Rachael Crawford Movies

Les Mayfield directs Samuel L. Jackson and Eugene Levy in the buddy action comedy The Man. Jackson plays ATF agent Derrick Vann. His partner, who it turns out was corrupt, has been killed after a cache of guns were stolen from the ATF office in Detroit. Internal affairs believe Derrick was in on the gun theft, forcing him to go off on his own to bring the bad guys to justice. Dental supply salesman Andy Fiddler (Levy) happens to be in Detroit for a business convention. During the course of figuring out who is responsible for his partner's death, Derrick arrests Andy because of a miscommunication. Soon the hard-edged law enforcer and the meek businessman team up to extricate themselves from their life-threatening predicament. ~ Perry Seibert, Rovi

Featuring a real granny knot of a complex plot, this violently hip, hyper-stylish crime thriller follows the exploits of Louis and Dody, two petty unemployed gangsters who get into deep trouble after they steal a job from a crime lord's cousin, whom they have already killed and stashed in the trunk of their car. They start out in Montreal but end up in Toronto to do the assignment. Louis pretends to be the dead man, while another cohort hires the two to kill a one-armed, nutzoid crime lord. En route to their hit, Louis and Dody pick up an old friend to assist them. ~ Sandra Brennan, Rovi

Devoted parents search for their daughter in this strange, fact-based made-for-television movie. Set in the 1850s, Louis Gossett Jr. stars as James Mink, a wealthy Canadian businessman who is married to a white woman (Kate Nelligan). When their daughter is duped into marrying a slave trader, the Minks set out for the American South to track down their missing daughter and bring her back home. ~ Bernadette McCallion, Rovi

The first feature-length Canadian drama to be created by an all-black team of filmmakers, this inner city film from writer-director Clement Virgo tracks the lives and struggles of several urban minorities during one Easter weekend. As the pirate radio disc jockey known as Rude (Sharon M. Lewis) broadcasts throughout a Toronto project, an artist named General (Maurice Dean Witt) arrives at the home of his wife Jessica (Melanie Nicholls-King) after serving several years in jail for drug dealing. He's there to reconcile with Jessica, who is now a police officer, and with the ten-year-old son, Johnny (Ashley Brown), whom he didn't help raise. Impeding his progress is General's brother Reece (Clark Johnson), who covets his brother's wife and still works for the neighborhood's racist white drug lord Yankee (Stephen Shellen) -- who in turn wants General back in charge of the drug trade. Meanwhile, the young boxer Jordan (Richard Chevolleau) reluctantly accompanies his fellow athletes on a testosterone-fueled gay-bashing spree, even though he is beginning to believe that he may be homosexual. As all of this is happening, the heart-broken window dresser Maxine (Rachel Crawford) faces the dissolution of her relationship with her boyfriend after she has an abortion. ~ Karl Williams, Rovi

While Rudy Ray Moore is best remembered today for his outrageous blaxploitation movies, such as Dolemite and The Human Tornado, he started out as a standup comedian who broke barriers for off-color comedy on such "party" albums as Eat Out More Often. Rude is a performance film which captures Moore on-stage at a comedy club, delivering the rhyming rap routines and epic tales of sexual conquest that first made him famous. ~ Mark Deming, Rovi