Bette Davis Movies
The daughter of a Massachusetts lawyer, American actress Bette Davis matured with a desire to become an actress upon her graduation from Cushing Academy, but was turned away from Eva LeGallienne's Manhattan Civic Repertory in New York. Undaunted, Davis enrolled in John Murray Anderson's Dramatic School, where everyone (including classmate Lucille Ball) regarded her as the star pupil. After a 1928 summer season with director George Cukor's stock company in Rochester, NY (where she worked with future co-star -- and rival -- Miriam Hopkins), Davis went on to Broadway, starring in Broken Dishes and Solid South before Hollywood called. Dazzling on-stage, Davis was signed to a contract by Universal in 1930. After an unimpressive debut in Bad Sister in 1931, however, Davis was out of work, but picked up by Warner Bros. soon thereafter. Davis applied herself with white-hot intensity to becoming a star with that company, and after a major role in the 1932 George Arliss vehicle The Man Who Played God, a star she became. Still, the films at Warner Bros. were uneven, and it wasn't until the studio loaned out Davis to play the bravura role of Mildred in RKO's Of Human Bondage (1934) that the critics began to take notice.An Oscar nomination seemed inevitable for her performance in Bondage, but Davis was let down by Warner Bros., which didn't like the fact that her best appearance had been in a rival's movie, and it failed to get behind her Oscar campaign (although there was a significant write-in vote for the actress). But, in 1935, Davis excelled as a self-destructive actress in the otherwise turgid film Dangerous, and an Oscar was finally hers. And when Warner Bros. subsequently failed to give Davis the top roles she felt she then merited, the actress went on strike and headed for England. She lost a legal battle with the studio and came back, but it acknowledged her grit and talent by increasing her salary and giving her much better roles. In 1939 alone, Davis starred in Dark Victory, Juarez, The Private Lives of Elizabeth and Essex, and The Old Maid. But she didn't get the plum role of the season -- Scarlet O'Hara in Gone With the Wind -- because Warner Bros. wouldn't loan her to David O. Selznick unless Errol Flynn was chosen to play Rhett Butler (a piece of casting both Selznick and Davis violently opposed). But Davis had already had her turn at playing a Southern belle in Jezebel (1938), which won her second a Oscar.
As her star status increased in the 1940s, Davis found that it would have to be at the expense of her private life -- she would be married and divorced four times, admitting toward the end of her life that her career came first, last, and always. A fling at being her own producer in 1946 was disappointing, and her contract with Warner Bros. petered out in 1949 with a string of unsuccessful films. Davis made a spectacular comeback in 1950 when she replaced an ailing Claudette Colbert in the role of Margot Channing in the Oscar-winning All About Eve. Though suffering from a bone disease that required part of her jaw to be removed, Davis continued to work in films throughout the '50s; but, in 1961, things came to a standstill, forcing the actress to take out a famous job-wanted ad in the trade papers.
In 1962, Davis began the next phase of her career when she accepted the role of a whacked-out former child star in What Ever Happened to Baby Jane? This led to a string of gothic horror films that did little to advance Davis' reputation, but kept her in the public eye. It was also in 1962 that Davis penned her thoughtful and honest autobiography The Lonely Life. Working in movies, TV, on-stage and on one-woman lecture tours into the '70s, Davis may have been older but no less feisty and combative; her outspokenness may have unnerved some of her co-stars, but made her an ideal interview subject for young film historians and fans. In 1977, Davis received a Lifetime Achievement Award from the American Film Institute, an honor usually bestowed upon performers who were retired or inactive. Not Davis. She kept at her craft into the '80s, even after a stroke imposed serious limitations on her speech and movement. Amidst many TV movies and talk-show appearances, Davis gave one last memorable film appearance in The Whales of August (1987), in which she worked with another venerable screen legend, Lillian Gish. Though plagued with illness, Davis was formidable to the end -- so much so that when she died in France at the age of 82, a lot of her fans refused to believe it. ~ Hal Erickson, All Movie Guide
- 1993
Known equally for her steely persona as her award-winning talent, Bette Davis was Tinseltown's greatest diva. Her legacy is documented in Hollywood Remembers: All About Bette. Davis took the movie business by storm playing everything from a fragile blind woman to a vicious killer. Her years at the various studios taught her to deal wisely in business matters while jockeying for better and better leading roles. With two Academy awards under her belt, Davis continued to dominate the box office late into her career. Archival footage and film clips complete this Jodie Foster-narrated look back at the first lady of the American screen. ~ Sarah Ing, All Movie Guide
- 1990
This fascinating program takes us on a star-studded trip down memory lane. Relive the Golden Age of Hollywood. Featuring memories of the stars from the great westerns, screen sweethearts, Shirley Temple, Bette Davis, James Stewart and many more. An added bonus is a chapter of original trailers that ran in theaters prior to the release of film classics such as The Wizard of Oz and Casablanca. ~ Laura Mahnken, All Movie Guide
- 1989
This documentary highlights the careers and lives of some of the most famous actresses of early cinema. Some of the ladies featured in this video are Bette Davis, Barbara Stanwyck, Carole Lombard, and Joan Crawford. These actresses from Hollywood's Golden Age were different in the types of films they were known for, from romantic comedy to high drama, but they were all the queens of the movie industry. You will watch some of their performances, listen to stories from historians and critics about their illustrious careers, and hear to the stars themselves in excerpts from interviews they did on television. There are rare photographs of the stars and outtakes from many of their movies. ~ Cecilia Cygnar, All Movie Guide
- 1989
- PG13
In this film, Steve (David Rasche) and Jenny's (Colleen Camp) new stepmother, Miranda (Bette Davis), is truly a witch in every sense of the word. With their father (Lionel Stander) happily deceived by his new wife, it is up to the kids to stop Miranda's dastardly plans, before it is too late. This movie was Bette Davis' last film. ~ Iotis Erlewine, All Movie Guide
- Starring:
- Bette Davis, Barbara Carrera, (more)
A once-in-a-lifetime cast of veterans performs David Berry's play about Libby Strong (Bette Davis) and Sarah Webber (Lillian Gish), widowed sisters vacationing on a Philadelphia island for their 60th consecutive summer. Libby is blind and embittered, while Sarah is healthy, supportive, and almost annoyingly chipper. Their neighbor Tisha (Ann Sothern) tries to convince Sarah to put Libby in the care of her daughter, but Sarah hasn't forgotten Libby's moral support when her own husband died, and she won't entertain such notions -- until she is swept off her feet by an aging roué (Vincent Price). When Libby spitefully sabotages this romance, an infuriated Sarah decides that gratitude has its limits. But when it actually comes down to selling their summer house and sending Libby packing, Sarah can't do it. In the film's flashback sequences, Libby is played by Margaret Ladd, Sarah by Mary Steenburgen, and Tisha by Ann Sothern's real-life daughter Tisha Sterling. Another film personality of long standing, Harry Carey Jr., is well cast as the sisters' handyman. ~ Hal Erickson, All Movie Guide
- Starring:
- Bette Davis, Lillian Gish, (more)
- 1986
As Summers Die was produced as an "HBO Premiere" attraction. Set in the segregationist South of the 1950s, the film pits the wealthy but decadent members of a landed-gentry white family against a feisty old black woman, on whose property oil has been discovered. Idealistic attorney Scott Glenn bucks the family--and the inbred prejudices of the community--to protect the woman's interests. He finds himself with two unsuspected allies in the forms of young Jamie Lee Curtis and ancient Bette Davis, two "renegade" members of the very family that wants to grab the oil-rich land. As Summers Die had its cable-TV debut on May 17, 1986. ~ Hal Erickson, All Movie Guide
- 1986
This excellent biographical documentary looks at the life and work of director William Wyler. The film is dominated by clips from many of Wyler's better-known works, such as Roman Holiday, Ben-Hur, and Funny Girl. A long interview with the director himself (conducted a few days before he died) provides his personal perspective on his work and interviews with his actors and colleagues offer some surprising comments about the man. Terence Stamp feels Wyler may not have had a good command of English, while Laurence Olivier notes that Wyler taught him how to drop theatrical exaggerations and act for the camera. Bette Davis gives the most extensive commentary. Excerpts from home movies show Wyler and his family on vacation and also record a bit of the making of Wuthering Heights. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- William Wyler, Bette Davis, (more)
- 1985
Helen Hayes makes her second TV appearance as Agatha Christie's female sleuth Miss Marple in Murder with Mirrors. Marple has been summoned to the lavish country estate of her old friend Carrie Louise Serrocold (Bette Davis). Carrie's stepson has been killed, and she fears that his won't be the last corpse to befoul the estate. She's right, and the game is afoot for Miss Marple once more, with a full contingent of prime suspects (including John Mills, Leo McKern and Dorothy Tutin). Murder with Mirrors was filmed on location on a genuine 13th century British estate. If Helen Hayes seems more spirited than Bette Davis (eight years Helen's junior), it's because Bette was seriously ill prior to and during shooting. ~ Hal Erickson, All Movie Guide
- Starring:
- Helen Hayes, Bette Davis, (more)
- 1984
Little Gloria...Happy at Last is the two-part TV adaptation of Barbara Goldsmith's 1980 best-seller. The film concerns the true-life custody battle over the daughter of millionaire Reggie Vanderbilt (Christopher Plummer) and his "child bride," Gloria Morgan (Lucy Gutteridge). When the over-imbibing Reggie dies, Gloria enjoys the high life as a wealthy widow, leaving her daughter in the care of her sister-in-law, Gertrude Vanderbilt Whitney (chillingly portrayed by Angela Lansbury in her TV-movie debut). Gloria's personal income, predicated on the child's inheritance, is severely cut, whereupon Gloria sues the indomitable Vanderbilts for custody of her daughter. We won't tell you the outcome, but we can tell you that "Little Gloria," the ten-year-old focus of the custody fight, grew up to be the same Gloria Vanderbilt who went into the designer jeans business. Little Gloria...Happy at Last was originally telecast October 24 and 25, 1982. ~ Hal Erickson, All Movie Guide
- 1983
Arthur Hailey's novel Hotel had already served as the inspiration for a 1967 theatrical film when this TV pilot came along on September 21, 1983. Bette Davis stars as Laura Trent, the entrenched owner of the Hotel St. Gregory (moved from the novel's New Orleans to San Francisco, to allow for location filming at San Francisco's Fairmont Hotel). In true Love Boat fashion, Ms. Trent and hotel manager Peter McDermott (James Brolin) oversee four separate plot strands. A hooker (Morgan Fairchild) is raped in the hotel by a bunch of preppies who'd hired her for "just talk". A neurotic aspiring singer (Erin Moran) tries to interrupt the act of the hotel's lounge entertainer Mel Torme (himself). A very-married lady (Shirley Jones) checks in to conduct an illicit affair. And a feisty young woman (Connie Sellecca, a regular on the subsequent series) shows up unhired as McDermott's assistant manager. The Hotel series ran from 1983 to 1988, during which time an ailing Bette Davis was replaced by Anne Baxter; in the early 1990s, reruns of the series popped up rather incongruously on cable's E! Entertainment Network. ~ Hal Erickson, All Movie Guide
- 1983
Rather than a compilation of a series of hilarious bloopers, plus scenes of current stars never-before shown to the public, this collection of film clips focuses on a Hollywood of long ago. Stars from Warner Bros. in the 1930s and '40s are shown in out-takes that mainly illustrate their short tempers (James Cagney and Humphrey Bogart among them), while a variety of clips, including screen tests (Marilyn Monroe) catch famous actors from the 1930s to the '60s in ironic or very youthful and naive moments. The humor, when it occurs, depends on the viewpoint of the beholder: "At Home with Joan Crawford" shows her putting her children to sleep while a voiceover says "Good-night Mommy Dearest." James Dean discusses the dangers of fast driving on the highway in one clip filmed not long before he was killed in a head-on collision, driving 115 mph near Paso Robles. Judy Garland sings Over the Rainbow in a radio show with Bob Hope that was captured on film. Another short made in 1937 shows Constance Bennett demonstrating her beauty secrets; others show Bette Davis promoting war bonds in the 1940s, and Shirley Temple doing a segment for the Red Cross. For anyone interested in Hollywood stars, these film clips are curiosities that reveal more than just the screen persona of actors who were "manufactured in Hollywood." ~ Eleanor Mannikka, All Movie Guide
- 1983
This story about an elderly couple who start a large controversy when everyone learns they plan on committing suicide stars James Stewart as the retired Teddy Dwyer, and Betty Davis is his wife Mini Dwyer. When Mini learns she is terminally ill with a blood disease, the couple decide to end their lives peacefully, at the same time. Mini's mistake was to finally tell her daughter Ruda (Melinda Dillon), and from there, the news eventually leaks out and gets passed on to the media. Right of Way tries to balance precariously between a serious theme and a light-hearted couple, as Teddy continues engrossed in his books and Mini in her long-practiced art of making specialty dolls, with their housecats all around them. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Bette Davis, James Stewart, (more)
- 1982
Directed by George Schaefer, this light made-for-television drama is based upon the novel of the same name by Robert Oliphant. Starring Bette Davis as Esther Cimino, a 73-year-old widow, the film traces the events following Esther's son George's (George Hearn) decision that she is no longer capable of caring for herself in her ederly state. Despite her protests, Esther is ruled incompetent by the legal system, leading her to wage a court battle to regain not only her estate but her dignity as well. Also starring Penny Fuller and Christopher Guest, A Piano for Mrs. Cimino first aired on February 3, 1982 on CBS and was later nominated for an Emmy for Outstanding Film Editing. ~ Matthew Tobey, All Movie Guide
This Disney Studios attempt at entering the horror genre is a British production based on the chilling novel by Florence Engel Randall. An American family, headed by composer Paul Curtis (David McCallum) and his wife Helen (Carroll Baker), is renting an old mansion in England. The mansion's owner is Mrs. Aylwood (Bette Davis), who lives in a small guest house on the property. The mansion is surrounded by dense, forbidding woods. The Curtis children, Jan (Lynn-Holly Johnson) and Ellie (Kyle Richards), explore the forest. Mrs. Aylwood is continually searching the woods for her daughter -- whom she lost there 30 years ago. Over time, the children come to be haunted by the spirit of the daughter, Karen (Katherine Levy). The film was originally released in 1980 with an ending that included a huge alien from another planet. The studio pulled back the film after test audiences laughed at the special effects, and re-released the movie in 1982 with a new ending that circumvented the alien. ~ Michael Betzold, All Movie Guide
- Starring:
- Bette Davis, Carroll Baker, (more)
- 1981
Written for television by Allan Sloane, Family Reunion stars Bette Davis as an ageing New England schoolteacher who is given an "unlimited" bus ticket as a retirement present. She uses this gift to visit the farthest-flung members of her long-estranged family. In her absence, Davis' small town falls prey to corruptive influences, but with the help of her more honest relatives (four generations' worth, including Bette's real-life grandson J. Ashley Hyman), everything is resolved at the annual Founder's Day gathering. Family Reunion originally aired in two parts, on October 11 and 12, 1981; the preponderance of Davis' family members and unresolved plot strands would seem to suggest that this 4-hour film was intended as a series pilot. ~ Hal Erickson, All Movie Guide
- 1980
Bette Davis is White Mama in this custom-made TV movie. Ms. Davis plays a poverty-stricken widow who is too proud to go on welfare. Aware that she can receive a steady income if she takes in a foster child, Davis becomes surrogate mother to tough black teenager Ernest Harden Jr. The relationship is shaky at best in the beginning, but soon foster mother and foster "child" learn to love, respect and trust one another. Originally telecast March 3, 1980, White Mama garnered an Emmy nomination for Bette Davis. ~ Hal Erickson, All Movie Guide
- 198z
Warner Brothers was one of the big studios of the 30s and had many talented performers under contract. See some of their most outrageous mistakes, as well as previously unseen shots. ~ All Movie Guide
- 1980
Skyward is a 1980 GE Theatre presentation in the lofty tradition of TV's Golden Age. Bette Davis stars (what an inadequate word!) as a 60-year-old retired barnstorming airplane pilot. Real-life paraplegic Suzy Gilstrap portrays a wheelchair-bound team who is "tired of looking up all the time." It is her dream to become a pilot herself, a goal renounced by her overprotective parents and her self-centered boyfriend. But Davis, after initial heated protestations, agrees to train Gilstrap in the rigors of flying--specifically stunt-flying. Directed by Ron Howard, Skyward was produced and cowritten by Howard's Happy Days costar Anson Williams, while another Happy Days alumnus, Marion Ross, appears as Suzy Gilstrap's mother. ~ Hal Erickson, All Movie Guide
- 1979
The made-for-television movie Strangers: The Story of a Mother and a Daughter concerns a bitter widow (Bette Davis) who is upset about the unexpected return of her estranged daughter (Gena Rowlands). Davis won an Emmy for her performance. ~ Stephen Thomas Erlewine, All Movie Guide
The Fury meets The Misadventures of Merlin Jones in this comic-book sequel to Disney's Escape to Witch Mountain. Reprising their roles as the psychic siblings from another world are Kim Richards as Tia and Ike Eisenmann as Tony. Their Uncle Bene (Denver Pyle) gives the kids a treat by letting them vacation on planet Earth, and they make the most of it by immediately getting into hot water. It seems that arch-fiend Dr. Victor Gannon (Christopher Lee) and his Bette Davis-like accomplice, Letha (Bette Davis), are in the process of testing a mind-control device. They want to see if they can mentally save their cohort Sickle (Anthony James) from plunging to his death from atop a building. Tony spots Sickle's plunge and telekinetically saves him. When Dr. Gannon sees Tony's powers, he kidnaps him, hoping to utilize his otherworldly powers for his own nefarious purposes. Enlisting the aid of a collection of low-life youngsters (Christian Juttner, Brad Savage, Poindexter, and Jeffrey Jacquet), Tia uses her powers of telepathy to contact her brother and tries to rescue him from Gannon's clutches. ~ Paul Brenner, All Movie Guide
- Starring:
- Bette Davis, Christopher Lee, (more)
- 1978
This television miniseries is based on Thomas Tryon's complex and suspenseful occult thriller Harvest Home, delving into the forbidden rituals of the small New England township Cornwall Combe, whose residents offer annual human sacrifices to pagan gods in return for a bountiful corn harvest. The production is notable mainly for the participation of Bette Davis, who plays the powerful Widow Fortune, the town's leading practitioner of the black arts. A very young Rosanna Arquette co-stars as one of the new kids in town. Beware the severely cut home video version, which omits almost 200 minutes of footage and thus loses a great deal of clarity. ~ Cavett Binion, All Movie Guide
Peter Ustinov began his long association with the Hercule Poirot character of murder mystery novelist Agatha Christie with this lavish but financially disappointing follow-up to the popular Murder on the Orient Express (1974). During a luxurious pleasure cruise down the Nile aboard a lavish vessel populated with wealthy passengers, widely despised heiress and home wrecker Linnet Ridgeway (Lois Chiles) is murdered. Also aboard is famed Belgian detective Poirot (Ustinov) and his taciturn traveling companion, Colonel Race (David Niven). Poirot undertakes an investigation into Ridgeway's killing. Among the colorful suspects are Salome (Angela Lansbury) and Rosalie Otterbourne (Olivia Hussey), Doctor Bessner (Jack Warden), Mrs. Van Schuyler (Bette Davis), Miss Bowers (Maggie Smith), and Jacqueline De Bellefort (Mia Farrow). As more bodies pile up, however, it appears that nearly everyone aboard has a motive. The script for Death on the Nile (1978) was adapted by Anthony Shaffer, the writer of Sleuth (1972) and the identical twin brother of Amadeus (1984) author Peter Shaffer. ~ Karl Williams, All Movie Guide
- Starring:
- Peter Ustinov, Jane Birkin, (more)
- 1976
In 1926, flamboyant evangelist Aimee Semple McPherson disappeared for six weeks. At first feared drowned (she'd been vacationing on a California beach at the time she vanished), Aimee finally showed up, wandering barefoot in the Mexican desert. For the benefit of the press, Aimee related a fantastic story of being kidnapped and held for ransom, a story given "credence" by a ransom note which popped up at her Four Square Gospel headquarters. Aimee's tale was full of holes; as more facts became known, it was apparent (to everyone but "true believers") that Aimee had spent those six weeks on a romantic idyll with Kenneth Ormiston, a married radio technician. This made-for-TV movie takes no sides in the controversy, offering generous space to both theories; still, Aimee does not come off as being particularly saint-like. Faye Dunaway stars as Aimee, Bette Davis co-stars as her domineering mother, and William Jordan is man-in-the-middle Ormiston. Written by John McGreevey, The Disappearance of Aimee was the November 17, 1976, presentation of NBC's Hallmark Hall of Fame. ~ Hal Erickson, All Movie Guide
Dan Curtis, director of TV's Dark Shadows series, directed this eerie haunted-house thriller about a house which draws energy from its inhabitants and selects its own "keeper" from the family of Ben and Marian Rolf (Oliver Reed & Karen Black), who rent the strangely-affordable house one fateful summer then find themselves slowly succumbing to its creepy powers. The photography is suitably moody, and many of the standard haunted-house cliches are used to decent effect -- particularly a violent scene in which the surrounding woods form a barrier to prevent the family station wagon from escaping the area -- but the pace is too leisurely overall, climaxing with the type of grim ending employed by nearly every mainstream horror film in the late 70's. Black's spooky looks are used to maximum effect, but are never quite as chilling as the final shot of Curtis's TV movie Trilogy of Terror from the previous year. ~ Cavett Binion, All Movie Guide
- Starring:
- Karen Black, Oliver Reed, (more)
