumstances leave them facing imminent bankruptcy. Lost and confused, their marriage on the verge of collapse, they seek help from a number of spiritual gurus, who offer ineffectual New Age philosophies as the solution to their problems. These remedies provide little comfort, however, and the Witners' attempt to make their own way by opening a hip clothing store also disappoints, leaving them ostracized and desperate for a direction in life. Best known for the cutting screenplay of Robert Altman's The Player (1992) and for his own earlier film The Rapture (1991), Tolkin provides sharp dialogue and a well-observed critique of the Los Angeles high life. This film continues the social criticism of those earlier efforts, as Tolkin consistently portrays American life as mindlessly materialistic, spiritually hollow, and bereft of meaningful purpose or moral direction. While some viewers may feel distanced from the unsympathetic characters and detached tone, Tolkin continues to be one of the most trenchant social satirists in contemporary American movies. ~ Judd Blaise, Rovi
- Starring:
- Peter Weller, Judy Davis, (more)
