Linda Darnell Movies

In this western, a world-weary bounty hunter begins working for an avaricious crook who wants to destroy the good name of a little town so that the railroad will be built across his land. To enact his plan he brings a notorious gambler to town. He also establishes a brothel in the saloon. The sheriff and the good townspeople protest, but the villain takes care of him. This angers the bounty hunter, who has come to like the lawman and he turns against his boss. ~ Sandra Brennan, All Movie Guide

This suspenseful air-borne adventure can rightfully lay claim to being the Mother of All subsequent in-flight disaster films of the '70s. The trouble begins when the pilot and crew of a Canadian passenger plane suddenly find themselves doubled over from accidental ptomaine poisoning and unable to continue flying the plane. The only other person on board who can save the terrified crew is a former WW II flying ace who is petrified of flying again. Fortunately, a courageous steel-nerved ground controller is there to offer full-radio support. Later the film became the basis of a TV movie Terror in the Sky and the hilarious parody Airplane (1980). Arthur Hailey, who wrote the teleplay on which this was based, went on to write the novel and the screenplay for 1970's Airport. ~ Sandra Brennan, All Movie Guide

The relationship between a pilot and his wife is disrupted by a war orphan. ~ All Movie Guide

Some good performances overcome the scripted cliches in Dakota Incident. In the tradition of Stagecoach, the film offers a disparate group of travellers whose lives are imperiled when their coach heads deep into Indian territory. Linda Darnell plays Amy Clarke, the requisite you-know-what with a heart of gold. Dale Robertson costars as hard-bitten outlaw John Banner, who is willing to let a fellow passenger, bank clerk Carter Hamilton (John Lund), take the fall for a recent robbery. Ward Bond is Senator Blakely, whose "live and let live" policy regarding the Indians is a smokescreen for his corrupt activities. Regis Toomey is the obligatory drunk, here named Minstrel. And Whit Bissell is Mark Chester, the seemingly mild-mannered greenhorn who reveals hidden reserves of strength when the going gets rough. A clue as to who will survive the inevitable Indian attack is offered by the order of billing in the opening credits of Dakota Incident. ~ Hal Erickson, All Movie Guide

Independently produced by Allan Dowling Pictures, This is My Love was distributed in the U.S. by RKO Radio. The film stars Linda Darnell as Vida, a would-be writer, whose vivid imagination contrasts with the harsh realities of her middle-class household. Her sister Evelyn (Faith Domergue), married to the crippled and embittered Murray (Dan Duryea), is unable to escape into Vida's dream world, though she'd certainly like to do so. When Vida introduces her sweetheart Glenn (Rick Jason) to Evelyn, the latter immediate begins drawing up plans to steal the handsome hunk away from her sister. Not unexpectedly, things degenerate into deception, heartbreak and murder. ~ Hal Erickson, All Movie Guide

Even without its 3D/stereophonic sound gimmickry, Second Chance is a crackling good suspenser. Robert Mitchum plays Russ Lambert, a prizefighter who heads to South America to forget a recent tragedy in the ring. Here he meets Clare Shepard (Linda Darnell), who is likewise running away -- not from her bitter memories, but from her boyfriend, a vicious gangster. Also newly arrived in South America is Cappy Gordon (Jack Palance), the cold-blooded triggerman for Clare's ex-beau. After several close calls and near-misses, the three main characters converge in a disabled cable car, high above a deep abyss. Filmed on location at RKO Radio's Mexican facilities, Second Chance takes a while getting started, then rapidly builds to a heart-pounding finale. ~ Hal Erickson, All Movie Guide

During World War II, an injured pilot, his nurse and a Marine, all marooned on a desert island, fall into a love triangle in this film also known as Saturday's Island. ~ Jason Ankeny, All Movie Guide

A remake of the French Le Corbeau ("The Raven"), The Thirteenth Letter is a film noir in a curious setting -- a rural village deep in Quebec, seemingly sleepy and typical. Dr. Laurent (Charles Boyer) returns from a medical convention in Montreal, anxious to see his much younger wife, Cora (Constance Smith). Cora is attracted to Dr. Pearson (Michael Rennie), a young doctor who moved into the town soon after his unfaithful wife killed herself. Soon Pearson, Laurent and Cora all receive letters -- signed "the Raven" -- hinting at an affair between Pearson and Cora. Soon more poison pen letters are showing up around town, including one which insinuates that Pearson has not been telling the truth about the medical condition of a wounded war hero. Distraught, the veteran takes his life, unaware that the information in the letter was a lie. Meanwhile, Pearson has become attracted to Denise, (Linda Darnell), a romance-starved young woman born with a clubfoot. As suspicion builds about who is sending the letters -- and about whether Pearson should be trusted -- the Mayor takes charge of the investigation, and Pearson doubles his efforts to prove his innocence. ~ Craig Butler, All Movie Guide

The Lady Pays Off is a formative example of filmmaker Douglas Sirk's elegant exotica. Linda Darnell plays the title character, a vacationing schoolteacher and one-time gambler named Evelyn Warren. Unfortunately, that "one time" leaves Evelyn indebted to casino owner Matt Braddock (Stephen McNally) to the tune of seven G's. Braddock offers to absolve Evelyn of her debts if she will agree to tutor his troublesome preteen daughter Diana (Gigi Perreau). Chafing at being forced into servitude, Evelyn schemes to make Braddock fall in love with her, then dump him. But Diana takes a liking to Evelyn and cooks up a little scheme on her own to bring the teacher and her father together. It's a simple, unassuming comedy, given a veneer of class and polish by the inimitable Mr. Sirk. ~ Hal Erickson, All Movie Guide

A pioneering film about racial tensions, No Way Out stars Richard Widmark as a criminal named Ray Biddle, who despises African-Americans. Sidney Poitier (in his screen debut) is the black doctor, Luther Brooks, assigned to take care of the wounded Ray. Dr. Brooks, hired by the police hospital as part of an overall program to integrate the staff, keeps his temper in check as Ray spouts his racist invective. When Ray's brother, also wounded, dies in the hospital, the blustering bigot holds Dr. Brooks responsible and sends word to his gang to wreak vengeance on the city's black community. But the blacks turn the tables on the whites and fight them off. Ray then breaks out of the hospital with Dr. Brooks as hostage. His plans to kill the doctor are thwarted by Ray's girlfriend (Linda Darnell), who finally becomes fed up with his blind hatred. No Way Out was considered potent stuff in 1950; it was still regarded as a hot potato in 1962, when NBC dropped plans to telecast the film on "Saturday Night at the Movies." ~ Hal Erickson, All Movie Guide

A remake of Wife, Husband and Friend (1938), Everybody Does It is a frantic satire of the opera world. Businessman Paul Douglas is forced to suffer in silence when his wife (Celeste Holm) decides to become an opera star. Compelled to bankroll a concert for his missus, Douglas meets genuine opera diva Linda Darnell at the concert. While passing the time, Darnell discovers that Douglas in fact has a magnificent singing voice. Partly because he is flattered by Darnell's attentions, and partly to show up his wife, Douglas embarks on his own operatic career. But on the night of his debut, Douglas suffers a severe attack of stage fright, gets "doped up" on medicine in order to survive the performance, and hilariously humiliates himself in front of everyone. Darnell l angrily stalks out of the scene, and the sadder-but-wiser Douglas and Celeste Holm return to each other's arms. ~ Hal Erickson, All Movie Guide

The year is 1908 and the setting Jericho, Kansas, a veritable cesspool of sin and vice. Dave Connors is a politically ambitious lawyer married to Belle, the town lush, and is in love with beautiful colleague Julia Norman. Matters are worsened when Algeria Wedge, his best friend's wife, makes a pass at him. When Dave rejects her advances, she retaliates by printing vile things about him in the town paper. This effectively destroys his political career and causes him to leave town. Algeria then successfully helps to launch her husband's career so she can remain in town and cause even more trouble. ~ Sandra Brennan, All Movie Guide

They said it couldn't be done, but they did it: Kathleen Winsor's "notorious", bestselling bodice-ripper Forever Amber actually made it to the screen in 1947 with full censorial approval. Of course, it was necessary to tone down the more erotic passages of Winsor's novel, but the end result pleased fans of the book and bluenosed nonfans alike. A last-minute replacement for British import Peggy Cummins, Linda Darnell steps into the role of 17th century blonde bed-hopper Amber as though she'd been born to play it. Feeling suppressed by her Puritan upbringing, Amber heads to London, finding considerable success as a courtesan (that's the polite word for it). The first real love of her life is dashing soldier Bruce Carlton, who leaves her pregnant and penniless when he marches off to war. Subsequent amours include the sadistic Earl of Radcliffe (a superbly loathsome performance by comic actor Richard Haydn), handsome highwayman Black Jack Mallard (John Russell) and privateer Captain Rex Morgan (Glenn Langan). Surviving the Plague and the Great London Fire with nary a hair out of place, Amber ends up in the arms of no less than King Charles II (wittily portrayed by George Sanders), but true love, as personified by Bruce Carlton, will always elude her. Taking no chances, 20th Century-Fox sent out Forever Amber with a spoken prologue, heard over the opening credits, which explained that the film in no way endorsed its heroine's libertine behavior, and that she would be amply punished for her sins before fadeout time (that prologue has thankfully been removed from current prints). A model of restraint by today's standards, Forever Amber was sufficiently titillating in 1947 to post an enormous profit, far in excess of its $4 million budget. ~ Hal Erickson, All Movie Guide