Richard Weber Movies

Two bored and neglected suburban housewives find themselves intrigued by lesbianism after they watch two female lovers having an intimate lunch on the Sunset Strip. They are both fascinated and repelled, and one of the wives is disturbed to find herself attracted to the other. Still a passionate affair begins between the two friends. Giddy with love and happiness, everything falls apart when the wife who began the affair abruptly ends it by getting involved with a virile young actor. The other wife is devastated, decides that she really is a lesbian and sets out to prove it with a strong-willed dyke during a party. ~ Sandra Brennan, Rovi

A landmark independent film, Nothing but a Man is the first dramatic story featuring a largely black cast created for an integrated audience (the work of black filmmakers such as Oscar Micheaux was intended for audiences who patronized black-only theaters). White filmmakers Michael Roemer and Robert M. Young traveled through the South in 1962 in search of ideas for a fiction feature set during the growing turbulence of the civil rights era. Their story, based in Alabama but shot in southern New Jersey, is only tangentially related to the movement toward equality. Duff, an itinerant black railroad laborer (Ivan Dixon), romances and marries Josie, a small-town preacher's daughter (Abbey Lincoln). Duff insists on being treated with respect, but his stance is personal rather than political. After he settles down in the town with Josie, he comes up against white bosses who want to make sure he knows his place and black men such as Josie's father who don't want to rock the boat for fear of losing what little advantage they have. Duff's relationship with his own father (Julius Harris), a broken-down drunk living in Birmingham, teaches him valuable lessons about dignity and self-worth. The film was lauded at both the New York and Venice festivals but received limited release in theaters specializing in foreign and independent film. However, word of mouth in the black community (where Nothing but a Man was for years a staple on the 16 mm rental market, in the days before VCRs) and continued attention by film historians have ensured the status of Nothing but a Man as a pioneering and enduring work. ~ Tom Wiener, Rovi

Bumping along over several flaws, this is an odd sci-fi film directed by David Bradley, best known for his incredibly vast private film library rather than his stints in the director's chair. A very motley crew is winging its way through space with the moon as its objective. On board the spaceship are a dozen scientists, engineers, and researchers from the U.S., Sweden, Russia, Israel, Germany, and even Turkey. The flight captain has not only a variety of nationalities to juggle but must also contend with the dissension between the German and Israeli due to a certain holocaust tragedy in World War II. The romance between the magnificent Swedish chemist and the Turkish biologist is also heating up. But the worst is yet to come. After landing on the moon, the crew discovers that underneath the lunar surface is a whole civilization of peace-loving moon-beings who never asked for visitors. Their reaction is rather chilling. ~ Eleanor Mannikka, Rovi