Oscar Gahan Movies

Here's another entry in PRC's long-running "Billy the Kid" series, again starring Buster Crabbe as Billy Carson and Al St. John as his comic sidekick Fuzzy Q. Jones. In this outing, a bandit posing as Billy manages to pin several crimes on Our Hero. Cleverly eluding the law (never mind the film's title), Billy endeavors to track down his impostor and put him behind bars. The plot is resolved by a typical PRC fistfight, which as usual is more energetic than expert. Young Anne Jeffreys, a starlet on the threshold of bigger things, is definitely an improvement over the standard western ingenue. ~ Hal Erickson, All Movie Guide

The Three Mesqueteers attempt to prevent wholesale slaughter in this fine Republic Western starring John Wayne, Ray "Crash" Corrigan, and Raymond Hatton. Planning to build a reservoir on the site, the state government has condemned the town of New Hope and surrounding ranches. Construction chief M.C. Gilbert (LeRoy Mason) arrives with a clear mandate to buy off both the townsfolk and the ranchers but receives unwanted resistance from old Major Braddock (Eddy Waller) and his grandchildren (Jennifer Jones, Dave O'Brien, and Sammy McKim), who are ready to take up arms against the intrusion. When Gilbert and his cohort, Proctor (Harrison Greene), resort to ungentlemanly methods, including bringing in a crooked real-estate developer (Wilbur Mack), the Mesqueteers ride into action. Jennifer Jones, in her screen debut, is billed under her real name of Phyllis Isley. ~ Hans J. Wollstein, All Movie Guide

Featuring the husband-and-wife team of Jack Randall and Louise Stanley, this lukewarm Monogram Western eschewed the musical interludes that had been a Randall trademark thus far. Randall (the lesser known brother of B-Western star Robert Livingston) plays Jack Lane, a drifter who comes to the aid of an Eastern girl, Nola Day (Stanley). The girl travels West to meet her new guardian, Uncle Moose Walters (Henry Rocquemore), but Uncle Moose has been murdered by saloon owner Bill Larsen (John Merton) and it is Larsen posing as Moose who greets the young lady upon arrival. Jack senses that "Uncle Moose" may not be all he claims but Nola is blissfully unaware of Larsen's deception and becomes furious over the newcomer's interference. The evil Larsen is caught red-handed, of course, and Lola discovers that she has fallen in love with Jack. Al St. John, in between his Westerns with Fred Scott and Bob Steele, did his usual shtick as Randall's sidekick. Gunsmoke Trail was directed by Sam Newfield, one of the busiest -- and most careless -- B-Western directors of all time. ~ Hans J. Wollstein, All Movie Guide

The first Tex Ritter Western from Monogram Pictures, Starlight Over Texas contained the singing cowboy's trademark mix of furious fist-fight, ornery Charles King, and a slew of musical numbers. Unfortunately, Monogram also inherited Ritter's main weaknesses: idiotic sidekicks (Horace Murphy and Snub Pollard), slipshod direction (by Al Herman), meandering plots, and the aforementioned slew of musical numbers. At least Starlight Over Texas featured an eye-catching fiesta in addition to Ritter's warbling of such tunes as Pickens by A.J. Brier and Starlight Over Texas by Harry Tobias and Al Von Tilzer. Ritter played Tex Newman, a United States Marshal assigned to look into a series of Indian raids on the border to Mexico. As it turns out, the raids are committed by a gang of outlaws only masquerading as Indians. The leader of the gang, Kildare (Karl Hackett), murders a marshal and assumes his identity. Tex. of course, does not fall for the masquerade for long and the inevitable chase across the border ends with the capture of Kildare. Executive producer Edward F. Findley moved his entire "Boots and Saddles" operation from the floundering Grand National to Monogram without missing a beat. Along for the ride, in addition to sidekicks Murphy and Pollard and director Herman, were music director Frank Sanucci, assistant director Bobby Ray, cinematographer Francis Corby and film editor Frederick Bain. ~ Hans J. Wollstein, All Movie Guide

Rolling Caravans was one of four Columbia B-westerns designed to make a star out of utility actor Jack Luden. Harry Woods, a fixture of the Luden series, fills the villain role, while Eleanor Stewart is the heroine once more. The story concerns the efforts of a homesteader named Breezy (Luden) to ward off the bad guys, who've determined that there's gold on his property. By the time the heavies have discovered that Breezy's "treasure" consists primarily of topsoil, the hero has settled accounts with his fists and deposited his enemies in the local calaboose. At one point, Jack Luden indulges in a bit of ventriloquism, suggesting that perhaps he would have been better off as a comedy sidekick rather than a leading man. ~ Hal Erickson, All Movie Guide

Tex Ritter's final music Western for floundering company Grand National, The Utah Trail was yet another low-budget patch-up job with plenty of stock footage from earlier releases. Horace Murphy and Snub Pollard (who is credited as "Peewee Pollard" in the film's credits) once again lent dubious comedy relief, while Charles King took it on the chin for the umpteenth time. As opposed to Murphy, Pollard and King, Utah Trail proved the Western debut of Adele Pearce, a pert actress later known as Pamela Blake. Miss Blake summed up everyone's feelings when she years later told B-Western historian Boyd Magers: "It was terrible! I never saw it and never wanted to!" Ritter, who also supplied the story for The Utah Trail, played Tex Stewart, an agent for the Border States Railroad investigating sightings of a mysterious "ghost train." Posing as an outlaw, The Pecos Kid, Tex discovers that the mysterious train is part of a rustling operation headed by the well-named Hiram Slaughter (Karl Hackett) and his henchman Badger (King). At first, railroad heiress Sally Jeffers (Miss Pearce/Blake) is under the influence of Slaughter but she is soon enough convinced otherwise by Tex who, in between battling the Bad Guys, gets to sing Utah Trail by Bob Palmer and Give Me My Saddle and A Roamin' I'll Be by Frank Harford. Executive producer Edward F. Finney and director Al Herman filmed Utah Trail in a few days on an abandoned railroad siding bear Bakersfield, California, and at the movie ranches in Chatsworth. Finney and Ritter then enjoyed a more or less amicable parting of the ways with Grand National before relocating, lock, stock and barrel, at rival Monogram Pictures. ~ Hans J. Wollstein, All Movie Guide

Singing cowboy Jack Randall does his usual in Monogram's Danger Valley, Randall's second starring film. When someone discovers gold in them thar hills, several disreputable promoters try to take financial advantage of the ensuing rush. By producing a packet of forged papers, two of these crooks manage not only to fleece the prospectors, but to set up an "outlaw colony" in a rattletrap ghost town. Randall and his pal Lucky (Hal Price) do their best to protect the miners and rout the villains. Though a passable singer, Jack Randall is somewhat stiff as an actor; he was far more natural in a reel of Monogram outtakes, in which he constantly curses himself out after blowing his lines. ~ Hal Erickson, All Movie Guide

Acting upon the belief that he accidentally murdered his best pal, a gunman swears never to draw his weapon again. ~ Jason Ankeny, All Movie Guide

Produced by Greek-born Gower Gulch "tycoon" Anthony J. Xydias, this film was a remake, with plenty of stock footage, of Xydias' silent With Davy Crockett at the Fall of the Alamo (1926). In the new version, however, Crockett (played by a far-too-young Lane Chandler) is almost a bit part, the film concentrating instead on newlyweds Almerian and Anne Dickinson (Bruce Warren and Ruth Findley), heroic Texans based on real-life Alamo victims Almeron and Suzanna Dickinson. The siege of the Alamo by General Santa Anna (Julian Rivero) is mainly depicted via poorly-inserted stock footage from Xydias' silent version, but all the famous elements are there: Travis' (Rex Lease) line in the sand, Bowie (Roger Williams) crossing that line despite his illness and the death of all three mythical American heroes. The sole survivor is Anne Dickinson (a true flight of fancy), who is present when Sam Houston (Edward Peil, Sr.) utters the famous line, "Remember the Alamo!" Consisting of numerous gaffes (the defenders of the Alamo perform a rendition of The Yellow Rose of Texas, written years later, to mention but one example) and enacted on laughably cheap sets, Heroes of the Alamo was dismissed by an overwhelmingly hostile press. Xydias, who had come out of retirement for this, and a proposed series of historical Westerns, never produced another film. Heroes of the Alamo was later shortened to about half of its 80 minutes running time and sold as an educational short subject under the title Remember the Alamo. ~ Hans J. Wollstein, All Movie Guide

The Fred Scott musical westerns were high in audience appeal, but invariably handicapped with syrupy titles like Moonlight on the Range. On this occasion, our hero is suspected of being an outlaw, but the real culprit is his look-alike half-brother (Scott plays both roles). At first hoping to wreak vengeance on his crooked sibling. Scott relents at the end, bringing brother dear in unharmed in hopes of reforming the boy. The film's highlight is a fierce gun battle between hero and villain, with director Sam Newfield doing an excellent job differentiating the two brothers. In the course of events, Fred Scott sings four songs, several of them for the benefit of leading lady Lois January. ~ Hal Erickson, All Movie Guide

Where Trails Divide was the second entry in Tom Keene's western series for Monogram. Not as good as the first (God's Country and the Man), it still contained much to admire, especially for a run-of-the-mill "B" western. Keene plays a frontier lawyer who hangs up his shingle in a lawless town. When the opportunity presents itself, our hero reveals that he's really a federal agent, assigned to clean up the local criminal element, led by stagecoach robber Warner Richmond (who delivers the film's best performance). With a minimum of gunplay, Keene accomplishes his goal, winning the undying affection of heroine Eleanor Stewart. ~ Hal Erickson, All Movie Guide

Singing cowboy Fred Scott stars as wandering troubadour Cal Brent, who travels the length and breadth of the West with his comical sidekick Fuzzy (Al St. John). In the course of their travels, Cal and Fuzzy find themselves in the middle of a gun battle between a gang of outlaws and a homesteader. The latter is killed, whereupon our heroes take charge of the dead man's son Buddy (Buddy Cox). This leads to a new plot tangent involving a mysterious marauder who's been sending threatening letters to the local cattle ranchers. By the time Cal is able to make sense of all the converging storylines, he's managed to win the love of heroine Jeanie (Lois January). Not only does the cowboy roam in this picture, but so does the plot. ~ Hal Erickson, All Movie Guide

Gene Autry and veteran Western director Jospeh Kane team up for this lightweight effort. Gene (Gene Autry) is the foreman of a ranch which has just been put under new ownership, though he soon has his doubts about his new boss -- Sandra Knight (Polly Rowles), a pretty young woman with a college degree in animal husbandry but little practical experience of life on the range. When Sandra decides to raise sheep instead of cattle, it doesn't settle with the neighboring ranchers, and Gene is forced to make peace with both factions. As usual, Springtime In The Rockies features a handful of songs from Autry, with Jimmy LeFuer and his Saddle Pals providing accompaniment. ~ Mark Deming, All Movie Guide