Victoria Abril Movies
One of Europe's most popular and respected actresses, Victoria Abril has made her mark in more than 60 films produced in France, Italy, and her native Spain. First introduced to American audiences through the work of Spanish director Pedro Almodóvar, who directed her in the controversial Atame! (Tie Me Up! Tie Me Down!, 1990), the sensual, brown-eyed actress has gained a Stateside cult following, but remains thoroughly European in her choice of films and the roles she plays.Abril first earned wide recognition in Spain as a 14-year-old model on the popular television shows Uno, dos, tres, responda otra vez and 625 lineas. Born Victoria Merida Rojas in Malaga on July 4, 1959, she began studying as a ballet dancer at the age of seven, but following her celebrated turn on TV, segued into acting in the mid-'70s. Abril made her major screen debut in Vincente Aranda's Cambio de Sexo, a 1976 drama that cast her as an effeminate young man who undergoes a sex change. That same year, the actress made her first English-language film, Robin and Marian, in which she played the relatively minor role of a Spanish queen. She went on to do prolific work for the rest of the 1970s and throughout the 1980s, and in 1990 had her first collaboration with Almodóvar, for whom she starred as a drug-addicted porn actress taken hostage by an obsessive fan (Antonio Banderas) in Atame!. The film was a success in Spain -- where Abril earned a Goya Best Actress nomination for her performance -- and proved to be a controversial sensation in the States, where its plot outraged certain feminist groups. Abril collaborated with Almodóvar on two more films, Tacones Lejanos (1991) -- in which she played the estranged daughter of an actress (Marisa Paredes), and Kika (1993) -- in which she had a supporting role as an over-the-top tabloid TV program hostess.
Abril scored particular critical acclaim as a darkly amorous landlady in Vincente Aranda's Amantes (1991), winning a Best Actress Prize at the Berlin International Film Festival for her performance. Further acclaim came her way with Nadie Hablara de Nosotras Cuando Hayamos Muerto (1995), for which her portrayal of an alcoholic prostitute earned her a Goya and a Best Actress award at the San Sebastian Film Festival. A starring role in the French romantic comedy Gazon Maudit (1995), which cast her as a housewife torn between her unfaithful husband and a butch female truck driver, further increased Abril's popularity. She continued to star in films that emphasized her playful, flamboyant sexuality, maintaining her reputation as one of Europe's most colorful and vibrant performers. ~ Rebecca Flint Marx, Rovi
Though the story told in Robin and Marian is unfamiliar to most audiences, it is actually quite faithful to several of the ancient Robin Hood legends. During the Crusades, Robin (Sean Connery) is still loyal to King Richard the Lionheart (Richard Harris), but even he has trouble adjusting to the monarch's ever-increasing paranoia and lunacy. After Richard's death, Robin returns to England, his first visit to his home turf in 20 years. He looks up his beloved Maid Marian (Audrey Hepburn, last seen in 1967's Wait Until Dark), who is now a middle-aged nun. No sooner do Robin and Marian renew their relationship than the aging Merry Men demand Robin's services in thwarting their old foe, the Sheriff of Nottingham (Robert Shaw). Marian is aghast that the long-standing feud between Robin and the sheriff threatens to expand into wholesale bloodshed. The two venerable enemies agree to one last mano a mano battle -- only to watch helplessly as the all-out war they'd tried to avoid commences anyway. Both the tragic climax and Robin's last, defiant arrow shot are drawn directly from authentic Robin Hood ballads of the 14th and 15th centuries. ~ Hal Erickson, Rovi
- Starring:
- Sean Connery, Audrey Hepburn, (more)
- 1976
- R
Themes long forbidden in Spain under the Franco dictatorship began to be explored in the years just following his demise. In this 1976 film, an unhappy and very effeminate man (played by a woman, Victoria Abril), experiences one difficulty after another. As a boy in Cataluña, his father attempts to teach him to "be a man." These lessons include taking him to a big-city whorehouse to have sex. At the bordello, he successfully avoids having sex with a woman, but when he sees a transvestite revue which culminates in the actors revealing their actual genitalia, he is fascinated. He runs away from home, learns to be a hairdresser, and develops a transvestite act of his own. After numerous love affairs with men, he eventually realizes his transsexual nature and goes to another country to have a sex-change operation. ~ Clarke Fountain, Rovi
- 1976
On long summer weekends, Juan (Alfredo Landa) is in the habit of hopping on his motorcycle in Madrid and driving for many hours to Torremolinos, a popular hangout for foreign tourists. There, he indulges in his fondness for romancing foreign girls. In this movie, which won a Gold Prize at the 1977 Moscow Film Festival, the people he meets on his journey form a microcosm of modern Spain. ~ Clarke Fountain, Rovi
- Starring:
- Alfredo Landa, Paco Algora, (more)
- 1977
Jose Luis Lopez Vasquez stars in Dona Perfecta as a young citizen of Madrid who responds to his aunt's summons to her village with curiosity and some skepticism. She has arranged for him to marry her daughter, his first cousin. Romantically, everything works out wonderfully, as the two fall in love and are completely willing to wed. However, a closer examination of the young city-dweller by his prospective in-laws has a quite different result on the family. The story of this film is based on a 19th-century novel by Benito Perez Galdo. ~ Clarke Fountain, Rovi
- Starring:
- José Luis Lopez Vasquez, Julia Gutiérrez Caba, (more)
- 1979
Slow in parts but still engaging and well-acted, this drama by Vicente Aranda explores the changing nature of a former fascist, Luis Forest (Lautaro Murua), and his relationship to his niece Mariana (Victoria Abril). Luis has retired to the seacoast to devote himself to writing his memoirs and ruminating over his failed marriage. His sister is worried about him and so she sends her daughter Mariana to check up on how he is doing. The wildly carefree Mariana and her silent photographer friend shake up Luis' staid world. Slowly, Mariana's taunting and teasing break down Luis' intellectual barriers and as that happens she becomes more interested in him. As flashbacks indicate, Luis was not the militant fascist everyone imagined. ~ Eleanor Mannikka, Rovi
- Starring:
- Lautaro Murúa, Victoria Abril, (more)
- 197z
A troubled wife reminisces about the events from her marriage that may have led to her daughter's suicidal depression in this Spanish drama. ~ Sandra Brennan, Rovi
- 1980
The slow mental and emotional disintegration of the mother of an autistic child is the main theme of this evocative psychological drama by J.A. Salgot. Since incest and murder are also involved, this is not exactly a film for all audiences. Clara (Victoria Abril) is graphically shown giving birth and subsequently followed as she tries to cope with the ever-more obvious autism of her new son. She leads a normal life as a keypunch operator, but her son's affliction takes its toll. She experiments with illegal drugs, eventually loses her job, and slowly recedes into a shell that is almost as impenetrable as her son's. There seems to be no ordinary way out of her gradual decline, no solution to her problem that started long ago when she refused to give her son up to an institution. ~ Eleanor Mannikka, Rovi
- Starring:
- Victoria Abril
This violent spaghettiesque western was filmed in 3-D and chronicles the adventures of a brave gunslinger who is determined to save his fiancee from her abductors, a brutal group of white slavers. ~ Sandra Brennan, Rovi
- Starring:
- Tony Anthony, Gene Quintano, (more)
- 1982
Based on a 1943 book of the same title by Camilo José Cela, Colmena features the comings and goings of a wide variety of characters, all trying to survive in a poverty-stricken Madrid during World War II. Rather than feature any single story line, these people from all walks of life cross paths almost randomly as they come to a café to sip their one cup of coffee and work on a book, or pick up a prostitute, or get their shoes shined, or play billiards, or just warm themselves on a cold winter's day. This primary setting is complemented by a brothel where a dirt-poor journalist sleeps if there is a room available that night, while during the day he tries to make ends meet one way or another. The demeanor of the people in the café or in the brothel effectively conveys the atmosphere of a long-lost era that may have had hardships but also brought a subtle sense of camaraderie to very disparate human beings. ~ Eleanor Mannikka, Rovi
- Starring:
- Victoria Abril, Ana Belén, (more)
- 1982
A young woman is abandoned by her lover after she tells him she is pregnant. Deeply depressed and longing for home, she boards a train out of town. Unfortunately a terrible train wreck ensues. She survives and ends up taking on the identity of one of the dead passengers. Now comfortable and secure that her child will have some claim to legitimacy, the woman is happy. Unfortunately, her dead-beat lover shows up and promises to make trouble if she doesn't pay up. The melodramatic plot is based on a story by Cornell Woolrich and was made twice before as No Man of Her Own (1932 and 1949 respectively). In 1996 it was remade again as the romantic comedy Mrs. Winterbourne starring Riki Lake and Shirley MacLaine. ~ Sandra Brennan, Rovi
- Starring:
- Nathalie Baye, Francis Huster, (more)
- 1982
When the lights go off at a meeting of the Central Committee of the Communist Party, no one suspects anything more than the usual power outage -- until the Secretary General, Santiago Carrillo, ends up murdered in that short span of time. The Party calls in a private investigator, and the government asks a rabid anti-communist to find out who committed this crime. From that point onward, the KGB and the CIA are somehow involved, and the climate degenerates into one of torture and sex, though not both at the same time. As the private investigator bumbles his way from one predicament to the other, the solution to the crime seems in no danger of immediate discovery. ~ Eleanor Mannikka, Rovi
- Starring:
- Patxi Andion, Victoria Abril, (more)
- 1983
Based on Erskine Caldwell's novel, Le Batard could also refer to this French film born from an American novel, with the American South transformed into the south of France. An unemotive Gerard Klein is Patrice, the Paris automobile mechanic who travels to Marseille to identify the body of his loose-living and long-lost mother, who has been found murdered. After proceeding to kill off her barroom boss, he meanders around the south of France looking for sexual relationships. He comes across a teenage musician and is attracted enough to her obvious appeal to establish a more permanent liaison, taking her with him to Paris to set up housekeeping -- for she is pregnant. Soon she is driven to the limits of depression and boredom caring for their home and a new baby, and he has reached his limits of confinement and responsibility -- so he takes off again. ~ Eleanor Mannikka, Rovi
- Starring:
- Gerard Klein, Julie Jezequel, (more)
Essentially a tale of romance mixed in with a dash of politics, this engrossing story involves Engracia (Victoria Abril), a young Mexican prostitute working just south of the border with the U.S., and two American border guards who are among her clients: Mitch (Scott Wilson), a tough, go-by-the-book Anglo who has no deep affection for Mexicans, and Chuck (Jeff Delgar), an idealistic new border guard who has yet to learn the ropes. In a few instances, the film exposes the prejudice against Mexicans, but otherwise, politics is secondary to what happens next. Chuck falls in love with Engracia, and the two get married in Mexico -- and then he smuggles her across the border that he himself has been hired to guard. Sure enough, the vile Mitch gets into the act and quite clearly, both Chuck and Engracia are heading for trouble. ~ Eleanor Mannikka, Rovi
- Starring:
- David Carradine, Scott Wilson, (more)
- 1984
In his second successful starring role in 1983, Agustín Gonzalez is a father who runs a wine shop in Madrid, a city under a three-year siege (1936-1939) because the Nationalists forces of Francisco Franco need to take Madrid before the fascist dictator can be installed in power. The siege has left the Madrileños with very little food, living under the threat of bombs, and worrying about the prospects of defeat. It is the sense of impending disaster, of hunger and deprivation that is oddly missing from this cinematic interpretation of the play by Fernando Fernán Gómez. The daughter in the family (Victoria Abril) enters into a love affair with a soldier and ends up having a baby, the son (Gabino Diego) is coming of age with the maid - and life seems to go on with all its proverbial ups and downs. But without the sharp dialogue of the play itself, this film is not as tautly strung, or as convincingly real as the stage production. ~ Eleanor Mannikka, Rovi
- Starring:
- Amparo Soler Leal, Agustin Gonzalez, (more)
- 1984
This ostensible comedy about the affairs or non-existent affairs of television executive Federico José Sacristán and his actress wife Elena Victoria Abril) is almost as hard to believe as director Manuel Gutiérrez-Aragón's previous effort Feroz. Federico convinces a friend to attempt to seduce his wife in order to test her fidelity. She passes the test, but her husband is not satisfied, and so he asks his boss to seduce her. Events conspire to lead the boss in another direction -- it turns out he is more interested in a transvestite who is actually the secret lover of Federico, and the boss seduces him instead. Meanwhile, Elena is acting in a production of Don Juan in which two of her supposed lovers are playing her lovers -- and the story continues downhill from there. ~ Eleanor Mannikka, Rovi
- Starring:
- José M. Sacristán, Victoria Abril, (more)
- 1984
The emotional interplay between an arguing couple, in love but not happy with their relationship, is meant to be the sustaining force in this crime drama with little other action. Thomas (Christophe Malavoy) has been blackmailed into carrying a shipment of explosives in his Peugeot to Egypt, where the devices will be forwarded to guerrillas on Cyprus. He brings his lover Veronique (Victoria Abril) along for the dangerous ride from Switzerland to the south, knowing the explosives can be easily detonated by accident and enemy agents as well as government agents are out to capture him. Both protagonists have a short fuse themselves, and as they separate and then come back together, their final destination looms ever closer in more ways than one. ~ Eleanor Mannikka, Rovi
- Starring:
- Christophe Malavoy, Victoria Abril, (more)
- 1984
- R
This technically impressive throwback to the early days of film noir stars Richard Berry as Bruno, a young actor who seems to get blamed for everything. Spotting a gorgeous female shoplifter (Victoria Abril) in trouble, Bruno decides to help her and gets arrested in her place. While lamenting his fate in prison, he is blamed for an escape attempt in which a psychotic guard (Richard Bohringer) is shot. When Bruno's sentence is lengthened, the guard makes his life a nightmare until the terrorized prisoner must lash out in the ultimate rebellion against (and surrender to) his inescapable fate. Director Denis Amar's moody film is strong on atmosphere but weak in characterization, despite an impressively sadistic turn by Bohringer, and the movie leaves the viewer flat rather than moved. ~ Robert Firsching, Rovi
- Starring:
- Richard Berry, Richard Bohringer, (more)
- 1984
Fernando Rey plays a Spanish cardinal who returns to his home town thirty years after leaving for Rome. Rey knew that he'd left an illegitimate daughter behind, but was unaware that he also has a granddaughter (Victoria Abril). The girl is embroiled in an affair with Rey's own brother (Francisco Rabal), a Marxist activist. The filmmakers' sympathies are more with Marxism than Catholicism, but politics are secondary to the kinky romantic intrigues. Evidently Fernando Rey didn't consider Our Father (original Spanish title: Padre Nuestro) significant enough to list on his official, published resume. ~ Hal Erickson, Rovi
- Starring:
- Fernando Rey, Francisco Rabal, (more)
- 1985
An accomplished and "enchanting" fantasy-romance, this story of a couple's love for each other and a pixie's benevolent intervention in their lives is entertaining from beginning to end. Cesar (Francisco Rabal) is a fake sorcerer and travels with his wife Pilar (Concha Velasco) in a combination bus and house, performing magic shows for the public. One time when they are stuck in a ditch in the middle of nowhere, a young woman named Saga (Victoria Abril) helps them get out and back on the road again. It soon becomes clear by her actions that Saga is a friendly pixie-witch. She and her warlock cohort cause Cesar's fake magic to really work -- and that is just the beginning. ~ Eleanor Mannikka, Rovi
- Starring:
- Francisco Rabal, Concha Velasco, (more)
- 1985
In this otherwise routine film, John Hurt is outstanding as the deceptively unbalanced Peter, brother of Laurence (Julian Sands), an inmate for the last many years in a mental institution in Geneva, Switzerland. An unusual accident cost the life of Laurence's twin brother, when they were just little boys, and sent Laurence to the Geneva clinic. For reasons of his own, Peter, a respected anthropology professor, gets Laurence released from the institution's care and then sets them both up in a low-end apartment in the city. When Pascale (Victoria Abril), a young college student, starts to fall for Laurence, Peter's own mental state is called into question. ~ Eleanor Mannikka, Rovi
- Starring:
- John Hurt, Julian Sands, (more)
- 1986
Set at the end of the 1940s, this drama about Pedro (Imanol Arias), a medical researcher, and his relationships with his family and women underscores the mood of repression that dominated Spain during Franco's fascist regime. Pedro lives in a boardinghouse and is attracted to Dorita (Victoria Abril), his beautiful neighbor. He wiles away his time with a wealthy friend and generally leads a normal life until he tries to save the life of a young woman who has had an abortion that went tragically wrong. He fails, and the woman's boyfriend comes after him, believing that he killed her. ~ Eleanor Mannikka, Rovi
- Starring:
- Imanol Arias, Victoria Abril, (more)
Fabled Japanese filmmaker Nagisa Oshima was the guiding hand behind the fast-paced French comedy Max, Mon Amour. The "Max" with whom the elegant Charlotte Rampling falls in love is a circus chimpanzee (played by a short-statured man in a monkey suit). Charlotte's British-ambassador husband Anthony Higgins has long suspected that his wife was cheating on him, but he certainly isn't prepared for her simian paramour. Amazingly, the film never descends into goofiness: Oshima uses his unorthodox plotline to poke holes in the self-protective pretensions of the Bourgeoisie. ~ Hal Erickson, Rovi
- Starring:
- Charlotte Rampling, Anthony Higgins, (more)
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