Slim de Grey Movies

One of the most expensive miniseres ever assembled for Australian television, Changi covered a time-span of nearly 60 years. The story was told in flashback as a group of six former POWs, arranging a reunion, recalled their experiences in a Singapore prison camp. Though all six suffered mightily at the hands of their Japanese captors, all managed to survive the ordeal and remain friends even after cessation of hostilities. Still, each man had retained a deleterious "side effect" from his imprisonment, which threatened to cast a tragic pall on their reunion. Running an exhaustive gamut from comedy to horror, Changi sustained its believability by having each of the main characters played by two actors -- one young for the WWII scenes, one old for the postwar scenes. Though critics and the general public were impressed when the series first aired on Australia's ABC network from October 14 to November 12, 2001, there were a number of real-life prison camp survivors who condemned the project as unrealistic and offensive (and never mind that at least one of the lead actors on the show had himself weathered six years in a Japanese stockade). ~ Hal Erickson, Rovi

In this uneven children's story, Molly is a talented little dog who can sing for the people who love her -- but is mute when her vocals are required by the more cold-hearted of the human breed. Her new, young caretaker Maxie (Claudia Karvan) has her hands full because the villainous "Old Dan" Garry McDonald is after Molly's melodious talent for his own financial gain -- but then, maybe the circus troupe that has taken Molly and Maxie under their wing will be able to protect them both. Unfortunately, "Old Dan" is such a sinister, psychotic type that the intended sense of adventure in the film is often no more than a sense of the macabre. ~ Eleanor Mannikka, Rovi

An undercover cop named Stone (Ken Shorter) infiltrates an outlaw biker gang called the Grave Diggers, only to discover that he has more in common with the two-wheeled warriors than he previously though after a professional assassin attempts to set them up for a big fall. A prominent environmental activist has just been assassinated, and the police suspect that the Grave Diggers are withholding crucial information relating to the killing. Realizing that the Grave Diggers will never speak to regular policemen, the cops recruit Stone to ride with the gang and find out what they know. Accepted into the fold after saving the life of a grateful Grave Digger, Stone begins to respect the Undertaker (Sandy Harbutt) and his crew due to the fact that they operate by their own unique code of ethics. Later, as the Grave Diggers prepare to strike back against a rival motorcycle club, Stone suspects a set-up and attempts to convince them not to fall for it. Unfortunately for everyone involved, Stone was correct. When the violence finally erupts, no one is safe from the bloodshed that threatens to destroy the Grave Diggers, and consume Stone in the process. ~ Jason Buchanan, Rovi

This futuristic political drama stars Joe James as the Australian minister of defense. In seeking a military alliance with Asia, James is thwarted by his antiwar son Gerard Maguire. The film's "generation gap" seems to be its sole raison d'etre, and as such the story seems terribly antiquated when seen today (and difficult to follow, thanks to the actors' thick regional accents). Still, The Demonstrator was an important stepping stone in the revitalization of the long-dormant Australian film industry. Scripter Kit Denton adapted the film from an original story by Elizabeth Campbell and Don Campbell. ~ Hal Erickson, Rovi

James Mason is Bradley Morahan, an Australian artist far away from home and trying to prod his muse in the bowels of New York City. Disgusted with life in the big city, Bradley decides to return to his roots and heads back home to Australia. Once there, he decides to become a Gauguin primitive and sets up shop on a deserted island on the Great Barrier Reef. To his disappointment, however, he discovers the island is populated by a drunken old harridan (Neva Carr-Glyn) and her attractive granddaughter Cora (Helen Mirren). One look at Cora, and Bradley excitedly begins to mix his pigments, offering Cora a job as his model. Soon enough, Cora goes native and poses for Bradley in the raw. Love is, of course, in the air. But just as things seem to being going fine in every way, Bradley's old friend Nat (Jack MacGowran) appears on the island out of the blue and proceeds to rob Bradley blind. Barely recovered from the theft, Bradley must also deal with an irate grandma, who discovers that Cora has been posing nude for Bradley and has been keeping her earnings hidden from granny. Bradley's island paradise is shattered and he finds he has to deal with an old woman threatening to turn him in to the authorities for having a minor pose naked before him and his easel. The character of Morahan was based on real-life Bohemian artist Norman Lindsay, who later became the subject of John Duigan's Sirens (1994). ~ Paul Brenner, Rovi

Based on a popular Australian novel, this comedy was produced Down Under in 1966. Nino Culotta Walter Chiari is an Italian journalist who is lured by his brother into coming to Australia to work for his paper there. But when Nino arrives in Sidney, he finds out that there is no paper; his brother has taken off with the investors' cash. Left in the lurch was his brother's business partner, Kay Kelly (Clare Dunne). Nino vows to pay off his brother's debt and gets a job as a bricklayer to do so. He also tries to woo Kay, but finds her difficult to win over. Meanwhile, he encounters a series of racist reactions from Aussies, at the thought of an Italian assimilating into Australian culture - one of the film's core themes. ~ Michael Betzold, Rovi