Risa Bramon Garcia Movies

The third entry in executive producer Jerry Bruckheimer's "CSI" (Crime Scene Investigation) franchise, CSI: NY was introduced as "MIA/NYC," the May 17, 2004, episode of CSI: Miami. Making its formal weekly CBS debut on September 22 of that same year, the new series starred Gary Sinise as Mac Taylor, head of the New York City crime lab, whose job it was to use the skimpiest of forensic evidence to track down murderers. A Chicago native, Mac had gotten his police job as the result of his bravery under fire as a U.S. Marine; and like most of major CSI characters, he harbored quite a few personal demons, most of them stemming from the death of his wife in the Twin Towers on 9/11. Taylor's team of forensic specialists included Stella Bonasera (Melina Kanakaredes), an outspoken female cop who'd pulled herself up from a murky background (she'd been an orphan raised by strangers) and was the most caustic and outspoken of the CSIers; Don Flack (Eddie Cahill), Yonkers-born scion of a family of cops, who effectively bridged the gap between traditional and modern police methods and wasn't above bending the rules; Mac's protégé Danny Messer (Carmine Giovinazzo), who grew up in Staten Island as part of a suspected (and constantly under-surveillance) crime family, but who'd decided to operate on the right side of the law -- albeit on his own terms; Chief Medical Examiner Dr. Sheldon Hawkes (Hill Harper), a Harlem native who'd graduated from college at 18 and became a licensed surgeon at 24, but who felt out of place in the rarefied world of commercial medicine and opted for police work instead; and flirtatious, streetwise forensic analyst Aidan Burn (Vanessa Ferlito). The theme music for CSI: NY was that old favorite by The Who, "Baba O'Reilly." The series was created by Anthony Zuiker, Ann Donahoue, and Carol Mendelsohn. ~ Hal Erickson, All Movie Guide

The ad copy for the ABC medical drama MDs promised "doctors who'll bend any rule and take on the system." The series looked and sounded a lot like M*A*S*H, the difference being that it took place in peacetime, and in contemporary San Francisco. William Fichter and John Hannah essayed the Hawkeye and Trapper John counterparts, here named Dr. Bruce Kellerman and Dr. Robert Dalgety. Though chronically irreverent and taking special delight in bucking bureaucracy and red tape at every opportunity, the two protagonists also happened to be brilliant and dedicated surgeons, investing an emotional interest in virtually all their patients ("Come on, you're not gonna die on me today!"). In its efforts to sustain a staunchly anti-HMO stance, the series admittedly stacked the deck a bit by drawing virtually all of its authority figures in broad, almost caricatured strokes: For example, Kellerman and Dalgety's chief nemesis was Mission General Hospital's bean-counting new administrator Pangborn (Leslie Stefanson), who had previously managed a theme park and who fainted at the sight of blood. MDs premiered September 25, 2002. ~ Hal Erickson, All Movie Guide

A man trying to save his relationship with the woman he loves finds himself sinking into a quicksand of small lies and half-truths in this comedy. Paul (Jason Lee) is a regular guy who is engaged to marry Karen (Selma Blair); while Paul loves Karen, he's more than a bit nervous around her family, even though her father (James Brolin) has already given him a job in the family business. Shortly before the wedding, Paul's friends throw him a bachelor party, complete with a boatload of liquor and a squadron of grass-skirt-clad tiki dancers. Paul strikes up a conversation with one of the dancers, the cheerful if inept Becky (Julia Stiles), and the next morning, he wakes up bleary-eyed with a massive hangover -- and Becky in bed next to him. Paul soon receives a phone call from Karen saying she's stopping by for a visit, and Paul scrambles to get Becky out of his apartment. Paul attempts to explain some incriminating evidence with a few white lies, but a messy situation gets messier when Paul runs into Becky at a pre-wedding family get-together...and discovers she's Karen's cousin. A Guy Thing also features Shawn Hatosy, Lochlyn Munro, and Julie Hagerty. ~ Mark Deming, All Movie Guide

Following their television series Home Improvement and the features The Santa Clause (1994) and Jungle 2 Jungle (1997), the actor/director team of Tim Allen and John Pasquin collaborate once again on this high-concept comedy. Allen stars as Joe Scheffer, a nice guy video specialist for a Minneapolis pharmaceutical company who's plodding through both his thankless job and an unhappy divorce from his ex-wife Callie (Kelly Lynch). When Joe brings his daughter Natalie (Hayden Panettiere) to the office with him on Take Our Kids to Work Day, he's humiliated in a spat with company bully Mark McKinney (Patrick Warburton) over a parking space. It's the last straw for the mild-mannered Joe, who challenges McKinney to a rematch, hires a has-been action movie star (Jim Belushi) to instruct him in martial arts, and pays a stylist to make over his wardrobe and hair. As Joe's image improves and the big day approaches, he finds his new self-respecting stance has positive effects in both the workplace, as he lands a long-overdue promotion, and in his romantic life, as both Callie and a cute "wellness coordinator" (Julie Bowen) start warming up to him. The levelheaded Natalie, however, seems to prefer the previously non-confrontational dad she already loved. Joe Somebody (2001) is the feature debut of screenwriter John Scott Shepherd, who actually worked as a corporate filmmaker in Minneapolis. ~ Karl Williams, All Movie Guide

On New Year's Eve, no one wants to be alone. On this night in 1981, several different groups of young desperate people begin a journey from around New York City to a big party hosted by Monica (Martha Plimpton) and new friend Hillary (Catherine Kellner). As the hours pass and no one shows, Monica begins to unravel. She must bribe Hilary to stay with the promise of a clear shot at Monica's old boyfriend, Eric (Brian McCardie). Eric, at that moment is drinking in a nightclub with his new girlfriend, Bridget (Nicole Parker) and her friend Caitlyn (Angela Featherstone). When Bridget learns the host of the party is Eric's ex-girlfriend, she moves in on the bartender (Ben Affleck). Another group consists of two teenagers from Long Island, Monica's cousin Val (Christina Ricci) and Stephie (Gaby Hoffmann). The two get lost on the way when they run into a pair of punk rockers, Tom (Casey Affleck) and Dave (Guillermo Diaz). In a nearby diner, Lucy (Courtney Love) commiserates with her best friend Kevin (Paul Rudd) who has just been dumped by performance artist Ellie (Janeane Garofalo) so she could move in with her therapist. As they bar hop it slowly dawns upon the two that they could be more than friends. Elsewhere, new acquaintances Jack (Jay Mohr) and Cindy (Kate Hudson) are celebrating more than the new year. Cindy lost her virginity to Jack the night before, though is afraid Jack is with her out of sense of obligation. Now if only everyone can get to the party by midnight. Linking the different stories is the disco cabbie (Dave Chappelle) in whose cab the party never stops. ~ Ron Wells, All Movie Guide

In the Babe tradition of talking animatronic animals, this comedy adventure gets underway when animal-research-lab janitor Misha (Tony Shalhoub) expresses concern for a Blue-crown Conure parrot named Paulie (voice of Jay Mohr) caged in a dank basement. Misha settles back as Paulie tells his life story, seen in flashback: When Paulie was owned by little Marie (Hallie Kate Eisenberg), the parrot helped the little girl get rid of her stutter. After Marie tried to teach Paulie how to fly, he wound up in a pawnshop owned by Artie (Buddy Hackett), where he got an education in one-liners. Paulie and Ivy (Gena Rowlands) learn Marie's family is in LA, so Ivy agrees to drive Paulie cross-country in her RV. However, Marie goes blind and dies. Paulie is forced to fly to LA, where small-time entrepreneur Ignacio (Cheech Marin), with an eye for talent, talons and tacos, puts Paulie to work as a dancer at his taco-stand, where Paulie gets a birds-eye view of a female parrot with pretty plumage. Unfortunately, researcher Dr. Reingold (Bruce Davison), convinced Paulie can bring him academic recognition, steps in with a false promise to link the parrot up with Marie. Betrayed, Paulie refuses to speak anything other than the standard "want-a-cracker" lines, resulting in solitary confinement. Misha, who knows why the caged bird talks, hopes to free Paulie for an eventual reunion with Marie. Animal stunt coordinator Boone Narr and Stan Winston animatronics brought Paulie to life. For another fine-feathered film, see Dean Riesner's Bill and Coo (1947); the film's all-bird cast (dressed in human clothing) brought a "Special Award" for producer Ken Murray during the 1948 Oscar ceremony. ~ Bhob Stewart, All Movie Guide

Indications were that this action sequel was in trouble before production began, when the male lead from the first film, Keanu Reeves, declined a role in the follow-up. Sandra Bullock returns as Annie Porter, an accident-prone ditz who is thrilled when her boyfriend Alex (Jason Patric) presents her with two tickets for a cruise ship vacation to the Bahamas. The trip is a peace offering presented because Annie has just learned that Alex is a police officer who's been lying to her about his choice of profession. Little does the happy couple know that the disgruntled John Geiger (Willem Dafoe), designer of the ship's computer system, has plotted a violent takeover of the vessel and a diamond hijacking that puts everyone on board in mortal danger. Being the dashing police officer he is, Alex leaps into action and tries to stop Geiger, but not before the ship crashes at top velocity into a Caribbean port town. Sandra Bullock agreed to star in this flop of a sequel in order to get financial backing for a pet project, Hope Floats (1998), a low-budget drama that turned a healthy profit. ~ Karl Williams, All Movie Guide

Bill Paxton, Helen Hunt and Carey Elwes may be billed as the stars of Twister, but the film's real attractions are the cyclones themselves. Best experienced in a theater, the nail-biting, blow-the-audience-out-of-their-seats computer generated graphics, cutting edge sound and other special effects are designed to take viewers straight into the roaring funnel of a gigantic tornado. In order to focus on special effects and action, the story is simple and the characters are drawn in broad strokes with little depth. Jo Harding (Hunt) became a storm chaser (a meteorologist who photographs and scientifically studies tornadoes in the field) after a large twister sucked her hapless daddy into oblivion when she was a girl. Bill (Paxton) was a storm chaser too, but left to become a successful weatherman. His change of profession ruined his marriage to Jo. Before separating, the Hardings invented DOROTHY, a gizmo designed to release thousands of tiny sensors when a tornado passes over it. The Hardings hope the information transmitted by the sensors will provide insight into the nature of the whirling windstorms. Backed by a large corporation, the villainous Dr. Jonas Miller (Elwes) has created a similar machine. Neither gadget has been field tested and both groups of storm chasers are anxious to find tornadoes. At the peak of the worst twister season in decades, Bill shows up at Jo's truck with his prissy fiancee Melissa (Jami Gertz) so Jo can sign divorce papers. Suddenly a twister is spotted. With little hesitation, Bill rejoins the mad rush to reach it in time to activate DOROTHY. Jonas and his team are right behind them. Throughout the day the storms become worse and the rivalrous race becomes more intense. As they continue facing incredible dangers together Jo and Bill find renewed love while poor Melissa finds only an intense desire to get away from these storm-obsessed lunatics. ~ Sandra Brennan, All Movie Guide

A young woman at a crossroads in her life finds herself receiving plenty of advice from her older and wiser counterparts in this drama. Finn Dodd (Winona Ryder) is a graduate student trying to finish up her doctoral thesis on women's folk art while deciding if she should marry her fiancé Sam (Dermot Mulroney); she's not sure if she's ready to settle down, and suspects that Sam is unfaithful to her. Needing time to sort things out, Finn chooses to spend the summer with her grandmother Hy (Ellen Burstyn) and great aunt Gladys Jo (Anne Bancroft). Hy and Gladys Jo are avid quilters, and with a group of their friends, they work on a special quilt for Finn's wedding; as the women work together, they share stories of their lives, and Finn finds herself learning as much from hearing them talk as she does from her schoolwork. Finn also receives a visit from her free-spirited mom Sally (Kate Capshaw) and finds herself infatuated with a good looking young man who lives nearby. Maya Angelou plays one of the quilters, as do Kate Nelligan, Jean Simmons, and Alfre Woodard. How to Make an American Quilt was the directorial debut of Jocelyn Moorhouse, and was based on a novel by Whitney Otto that itself began as a doctoral thesis. ~ Mark Deming, All Movie Guide

If you don't think Speed is the fastest-moving adventure film ever made, we challenge you to find a faster one. Keanu Reeves stars as an LA Bomb Squad specialist whose principal antagonist is elusive bomber-extortionist Dennis Hopper. Seeking vengeance after his latest ransom scheme is thwarted, Hopper presents a personal challenge to Reeves: A wired-for-destruction city bus, which will detonate if the speedometer drops below 50 MPH. Playing the reluctant civilian who is pressed into service as the bus' "substitute driver," leading lady Sandra Bullock became a major star in her own right. Once Speed gets to the meat of its story, the excitement never lets up--not even after the boobytrapped bus is out of the picture. ~ Hal Erickson, All Movie Guide

A frenetic, bloody look at mass murder and the mass media, director Oliver Stone's extremely controversial film divided critics and audiences with its mixture of over-the-top violence and bitter cultural satire. At the center of the film, written by Stone and Quentin Tarantino, among others, are Mickey (Woody Harrelson) and Mallory (Juliette Lewis), a young couple united by their desire for each other and their common love of violence. Together, they embark on a record-breaking, exceptionally gory killing spree that captivates the sensation-hungry tabloid media. Their fame is ensured by one newsman, Wayne Gale (Robert Downey, Jr.), who reports on Mickey and Mallory for his show, American Maniacs. Even the duo's eventual capture by the police only increases their notoriety, as Gale develops a plan for a Super Bowl Sunday interview that Mickey and Mallory twist to their own advantage. Visually overwhelming, Robert Richardson's hyperkinetic cinematography switches between documentary-style black-and-white, surveillance video, garishly colored psychedelia, and even animation in a rapid-fire fashion that mirrors the psychosis of the killers and the media-saturated culture that makes them popular heroes. The film's extreme violence -- numerous edits were required to win an R rating -- became a subject of debate, as some critics asserted that the film irresponsibly glorified its murderers and blamed the filmmakers for potentially inciting copy-cat killings. Defenders argued that the film attacks media obsession with violence and satirizes a sensationalistic, celebrity-obsessed society. Certain to provoke discussion, Natural Born Killers will thoroughly alienate many viewers with its shock tactics, chaotic approach, and disturbing subject matter, while others will value the combination of technical virtuosity and dark commentary on the modern American landscape. ~ Judd Blaise, All Movie Guide

Quentin Tarantino scripted this wild and wooly blend of action and dark comedy, which reached theaters a year before his breakthrough hit Pulp Fiction. Clarence Worley (Christian Slater) is a well-meaning but socially unskilled comic-shop clerk whose idea of a big night out is catching a Sonny Chiba triple-feature at a downtown grindhouse. Clarence is celebrating his birthday in just such a manner when he meets a beautiful girl named Alabama (Patricia Arquette), and it's love at first sight for both of them. Clarence's enthusiasm isn't dampened much when he discovers Alabama is actually a prostitute who was paid by his boss to bump into him; she's only been in the business for a few days, and is more than eager to give up streetwalking to be with Clarence. However, Alabama is certain her pimp, Drexl (Gary Oldman), will not be happy; he's an ill-mannered sort with mob connections and a fondness for violence. Chivalrous Clarence offers to break the news to Drexl and collect her belongings, but he doesn't tell her he also plans to kill Drexl while he's there; a melee breaks out that leaves Drexl and his henchmen dead. Clarence grabs a suitcase that he thinks contains Alabama's clothes, but he discovers it instead holds five million dollars' worth of cocaine. The couple hits the road for California, planning to sell the dope and enjoy the good life in South America with the proceeds, but soon a group of very unhappy underworld characters are after them, as well as the police. True Romance also stars Dennis Hopper as Clarence's father, Christopher Walken as a mob boss who wants his cocaine back, Brad Pitt as a cheerful stoner, and Val Kilmer as the ghost of Elvis Presley. ~ Mark Deming, All Movie Guide