Jean Dasté Movies

Acclaimed French director Alain Resnais, winner of many international film awards for his ground-breaking creativity (Hiroshima, Mon Amour, L'Année Dernière à Marienbad), follows up his successful La Vie Est Un Roman with this continuing saga of love and death. This time, two principal actors from La Vie.. (Pierre Arditi and Sabina Azéma) star as Simon and Elizabeth, a new couple very much in love, and two more (Fanny Ardant and André Dussolier) star as their friends Judith and Jerome Martignac. After Simon has arrived at an archaeological dig he is directing in the south of France, he meets the winsome Elizabeth, and the two fall deeply in love, living joyously together for a full two months. Then Simon has a seizure of sorts and appears to have died, but he miraculously revives with memories of his experience that make his feelings for Elizabeth pale by comparison. As he searches for a way to express and regain that experience, he has another seizure, and this time he does not come back. Elizabeth continues their previous conversations with friends Judith and Jerome, both Protestant ministers, in an effort to come to a decision about her own life and death. In this highly symbolic drama, Simon is clothed only in black, Elizabeth only in red, and several dozen especially composed musical interludes alternate with the action, their sounds accompanied by a snow-like pattern that moves down a black screen. Although critics do not rank this effort by Resnais with some of his earlier, best films, Amour à Mort is still a strong cinematic statement. ~ Eleanor Mannikka, Rovi

The pain of writer's block is examined in this drama that centers around the daily anxieties of a frustrated writer who can't. ~ Sandra Brennan, Rovi

Alain Resnais's Mon Oncle D'Amerique is presented in the form of a "case history," replete with a pedantic narrator, played by real-life behavioral scientist Henri Laborit. Gerald Depardieu plays a plant manager whose behavior is inspired by the films of "macho" French film star Jean Gabin. Nicole Garcia portrays an actress who has patterned her conduct after stage and film luminary Jean Marais. And Roger-Pierre is a TV executive whose main influence in life is lovely cinema actress Danielle Darrieux. Though it may sound like a Woody Allen comedy, Mon Oncle D'Amerique eschews satire for the most part, treating both its subject matter and its subjects with intense seriousness. The film scored a hit with moviegoers and critics alike, and was honored with six French Cesar Awards. ~ Hal Erickson, Rovi

Jean Baptiste Pouquelin Molière (1622-73) was perhaps the greatest playwright of French history. His comedies have been performed, adapted and re-adapted continually from his day to ours not only in France, but around the world. It is certain that he lived and breathed for the theater: the company he toured with became first, the King's Troupe (for the "Sun King," Louis XIV), and later became what was even then the most prestigious theater company of France, the Comédie Française. The Comédie Française remains a national institution of unimaginable importance. Thanks to Molière's devastating wit, the king's patronage and protection was more than a formality: he offended many important people personally and in his comedies. This lavish biographical film chronicles his childhood experiences as a merchant's son, going by the name of Pouquelin, up to the time he ran away to join the Béjart company of travelling players, and then follows his later years as a respected client of the king. Viewers will find their appreciation for this film enriched by prior knowledge of Molière, his plays, and his times. ~ Clarke Fountain, Rovi

Experimental, non-narrative in structure, and surrealist in tone, this picture focuses on the enigmatic utterances of a poet, along with his reminiscences about life and monologues about possibly imaginary events. ~ Clarke Fountain, Rovi

Francois (Jean-Paul Belmondo) was framed as a drug-trafficker by none other than the head trafficker himself and spent seven years in prison for his supposed crimes. Now an ex-con, the vengeful Francois carefully arranges things so that the kingpin's own henchmen murder him, as they believe that they are also about to fall victim to the mobster's ruthless schemes. Flashbacks show that Francois had a rewarding, though tumultuous life before his imprisonment. Now he has a new girlfriend, and a new life, in this movie based on a book by Marceau. ~ Clarke Fountain, Rovi

This drama tells the tale of union woes at a French factory, and of the single mom who gives her all for the union cause. Pierrette (Dominique Labourier) is the young mother, and she somehow has time to have an affair with her handsome co-worker who is nicknamed Beau Masque (Luigi Diberti). All this grows more complicated when the workers go out on strike. ~ Clarke Fountain, Rovi

Z is one of the most politically insightful films ever made, exposing government hypocrisy and cover-up in the wake of a political assassination. Zei (Yves Montand) is a scientist who is scheduled to give a speech against the use of the atomic bomb. On the way to the event, he is attacked outside the auditorium by a group of right-wing extremists with political ties to the government as the police stand by and do nothing to intervene. He recovers long enough to make the speech but is later clubbed again and must undergo several surgeries, then dies during one of the procedures. A newspaper reporter finds a witness to the event and a judge willing to hear the case despite government protests. The ensuing trial reveals a government conspiracy, but the results of the trial are thrown out when a new government is formed by a military coup, which results in the intolerance that outlaws long hair, the Beatles, and any peaceful protests. Director Costa-Gavras used actual trial transcripts of the investigation into the May 22, 1963, assassination of Greek pacifist leader Gregoris Lambrakis, which proved a government conspiracy in his death. Yves Montand gives the best dramatic performance of his life, and Irene Papas stars as his wife, Helena. Z won the Oscar for Best Foreign Film of 1969, was 14th in terms of box-office success, and hit an international nerve in the age of social unrest, government cover-up, and political assassinations. All those involved worked on the film for a reduced rate with an option for royalties based on earnings at the theater window. The letter Z in the Greek alphabet means "he is alive." ~ Dan Pavlides, Rovi

The French aircraft carrier Clemenceau is used in this low-budget science fiction saga. A flying saucer appears and causes concern among the ship's crew and the heads of state. Routine take offs and landings of planes and military drills are included but fail to add much interest to this already weak storyline. ~ Dan Pavlides, Rovi

Alain Resnais's third feature film, like his earlier Hiroshima Mon Amour and Last Year at Marienbad, is devoted to the vagaries of memory. The title character is seen only in the 8-millimeter films run over and over again by Bernard (Jean-Baptiste Thierée). A veteran of the French/Algerian war, Bernard was obliged to participate in the torture murder of Muriel, an Algerian girl accused of sabotage. He is no more successful at recapturing or altering his past than is his stepmother Helene (Delphine Seyrig), who attempts to rekindle a romance with Alphonse (Jean-Pierre Kerien). Practically everyone else in the cast follows the lead of the leads by dwelling on Things Past to the detriment of the Present. Resnais' scriptwriter on Muriel ou le Temps d'un Retou was Jean Cayrol, whose earlier collaboration with the director yielded the celebrated short subject Night and Fog. ~ Hal Erickson, Rovi

Originally filmed and released in 1941 as Remorques, this heavy-breathing French melodrama was distributed stateside in 1946 as Stormy Waters. The film was a typical Jean Gabin vehicle, replete with two-fisted action, star-crossed romance and intense emotional turbulence. Gabin plays Laurent, a salvage-boat captain who rescues a merchant vessel from a storm-tossed sea. The vessel's far-from-grateful captain (Jean Marchat) manages to skip without paying Laurent his salvage money, leaving behind his wife Catherine (Michele Morgan). Tending to Catherine's injuries until they reach port, Laurent falls in love with the woman, despite the fact that he is already married to the seriously ill Yvonne (Madeleine Renaud). It takes a lot of doing, but Laurent eventually ends his affair and allows his own wife to expire believing that he's been 100% faithful. An enormous success in France, Stormy Waters was picked up for American distribution by MGM, which surprisingly buried the film in its second-string houses. ~ Hal Erickson, Rovi