Alain Cuny Movies

When Silvano (as a boy, played by Federico Zanola) revisits his childhood home for the first time in years, he is soon overwhelmed by memories of the last days of World War II. It was a time when he witnessed murders and executions, formed a friendship with an elderly outcast, and learned that his father was not a heroic man of principle, but rather was a fearful man who was all-too ready to bend to whatever political winds were blowing. This story is based on director Silvano Agosti's autobiographical novel. ~ Clarke Fountain, All Movie Guide

The director of this film, noted French stage and film actor Alain Cuny, was for years a friend and associate of the diplomat, playwright and symbolist poet Paul Claudel (1868-1955), whose sister Camille was perhaps better known outside the French-speaking world. In fact, one of Cuny's last movie performances was in the 1988 film Camille Claudel, based on the sculptress' life. Before he died in 1955, the playwright asked that Cuny direct a picture based on his play L'Annonce faite a Marie, and in this somewhat stage-bound production, he is honoring that request. Set at the time of the Crusades, it tells the story of love and tragedy, intermingled with mysticism. Jacques is betrothed to marry Violane, a beautiful and gentle woman. When she discovers that she has leprosy, however, the marriage is off, and she retires to a life of prayer at an isolated hermitage. Instead, Jacques marries her sister Mara. When Jacques and Mara's child dies shortly after birth, Mara implores her saintly sister to come out of isolation to bring her child back to life. In 1991, this critically esteemed and poetic film won the Prix Georges Sadoul. ~ Clarke Fountain, All Movie Guide

In this meditative, poetic comedy, a strait-laced young bureaucrat has been informed that, rather than being promoted, he is being apprenticed to the town archivist in anticipation of taking over his job whenever the old man retires, which doesn't look like it will happen anytime soon. A vengeful anarchist sets the town hall aflood, and something changes in the minds of the lad and his new mentor, so that we see them happily folding soggy, ruined official forms into boats and sending them down the river. ~ Clarke Fountain, All Movie Guide

This suspenseful Italian crime drama is set in a Colombian river town and chronicles the series of events that led up to murder. Based on a novel by distinguished author Gabriel Garcia Marquez, the tale begins in the present as a middle-aged doctor returns to the village after a twenty-year absence to investigate the murder that occurred just before he left. A flashback ensues. All the trouble began when a wealthy general's son came to town searching for a bride. He found an appropriate girl and was very happy until he discovered that his bride was not a virgin. In a terrible rage he sent the poor girl back to her family where her father beat her into revealing her lover's name. Her twin brothers then set out to punish the guilty fellow, a much-despised womanizer. Though the entire town knew that the brothers planned to kill him, no one intervened. Strangely, the victim died without a fight. The story jumps back to the present to witness the return of the general's son. He runs into his former fiancee and quietly hands back all of the letters she had written him over the years. Not a single one is opened. ~ Sandra Brennan, All Movie Guide

In this slow-paced and chaotic film, Ravi has been bedding a beauty queen who is on the outs with her former lover and has been drinking a lot. They are at a hotel in Provence which a local landowner has a grudge against. Before the hotel came, the main livelihood in the region was fruit-growing. With the arrival of the hotel, it is only a matter of time before tourism takes over. The landowner has hired some drifters to set fire to the hotel. ~ Clarke Fountain, All Movie Guide

After several years of making films to please only himself, French director Jean-Luc Godard once more invites the audience to the party with The Detective. Not that there's anything so blase as a linear plot or appealing characters, but at least some of Godard's isolated vignettes are accessible this time around. Set in the Hotel Concorde at St. Lazare, the film is set in motion when miserably married Nathalie Baye and Claude Brasseur attempt to collect a debt from mob-plagued boxing manager Johnny Hallyday. Meanwhile, hotel detective Jean-Pierre Leaud tries to solve an old murder case. These two gossamer plot strands are used to tie together Godard's scattershot views on modern life, with emphasis on the voyeuristic potential of the recent video-camera boom. The director dashed off The Detective to raise money for a film he truly cared about, the controversial Hail Mary. ~ Hal Erickson, All Movie Guide

The internationally renowned string quartet had been performing together for most of their adult lives when their lead violinist suddenly died, leaving the remaining three confused about their lives and careers. Up till then, all they had known were the rigors of constant practice and traveling. Music was everything, and they never took the time to sample Life's other pleasures. The trio decide to split up, but then a young violinist shows up and convinces them to reform the group and let him take over. He is one of the most talented players they have ever heard and the quartet once again makes sweet music. But as good as he is on stage, the youth is a wild man off stage who freely smokes dope, sleeps with fans, and parties whenever he can. Seeing that his private life has not affected the brilliance of his playing and even suspecting that it may even improve his playing, the three old players are thrown into personal tail spins as they look back at their own austere life choices. ~ Sandra Brennan, All Movie Guide

Based on an autobiographical novel by Carlo Levi, Cristo si e fermato a Eboli stars Gian-Maria Volonte as Levi, a prominent anti-fascist author and artist who, during Mussolini's regime was exiled to Eboli, a tiny village in Southern Italy. The government believed Levi's controversial views would fall on deaf ears, but as he spent time in the small pastoral community, the simple wisdom of the peasants came to have a profound impact on Levi, and his beliefs would also impact the people of Eboli. Francesco Rosi's film is usually screened in a version running 150 minutes, though a longer 210 minute cut is also available. ~ Mark Deming, All Movie Guide

Roland des Roncesvalles is a legendary knight from the age of chivalry in France. In the 11th-century epic La Chanson de Roland, he is depicted as a key figure in halting the advance of the Arabs into France. In this story, the 10th-century legend is staged by a group of 12th-century pilgrims using the 11th-century poem. Their acting is interrupted by a violent peasant uprising, which kills many of their number. However, one of the survivors, who was playing Roland (Klaus Kinski), is converted to the peasant cause and later speaks out in favor of more just treatment for the downtrodden. ~ Clarke Fountain, All Movie Guide

Marcello Mastroianni stars in this French farce, an absurd "western" set in Paris, with Mastroianni as the incurably vain General George Armstrong Custer. Richard Nixon is the American president, but everyone is costumed appropriately for the previous century. Buffalo Bill (Michel Piccoli), the famous scout, is here portrayed as a limp-wristed bungler. Ugo Tognazzi plays one of Custer's Native American opponents; he runs a curio shop selling Native artifacts made in sweatshops by white women. The climactic battle is held in a large construction excavation where Les Halles market used to be. The language the two sides use to justify their conflict is lifted from that used in the then-current Vietnam War. ~ Clarke Fountain, All Movie Guide

This strident Yugoslavian/Italian film is a very uneven adaptation of a small portion of the famous and much-loved whimsical novel The Master and Margarita by Mikhail Bulghakov. It attempts to deal only with the Moscow portion of the novel. Even so, it was a brave attempt to film the unfilmable, and uses animation and other techniques to portray the more fantastic aspects of the story. In the film, which lovingly recreates the Moscow of the 1920s, the Master (Ugo Tognazzi) is a playwright. He is attending the dress rehearsal for his play, which is being performed over the objections of everyone involved, except for his girlfriend Margarita (Mimsy Farmer) and Professor Woland (Alain Cluny). He grows frantic when he discovers that the Professor is actually the Devil (the actual supernatural being, not just a very bad man). The Master tries to warn people but is committed to an insane asylum for his pains. At the play's premiere, the Professor uses his magical powers to add terrifying special effects which send the audiences screaming out of the theater. The film makes many guarded references to the persecution (past and present) of artists under communism. ~ Clarke Fountain, All Movie Guide

This tiresome comedy features pop singer Enzo Jannacci as Amedeo, a country rube who comes to Vatican City seeking a personal audience with the Pope. Detailing Amedeo's battle with officious Vatican bureaucrats and bungling attempts to catch the Pope off-guard, the film rarely rises to the level of director Marco Ferreri's more subversive farces and resembles nothing more than a 1970s Neapolitan-style Pauly Shore vehicle. Italian film buffs will still appreciate the cast, which includes Ugo Tognazzi and Michel Piccoli of La Cage aux Folles as well as Claudia Cardinale, Vittorio Gassman, and Alain Cuny. ~ Robert Firsching, All Movie Guide

While arch surrealist Luis Bunuel never made a secret of his skepticism about the existence of God, he was also raised as a strict Spanish Catholic and remained fascinated with the church's teaching throughout his life, and his obsessions with both faith and the contradictions of dogma provided the basis for this episodic satiric comedy. Jean (Laurent Terzieff) and Pierre (Paul Frankeur) are two threadbare vagabonds who are making their way from Paris to Spain on a pilgrimage to Santiago de Compostela, where the remains of Saint James are believed to be kept. While Jean and Pierre's journey begins in the 20th Century, as they travel they seemingly develop the ability to move through time and space as they pass through a variety of historical scenes taken from a broad range of theological texts -- and all involving heresy in one form or another. As they walk the long road to Santiago de Compostela (when they can't catch a ride), Jean and Pierre encounter Jesus (Bernard Verley), who decides not to shave his beard to keep his mother happy; a young boy with stigmata and unusual powers; the Marquis de Sade (Michel Piccoli), who patently struggles to teach atheism to a young girl he's captured; an eccentric priest who has an irreversible belief in transubstantiation until he changes his mind; two men who put their debate over Catholic dogma to the test in a duel with swords; and Satan (Pierre Clementi), who shows up just in time for a car wreck. La Voie Lactee (aka The Milky Way) was scripted by Bunuel and his frequent screenwriting collaborator Jean-Claude Carriere; each of the film's historic episodes was adapted faithfully from an actual biblical text or historical account. ~ Mark Deming, All Movie Guide